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ix | |
| Introduction |
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1 | (8) |
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How pleasant to meet Mr Fielding: The Narrator as Hero in Tom Jones |
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9 | (12) |
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`Where then lies the difference?': The (Ante)Postmodernity of Tristram Shandy |
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21 | (16) |
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Old Mortality: Editor and Narrator |
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37 | (10) |
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Mathilda - Who Knew Too Much |
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47 | (8) |
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`Perswasion' in Persuasion |
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55 | (14) |
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Wuthering Heights as Bifurcated Novel |
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69 | (18) |
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87 | (14) |
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Nell, Alice and Lizzie: Three Sisters amidst the Grotesque |
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101 | (22) |
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The Androgyny of Bleak House |
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123 | (16) |
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Middlemarch and `the Home Epic' |
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139 | (20) |
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The Ghost of Doubt: Writing, Speech and Language in Lord Jim |
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159 | (10) |
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Liking or Disliking: Woolf, Conrad, Lawrence |
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169 | (12) |
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| Endnotes |
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181 | (18) |
| Notes on Contributors |
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199 | (2) |
| Index |
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201 | |
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