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Fiction > Shakespeare

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Shakespeare and His Contemporaries in Performance

Author(s): Esche, Edward J.
ISBN10: 0754600467
ISBN13: 9780754600466
Cover: Hardcover
 
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Table of Contents
Illustrations
vii
Acknowledgements viii
List of Contributors
ix
Editor's Preface x
Edward J. Esche
Introduction 1(2)
Shakespeare and Cultural Tourism
3(18)
Dennis Kennedy
SHAKESPEARE ON FILM 21(30)
The Recent Films
23(12)
H.R. Coursen
(En)Gendering Desire in Performance: King Lear, Akira Kurosawa's Ran, Tadashi Suzuki's The Tale of Lear
35(16)
Yoko Takakuwa
NINETEENTH- AND TWENTIETH-CENTURY CONTEXTS 51(96)
Touring in Asia: The Miln Company's Shakespearean Productions in Japan
53(20)
Kaori Kobayashi
Interculturalism or Indigenization: Modes of Exchange, Shakespeare East and West
73(16)
Poonam Trivedi
Berlin--Zurich--Dusseldorf: Aspects of German Theatre During the Nazi Period and After
89(20)
Wilhelm Hortmann
Gentlemen You Are Welcome to Elsinore: Hamlet in Performance at Kronborg Castle, Elsinore
109(12)
Niels B. Hansen
Culture Clustering, Gender Crossing: Hamlet Meets Globalization in Robert Lepage's Elsinore
121(16)
Nigel Wheale
`The Homestead of History': Shakespearean Medievalism on the Mid-Victorian Stage
137(10)
Richard W. Schoch
RENAISSANCE CONTEXTS 147(92)
Falstaff's Page as Early Modern Youth at Risk
149(12)
Mark H. Lawhorn
Fashion, Nation and Theatre in Late Sixteenth-Century London
161(16)
Janette Dillon
The Italian Job: The Poetics of Graced Performance in the Commedia dell' Arte and in Jonson's Humour Plays
177(14)
Rocco Coronato
The True Physiognomy of a Man: Richard Tarlton and His Legend
191(20)
Peter Thomson
`'Tis a pageant / To keep us in false gaze': Othello, Virtual History and the Jacobean Audience's Turkish Expectations
211(28)
Mark Hutchings
FROM TEXT TO PERFORMANCE 239(80)
Don Pedro, Don John and Don ... who? -- Noting a Stranger in Much Adoodle-do
241(20)
Pamela Mason
`The Silent Griefs Which Cut the Heart Strings': John Ford's The Broken Heart in Performance
261(14)
Kristin Crouch
Cunning with Pistols: Observations on Gale Edward's 1996--7 RSC Production of John Webster's The White Devil
275(18)
Nick Tippler
The Nineteenth-Century Productions of A Yorkshire Tragedy (1608)
293(12)
Barry Gaines
The Magnetic Lady: Is the Unperformed Performable?
305(14)
Peter Happe
FEMALE ROLES 319(38)
`A Woman's generall: what should we feare?': Queen Margaret Thatcherized in Recent Productions of 3 Henry VI
321(18)
Randall Martin
The Disappearing Queen: Looking for Isabel in Henry V
339(18)
Diana E. Henderson
Index 357

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