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Beethoven's Piano Sonata in E, Op. 109

Author(s): Nicholas Marston
ISBN10: 0193153327
ISBN13: 9780193153325
Cover: Hardcover
 
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List Price $215.00 
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Summary
In this book on Beethoven's Piano Sonata in E, Op. 109, Nicholas Marston combines source studies and a Schenkerian analytical approach to produce one of the most extensive and detailed studies of a Beethoven piano sonata ever published. The study is based on a complete transcription of all the surviving autograph musical sources: the sketches, a fragmentary Urschrift, and the autograph score. Early printed editions and manuscript copies are also discussed and the text is handsomely supported by extensive transcription from the sources. After an introductory chapter in which previous work - notably that of Heinrich Schenker himself - on this sonata is reviewed, chapter 2 draws upon Beethoven's letters, conversation books, sketchbooks, and other sources to build up a detailed 'biography' of Op. 109. The middle chapters form the core of the analytical study: the sketches for each of the three movements are analysed both to reveal aspects of the genesis of the movement and to build up a particular analytical approach to the final version. The discussion embraces al

In his thorough analytical study of Beethoven's Piano Sonata in E, Op. 109, Nicholas Marston suggests a unique way of understanding this important work. The book provides an exhaustive study of its sources and an analytical approach to the structure of the sonata itself. The source study is based on a complete transcription of all the surviving manuscript sources for the work; the book includes a large majority of the sketches, and parts of the autograph score. The introductory chapter reviews Heinrich Schenker's work on Op. 109. In Chapter 2 Beethoven's letters, conversation books, sketchbooks and other sources are used to build up a detailed picture of the progress of his work on the sonata. The middle chapters form the core of the analytical study in which the sketches for each part of the three movements are analysed in detail, and the relevance of the sketches to the final version is explored. The final chapter extends the notion of "sketch" beyond Op. 109 and summarizes the results of the study.

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