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Tomaso Albinoni (1671-1751) is familiar as a Venetian composer, a contemporary of Vivaldi's, and as one of the first composers of concertos, many of which are frequently performed today. His vocal music, however, has been unjustly neglected. This book presents new information on Albinoni's unusual life and interesting details of the Venetian environment and music at the time. Talbot includes a detailed analytic study of the vocal music and a discussion and listing of several newly discovered works. From this objective assessment of his art, Albinoni emerges as a composer with a highly original vision whose music deserves to be better known.