|
|
.: HOME
|
.: BESTSELLERS
|
.: COMING SOON
|
.: NEW RELEASES
|
.: FICTION
|
.: NON-FICTION
|
.: CHILDREN'S
|
.: CLEARANCE BOOKS
|
|
100% Satisfaction Guaranteed | A BIGGER selection for a BETTER price!
|
| |
|
|
|
|
 |
|
|
vii | |
| Acknowledgements |
|
viii | |
|
|
|
ix | |
| Editor's Preface |
|
x | |
|
|
|
|
|
| Introduction |
|
1 | (2) |
|
Shakespeare and Cultural Tourism |
|
|
3 | (18) |
|
|
|
|
|
| SHAKESPEARE ON FILM |
|
21 | (30) |
|
|
|
23 | (12) |
|
|
|
|
|
|
(En)Gendering Desire in Performance: King Lear, Akira Kurosawa's Ran, Tadashi Suzuki's The Tale of Lear |
|
|
35 | (16) |
|
|
|
|
|
| NINETEENTH- AND TWENTIETH-CENTURY CONTEXTS |
|
51 | (96) |
|
Touring in Asia: The Miln Company's Shakespearean Productions in Japan |
|
|
53 | (20) |
|
|
|
|
|
|
Interculturalism or Indigenization: Modes of Exchange, Shakespeare East and West |
|
|
73 | (16) |
|
|
|
|
|
|
Berlin--Zurich--Dusseldorf: Aspects of German Theatre During the Nazi Period and After |
|
|
89 | (20) |
|
|
|
|
|
|
Gentlemen You Are Welcome to Elsinore: Hamlet in Performance at Kronborg Castle, Elsinore |
|
|
109 | (12) |
|
|
|
|
|
|
Culture Clustering, Gender Crossing: Hamlet Meets Globalization in Robert Lepage's Elsinore |
|
|
121 | (16) |
|
|
|
|
|
|
`The Homestead of History': Shakespearean Medievalism on the Mid-Victorian Stage |
|
|
137 | (10) |
|
|
|
|
|
| RENAISSANCE CONTEXTS |
|
147 | (92) |
|
Falstaff's Page as Early Modern Youth at Risk |
|
|
149 | (12) |
|
|
|
|
|
|
Fashion, Nation and Theatre in Late Sixteenth-Century London |
|
|
161 | (16) |
|
|
|
|
|
|
The Italian Job: The Poetics of Graced Performance in the Commedia dell' Arte and in Jonson's Humour Plays |
|
|
177 | (14) |
|
|
|
|
|
|
The True Physiognomy of a Man: Richard Tarlton and His Legend |
|
|
191 | (20) |
|
|
|
|
|
|
`'Tis a pageant / To keep us in false gaze': Othello, Virtual History and the Jacobean Audience's Turkish Expectations |
|
|
211 | (28) |
|
|
|
|
|
| FROM TEXT TO PERFORMANCE |
|
239 | (80) |
|
Don Pedro, Don John and Don ... who? -- Noting a Stranger in Much Adoodle-do |
|
|
241 | (20) |
|
|
|
|
|
|
`The Silent Griefs Which Cut the Heart Strings': John Ford's The Broken Heart in Performance |
|
|
261 | (14) |
|
|
|
|
|
|
Cunning with Pistols: Observations on Gale Edward's 1996--7 RSC Production of John Webster's The White Devil |
|
|
275 | (18) |
|
|
|
|
|
|
The Nineteenth-Century Productions of A Yorkshire Tragedy (1608) |
|
|
293 | (12) |
|
|
|
|
|
|
The Magnetic Lady: Is the Unperformed Performable? |
|
|
305 | (14) |
|
|
|
|
|
| FEMALE ROLES |
|
319 | (38) |
|
`A Woman's generall: what should we feare?': Queen Margaret Thatcherized in Recent Productions of 3 Henry VI |
|
|
321 | (18) |
|
|
|
|
|
|
The Disappearing Queen: Looking for Isabel in Henry V |
|
|
339 | (18) |
|
|
|
|
|
| Index |
|
357 | |
|
|
|
|
|
Better Selection, Better Prices
Biggerbooks.com offers a wide selection of new and used books, bestselling books, new releases, textbooks and more. Biggerbooks partners with the largest publishers and distribution centers to offer the cheapest book prices possible. Our goal is to provide you the best selection of books with the best prices.
|