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vii | |
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ix | |
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xi | |
| Notes on Contributors |
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xiii | |
| Editors' Preface |
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xix | |
| PART I PHILOSOPHY OF MUSIC |
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3 | (16) |
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| PART II WAGNER |
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The Trial of Richard Wagner |
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19 | (20) |
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Music as Natural Language in the Moral Order of Wagner's Ring: Siegfried, Act 2, Scene 3 |
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39 | (21) |
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60 | (15) |
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| PART III LISZT |
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TrisZtan: Or, the Case of Liszt's `Ich mochte hingehn' |
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75 | (23) |
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The Controversy Surrounding Liszt's Conception of Programme Music |
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98 | (27) |
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Death Transfigured: The Origins and Evolution of Franz Liszt's Totentanz |
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125 | (30) |
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Common Narrative Structures in Music and Literature: A Semio-stylistic Investigation in the Arts of the Nineteenth Century (Liszt and Goethe) |
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155 | (14) |
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Changing Aspects of the Sacred and Secular: Liszt's Legend of St Elisabeth in the Repertory of the K. K. Hof-Operntheater in Vienna |
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169 | (12) |
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| PART IV MEDIATING MUSIC: CREATING, COLLECTING AND PUBLISHING IN NINETEENTH-CENTURY FRANCE |
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World Fair---World Music: Musical Politics in 1889 Paris |
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181 | (45) |
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Regionalism, Latinite and the French Musical Tradition: Deodat de Severac's Heliogabale |
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226 | (24) |
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Herodiade: Church, State and the Feminist Movement |
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250 | (31) |
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| PART V MUSIC AND NATION |
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Music Copyright and the Prussian Copyright Act of 1837 |
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281 | (15) |
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German Nationalism and the Reception of the Czech String Quarter in Vienna |
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296 | (18) |
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Creation/Evolution: Metaphoric Syntheses in Nineteenth-and Early Twentieth-Century Music Historiography in Britain |
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314 | (21) |
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| PART VI WOMEN AND MUSIC |
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Art Music and Activist Discourse: The Case of the African-American Musician Amelia Tilghman |
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335 | (10) |
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Josephine Lang and the Schumanns |
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345 | (22) |
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| Index |
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367 | |
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