Can Do Writing
The Proven Ten-Step System for Fast and Effective Business Writing
By Daniel Graham Judith Graham
John Wiley & Sons
Copyright © 2009
Daniel Graham and Judith Graham
All right reserved.
ISBN: 978-0-470-44979-0
Chapter One
Analyze Purpose
and Audience
To start planning your document, answer six questions in order as
you analyze purpose and audience. Treat each question as a necessary
technique. One question is about you, the writer: What result
do you want? Five questions are about your audience. If you can't
answer the following six analytical questions, you can't write a
successful document:
1.1 What result do you want from the document?
1.2 Who is the audience?
1.3 What does the audience do with the information?
1.4 What information does the audience need?
1.5 Does the audience know little or much about the information?
1.6 Does the audience need proof?
For recent college graduates entering the workplace, analysis is
key to making the transition between academic essays and results-oriented
documents. In school, you pay other people to read your
documents. Now that you are out of school, you want other people
to pay you to write documents. They are not going to read your
documents or pay you unless your documents have value for them.
These six techniques ensure that your documents provide value to
your reader.
Analysis of your purpose and the audience helps you make
important decisions about the document. You decide the type of
document to write. You manage the tone of your document-neutral
to authoritative. You identify the information the
audience needs to achieve its purpose, and consequently you
know what is relevant. What the audience does with the information
provides clues on how best to organize the document.
If the audience knows little about the information, you need to
write a longer document-often twice as long. If the audience
needs proof, you need to write a longer document including
more supporting facts.
For some complex documents, you may have more than one audience.
If you have more than one audience, you need to analyze each
separately. We provide examples of multiple audiences in this step. Each
has a different purpose; each needs different information. One audience
knows a little while the other knows much. One audience needs
proof while the other does not. Later, you write to each separately,
either in separate documents or in separate sections within a document.
If you have more than one audience, add a seventh technique:
1.7 Plan how to write to multiple audiences.
1.1 What Result Do You Want from the Document?
When we ask writers what result they want from their document, we
usually get answers like, "I want to inform ... explain ... describe...."
Okay, but why do you want to inform, explain, or describe? What result do
you want?
Result? Some writers think self-interest is wrong-as if wanting a
result is impolite. If the result is good, what is wrong with wanting it?
The job seeker wants the satisfying job. The contracting officer wants
the best value at the least risk. The sales staff wants to sell their goods
and services. Staff experts want managers to accept their recommendations.
Managers want their plans and decisions implemented.
Most successful business relationships occur when two parties
participate in an activity that helps both get the result each wants.
Likewise, documents succeed when the document helps the writer
and reader both get the result each wants.
Therefore, know what result you want, and don't be altruistic.
My company wants to inform the client of a new upgrade is altruistic.
Instead, identify what result you want from the document: We want
the client to buy the new hardware upgrade from us.
Subject matter experts often focus on subject matter instead of
what result they want: My purpose is to explain the functions of the new
billing system. Why are you explaining the functions? Instead, focus
on the result you achieve with your explanation: I want the client
to approve the billing system functions, so my technical staff can develop a
detailed design.
Never vent feelings: I'm expressing my outrage at the unauthorized
charge on my credit card account. So what if you're outraged? Instead,
focus on the result you want: I want the credit card company to remove
the unauthorized charge from my account.
Be sure to limit the result you expect from any specific document.
For example, you want a job that you see advertised. So you
submit your resume with a cover letter. Don't write, Please review my
resume and send me a job offer. The purpose of the cover letter is simply
to inform the company that you are applying and to encourage
them to read your resume. The purpose of your resume is to get an
interview. The purpose of the interview is to get a job offer.
The result you want from the document affects the kind of document
you choose, such as e-mail, letter, report, or proposal. The result you
want also affects your tone, such as formal, informal, warm, or firm.
If you write for someone else's signature-your boss' perhaps-ensure
that you know what result the boss wants from the document.
Don't guess.
1.2 Who Is the Audience?
Having decided what you want from the document, turn your
attention to the audience. First, answer this question: Who is the
audience? The audience is whoever uses the document's information
to do something. Your audience can be a single reader or a group
of readers with similar needs. If you misidentify the audience, your
document is a failure from the start.
