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 | Preface |
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vii | |
| Notes on contributors |
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x | |
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`onelye a boye called Christopher Mowle' |
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1 | (16) |
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`The Studious Artizan': Christopher Marlowe, Canterbury and Cambridge |
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17 | (21) |
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`At Middleborough': Some Reflections on Marlowe's Visit to the Low Countries in 1592 |
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38 | (13) |
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Visible Bullets: Tamburlaine the Great and Ivan the Terrible |
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51 | (19) |
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Marlowe's Massacre at Paris and the Reputation of Henri III of France |
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70 | (26) |
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96 | (14) |
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Marlowe and the New World |
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110 | (9) |
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The Stage, the Scaffold and the Spectators: the Struggle for Power in Marlowe's Jew of Malta |
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119 | (10) |
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Christopher Marlowe and Atheism |
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129 | (19) |
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Necromantic Books: Christopher Marlowe, Doctor Faustus and Agrippa of Nettesheim |
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148 | (24) |
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`What passions call you these?': Edward II and James VI |
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172 | (26) |
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Christopher Marlowe: Ideology and Subversion |
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198 | (26) |
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`What meanes this shew?': Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta |
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224 | (15) |
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Marlowe and the Internalization of Irony |
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239 | (7) |
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| Bibliography |
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246 | (16) |
| Editions of Marlowe's Works |
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262 | (1) |
| Index |
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263 | |
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