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vii | |
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| Preface |
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xiii | |
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Introduction: collective identity/individual identity |
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1 | (16) |
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A knight in the Arena: Enrico Scrovegni and his `true image' |
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17 | (16) |
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Reconstructing Benozzo Gozzoli's artistic identity |
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33 | (18) |
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Patronage and identity in Renaissance Florence: the case of S. Maria a Lecceto |
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51 | (12) |
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Art and life in Renaissance Italy: a blurring of identities? |
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63 | (16) |
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A preface to signatures (with some cases in Venice) |
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79 | (12) |
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Fashioning identities for the Renaissance courtesan |
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91 | (16) |
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Beauty and identity in Parmigianino's portraits |
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107 | (12) |
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Problems of identity in an age of change: the viewer of art in Renaissance England |
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119 | (12) |
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Moretto and the Congregation of S. Giorgio in Alga 1540-1550: fashioning a visual identity of a religious Congregation |
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131 | (18) |
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`Ut vita scultura': Cellini's Perseus and the self-fashioning of artistic identity |
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149 | (14) |
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Victoria C. Gardner Coates |
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Artists into heroes: the commemoration of artists in the art of Giorgio Vasari |
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163 | (14) |
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`Cittadin nostro Fiorention': Mechelangelo and Fiorentinismo in mid-sixteenth-century Florence |
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177 | (12) |
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The identity of the prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti |
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189 | (8) |
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`Frail flesh, as in a glass': the portrait as an immortal presence in early modern England and Wales |
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197 | (16) |
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| Bibliography |
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213 | (20) |
| Index |
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233 | |
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