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vii | |
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ix | |
| Notes on contributors |
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xi | |
| Acknowledgements |
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xv | |
| Abbreviations |
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xvii | |
| Introduction |
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1 | (19) |
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The relation of autobiographical experience to the created work of art |
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20 | (15) |
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Idealism and ideology in Tippett's writings |
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35 | (25) |
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Kinship and commentary: Beethoven and Tippett's unpublished Quartet in F minor |
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60 | (18) |
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From agitprop to parable: a prolegomenon to A Child of Our Time |
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78 | (44) |
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Forging a relationship and a role: Michael Tippett and the BBC, 1928--51 |
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122 | (29) |
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`Musical trail-blazing and general daring': Michael Tippett, Morley College and early music |
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151 | (23) |
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Transcending song: Tippett's play with genre in vocal composition |
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174 | (25) |
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The Heart's Assurance: Tippett's `War Requiem'? |
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199 | (16) |
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Homeric resonance: King Priam and the Iliad |
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215 | (20) |
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The reception of British music in Germany: the case of Sir Michael Tippett |
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235 | (18) |
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| Index |
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253 | |
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