| Acknowledgements |
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viii | |
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|
x | |
| Chronology of Gerhard's Life and Work |
|
xi | |
| Introduction |
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1 | (8) |
| I Composer and Public |
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Listening to music (1930) |
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9 | (2) |
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The composer and his audience (1960) |
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11 | (6) |
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17 | (7) |
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The contemporary musical situation (1956) |
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24 | (13) |
| II Tradition and Innovation |
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Music at the court of Alfonso V the Magnanimous (1936) |
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37 | (2) |
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A note on Felipe Pedrell (c. 1940) |
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39 | (2) |
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New musical methods (1930) |
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41 | (12) |
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53 | (6) |
| III Contemporary Composers 1929--1939 |
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Hanns Eisler (1898--1982) |
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59 | (3) |
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62 | (3) |
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65 | (2) |
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67 | (1) |
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Some Composers from Madrid |
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68 | (9) |
| IV Music and Drama |
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77 | (2) |
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79 | (2) |
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81 | (7) |
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88 | (15) |
| V New Horizons |
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Schoenberg, Twelve-note music and serialism Schoenberg in Barcelona (1932) |
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103 | (11) |
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On composition with twelve notes (1954) |
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114 | (2) |
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Tonality in twelve-tone music (1952) |
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116 | (13) |
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Developments in twelve-tone technique (1956) |
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129 | (10) |
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Alban Berg: obituary (1936) |
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139 | (3) |
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142 | (6) |
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Twelve-note technique in Stravinsky (1957) |
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148 | (9) |
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Functions of the series in twelve-note composition (1960) |
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157 | (20) |
| VI Music in a Post-war Context |
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177 | (3) |
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Concrete music and electronic sound composition (1959) |
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180 | (7) |
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187 | (9) |
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196 | (3) |
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Introduction to Symphony No. 2 (1959) |
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199 | (2) |
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``Is Modern Music Growing Old?'' (1960) |
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201 | (10) |
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211 | (5) |
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The Muse and music today (1962) |
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216 | (10) |
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An inaugural lecture (1961) |
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226 | (8) |
| Notes |
|
234 | (10) |
| Appendix I: Chronological list of Gerhard's writings |
|
244 | (4) |
| Appendix II: List of musical compositions by Gerhard and selected discography |
|
248 | (19) |
| Selected bibliography |
|
267 | (4) |
| Index |
|
271 | |
