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vii | |
| The Nineteenth Century General Editors' Preface |
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ix | |
| Acknowledgments |
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xi | |
| Introduction: New Perspectives on the Victorian Comic Spirit |
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xiii | |
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Parody, Pastiche, and the Play of Genres: The Savoy Operas of Gilbert and Sullivan |
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1 | (22) |
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The Fissure King: Parody, Ideology, and the Imperialist Narrative |
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23 | (20) |
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Laughing at the Almighty: Freethinking Lampoon, Satire, and Parody in Victorian England |
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43 | (24) |
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Tipping Mr. Punch ``the Haffable Wink'': E. J. Milliken's Cockney Verse Letters |
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67 | (24) |
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American Humor: The Mark of Twain on Jerome K. Jerome |
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91 | (24) |
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Humor as Daughterly Defense in Cranford |
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115 | (26) |
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Dickens's Dystopian Metacomedy: Hard Times, Morals, and Religion |
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141 | (12) |
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Transcendence through Incongruity: The Background of Humor in Carlyle's Sartor Resartus |
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153 | (20) |
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``Falling into Philistine Hands'': Swinburne's Transgressive Correspondence |
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173 | (18) |
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Arnold's Irony and the Deployment of Dandyism |
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191 | (14) |
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Salome: Re/Dressing Wilde on the Rim |
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205 | (14) |
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The Laugh of the New Woman |
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219 | (24) |
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| Notes on Contributors |
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243 | (4) |
| Index |
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247 | |
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