If you don't know who uses the information, don't guess: Ask.
Organization charts do not determine your audience.
Organization charts may determine how you route your communication,
but not necessarily who uses it. For example, you work in
the U.S. Patent and Trademark Office. You get a letter from Senator
Smith asking you to explain how his constituent, Mr. Jones, can
get an extension on a patent. A copy of Mr. Jones' letter is attached.
Protocol dictates that you reply to the senator, but you need to
direct the information to Mr. Jones, who uses the information. For
example, Dear Senator Smith: This letter explains how your constituent
Mr. Jones can apply for an extension for his patent....
Therefore, do not assume that your boss is the audience. Often,
the boss does not use the information. Rather, the boss provides
quality control for your document.
Be specific when identifying your audience. For example, you
are the office manager of Temps & Co., a temporary employment
agency. You write a policy that begins, This policy describes our
company benefits for employees.... In this case, the audience employees
is too general. Instead, write, This policy describes our company benefits
for full-time employees. By being specific, you avoid making trouble
for yourself and your temporary employees, who cannot use the
information in the document.
A document may have more than one audience. For example,
technical manuals often have multiple audiences: The user reads
the manual to use the tool, while the technician uses the manual
to maintain the tool. When writing a large proposal, you often have
multiple audiences: users, contract officers, budget specialists, and
legal staff. Staff studies often have two audiences: the managers who
decide and the experts who advise managers what to decide.
Remember, if you have multiple audiences, you must analyze
each separately. Later in technique 1.7, you plan how to accommodate
each audience with separate documents or sections.
1.3 What Does the Audience Do
with the Information?
To analyze each audience, begin by answering the question: What
does the audience do with the information? What the audience does with
the information is the most important piece of the analysis. Be specific
with your answer. Think past the obvious, "The audience reads
and evaluates...." Exactly what do they do with the information that
they read and evaluate?
If you don't know what the audience does with the information
in your document, don't guess: find out. Everything in your
document is relevant only to the extent that it helps the audience do
whatever they need to do. If you don't know what they do with the
information, you cannot possibly know what information they need.
In general, readers do three things with information:
1. Advise others
2. Decide, which includes plan, budget, and manage
3. Follow instructions to perform tasks
Consider, for example, information about wireless computer
networks. A company's technology expert uses technical information
to advise management about choosing a wireless network. A
manager uses information about the costs and benefits to decide
whether to convert to a wireless network. Employees use how to
information to share files on the wireless network.
How people use information is independent of job titles and
education. Every person at every level gives advice, makes decisions,
and follows instructions.
Don't waste time writing a document that lacks purpose. If the
reader doesn't see the purpose, then your document is by default an
FYI (for your information) document. How do readers react to FYI
documents? When you sort through your e-mails, what do you do
when you suspect an e-mail is just FYI? If you are like most busy
people, you hit the delete key so fast that you approach the speed of
light. Serious people ignore purposeless FYI documents.
Avoid vague descriptions of the audience's purpose:
This brochure helps students understand the enrollment process.
(vague)
This brochure tells the student how to enroll for summer classes.
(specific)
Remember, if you have multiple audiences, determine what
each does with the document. For example, you work for a drug
company, writing text about a new drug for your company web site.
You have two audiences: the public and physicians. The public reads
the text so they can consult their physicians. Physicians read so they
can safely prescribe the drug.
1.4 What Information Does the Audience Need?
What the audience does with the information determines what
information they need. Do not tell them everything you know, just
what they need.
We must contrast writing in school and writing in the
workplace. In school we learned more is better. We tried to impress
the teacher with how much we knew about the subject. In fact,
we earned better grades when we demonstrated the breadth of our
knowledge. However, in the workplace, readers do not care how
much we know unless that knowledge helps them do something.
In school, we learned, if you can't answer the question, answer a question
you can. That strategy is reasonable when taking a test. However,
in the workplace, when we can't answer the question, the smart
response is, I don't know. I will find an answer.
Much of the value you, as a subject-matter expert, provide the
audience is your ability to select the necessary information from
the vast store of unnecessary information. Usually the audience
needs to know a small subset of what you know about the subject.
They just want the information they need to accomplish some particular
purpose. Everything else you know about the subject is irrelevant
in the document.
