Barrio Rhythm

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ISBN: 9780252062889 | 0252062884
Cover: Paperback
Copyright: 5/1/1993

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Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth-century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from post-World War II era to the present.

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Acknowledgments	p. xiii
Introduction	p. xvii
History
Society and Music in Mexican Los Angeles	p. 3
Independence from Spain
U.S. Annexation
Mexican Transition 1848-1900
Early Twentieth Century Los Angeles
Growth, Industrialization, and the Early Radio and Recording Industries
Repatriation 1931-34
Wartime
Barrio Rhythm: Social Development since the Postwar Period	p. 41
The Postwar Years
The Chicano Movement
The 1980s
A Chronicle of Musical Life: Los Angeles, 1945-90	p. 54
1945-50
The 1950s
The Nightclub Circuit
The Recording Industry
The Eastside Sound
Institutional and Media Development
Conclusion
Jazz and Fusion Musicians
Ethnography
Profiles of the Artists: The War Veterans	p. 131
John Ovalle: Selling Records on Whittier Boulevard
Andy Russell: Crooner from Boyle Heights
Eddie Cano: Memories of a Pianist
Lalo Guerrero: Musician, Satirist, and Legend
Profiles of the Artists: Papa's Got a Brand New Bag	p. 185
Teresa Covarrubias: The Wolf and the Lamb
Poncho Sanchez: Conguero
Irma Rangel: Angel Warrior
Los Illegals: Punk, Politics, and Latin Angst
Los Lobos: Just Another Band from East L.A.
Reflections
Change, Conflict, and Childhoods	p. 259
Enculturation
The Formation of Style
Intercultural Conflict
Reflections of a Homeboy	p. 279
Bibliography	p. 287
Discography	p. 299
Index	p. 303
Table of Contents provided by Syndetics. All Rights Reserved.

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Barrio Rhythm

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