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  Musical composition is a key discipline in music programs in conservatories, colleges, and universities. Many teachers consider it as important in the development of young musicians as listening and performance. It can be argued that through compositions musicians achieve the deepest insight into the composer and his music. Musical Composition takes the student through the elements--melody, harmony, counterpoint, and rhythm--before covering a variety of special subjects such as writing vocal and choral music, accompaniments, and film and TV music. Chapters are devoted to recent techniques including free diatonicism, serialism, and indeterminacy. Over 200 examples illustrate points in the text and there are exercises for each chapter. | Acknowledgements |
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vi | |
| Introduction |
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viii | |
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Composition: key to musicianship |
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1 | (3) |
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4 | (3) |
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7 | (6) |
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13 | (22) |
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35 | (14) |
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49 | (10) |
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59 | (13) |
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72 | (3) |
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75 | (13) |
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Technical expansions: 1 (Free pentatonic music; Free diationicism; The whole-tone scale; Bitonality and polytonality; Harmony in fourths) |
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88 | (23) |
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Technical expansions: 2 (Towards atonality; Atonality; Free chromaticism or free twelve-note music; Twelve-note harmony) |
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111 | (14) |
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125 | (23) |
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Indeterminacy, graph scores, text scores, improvisation |
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148 | (12) |
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160 | (8) |
| Exercises |
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168 | (17) |
| Index |
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185 | |
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