Imagine that you are the inventor of a ceramic paint that lasts
30 years. You proved scientifically that your paint works. Now you
need to raise capital to build a manufacturing plant. You prepare a
briefing to present your promising technology to Venture Capital
Inc., who can raise the capital you need. Venture Capital does not
need to know how you make your paint. Moreover, they don't
really care how you make your paint. They need to know the capital
required, the potential return on investment, the schedule of
payback, and the risks.
If you don't know whether the audience needs to know something,
ask them.
If you have multiple audiences who do different things
with the information, you can be certain they need different
information.
1.5 Does the Audience Know Little or
Much About the Information?
Citing only what information the audience needs, answer the
question: Does the audience know little or much about the information?
For example, you write a staff study comparing the cost to lease
or buy a Cessna Citation CJ2 2000 corporate jet, so your company
treasurer can present the idea to the board of directors. The treasurer
knows next to nothing about jets, but she doesn't need information
about jets. Rather, she needs information about leasing and buying. Therefore,
she knows much. On the other hand, if the company
pilot reads the same document, he knows little: He knows much
about jet aircraft but not finance.
If the audience knows much about the information, you can
use technical language, even jargon. If the audience knows little, you
help them in four ways:
1. Define words.
2. Give examples.
3. Provide analogies.
4. Draw pictures.
You might think your audience is halfway between knowing little
and much-indeed, most people are between. Nevertheless, you
need to pick little or much because you can't give half-definitions,
half-examples, half-analogies, or half-pictures.
The audience who knows little always gets a longer document,
often two to three times longer than the same document written to
an audience who knows much. Use this valuable insight to help you
estimate the time for any writing task.
If you don't know if the audience knows little or much, ask if
they want you to define words, give examples, or provide analogies
and pictures. If you can't ask and must guess, always guess that the
audience knows much. You get in as much or more trouble for writing
a document too long as writing a document too short. First, you
spend two to three times the labor hours writing the long document-time
you cannot get back. Second, managers resent reading
long documents written beneath them, and they rightly assume that
they are paying more for a long document when they want a less
expensive short document. The wiser approach is to send the short
document written for the audience who knows much. Let the manager
ask you for the longer version.
Whether the audience knows little or much about the subject affects
the type of document you choose, the length of the document, and
your word choice.
1.6 Does the Audience Need Proof?
Based only on what the audience needs to know, answer the question:
Does the audience need proof? If they need proof, you need to
include more supporting facts.
Don't assume that you must prove everything. People hire
experts for their expert advice, not for their detailed proofs.
The audience who needs proof always gets a longer document,
because they need more supporting details. Use this valuable insight
to help you budget your time for any writing task.
If you don't know whether the audience needs proof, ask. If you
can't ask, always assume the audience believes you. You save time.
Moreover, managers under time-pressure to make a decision resent
experts who force them to read detailed proofs. Software users who
want simple instructions groan when the manual explains the clever
design and engineering subtleties in the software.
Sometimes the audience who wants proof won't understand
the proof. A common scenario involves the manager who needs to
know the business impact (the effect) of a decision. Also, the manager
wants proof. Unfortunately, the proof is usually in the science
or technology (the cause).
For example, a sales manager wants to decide whether investing
in an interactive web site can improve customer service. He
needs information about costs, benefits to his customers and sales
staff, and reliability. He is skeptical about machines interacting with
his customers, so he wants proof. The proof is in a detailed discussion
of computer science: hardware, software, and communications.
The sales manager knows almost nothing about computer science;
however, the company has a computer expert on staff. Writing the
proof to the sales manager is a waste of time.
Therefore, write about web-based customer support in two
parts-one part to each audience. Write about the business impact
(the effect) to the sales manager who makes the decision. Write
about the technical proof (the cause) to the computer expert who
advises the sales manager.
Whether the audience needs proof affects the type of document you
choose, amount of supporting detail, and tone.
1.7 Plan How to Write to Multiple Audiences.
If you discover that your document has more than one audience,
apply this seventh technique: Plan how to write to your multiple
audiences. You must write to each separately. You cannot write to
different audiences in the same body of a document.
(Continues...)
Excerpted from Can Do Writing
by Daniel Graham Judith Graham
Copyright © 2009 by Daniel Graham and Judith Graham.
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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