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 | Notes on contributors |
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vii | |
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| Preface |
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x | |
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xii | |
| Introduction |
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1 | (11) |
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Felix Duban, early photography, architecture, and the circulation of images |
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12 | (19) |
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'Great gaps and voids': John Singer Sargent's interior abyss |
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31 | (23) |
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Architecture, ornament and pictorialism: notes on the relationship between the arts from Wolfflin to Le Corbusier |
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54 | (19) |
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Henry Van de Velde's Bloemenwerf: English books and Belgian Art Nouveau |
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73 | (18) |
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Empathy and Abstraction at the Munich Artists' Theatre |
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91 | (20) |
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The Expressionist Sublime |
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111 | (24) |
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Scratching the membrane: photography, sculpture, and building in early twentieth-century southeastern Nigeria |
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135 | (24) |
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From Werkbund to Entartung: Willi Baumeister's 'Wall Pictures' |
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159 | (27) |
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From monument to Muralnomad: the mural in modern European architecture |
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186 | (23) |
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Le Corbusier's 'synthesis of the major arts' in the context of the French Reconstruction |
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209 | (19) |
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Skyscraper vision in early science-fiction art |
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228 | (29) |
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Berenice Abbott's Changing New York and urban planning debates in the 1930s |
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257 | (26) |
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Picturesque urban pastoral in post-war New York City |
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283 | (21) |
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Constructed grounds: new strategies in contemporary European architecture |
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304 | (13) |
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| Index |
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317 | |
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