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vii | |
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ix | |
| Introduction: trauma and subjectivity in work and worklessness |
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1 | (10) |
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`Living tableaux of misery and oppression': sweated labour on tour |
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11 | (22) |
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Facing horror: women's work, sculptural practice and the Great War |
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33 | (28) |
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Colour, light and labour: Futurism and the dissolution of work |
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61 | (30) |
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The missing mecanicienne: gender, production and order in Leger's machine aesthetic |
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91 | (22) |
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`A progressive dematerialisation of labour power': a problem for visual representation in Germany in the 1920s |
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113 | (16) |
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From cyborg to state worker: Figures as/in technology |
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129 | (22) |
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Realism and ideology in Andre Fougeron's Le Pays des Mines |
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151 | (22) |
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Working images: the representations of documentary film |
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173 | (20) |
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The pathos of the political: documentary, subjectivity and a forgotten moment of feminist avant-grade poetics in four films from the 1970s |
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193 | (32) |
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225 | (22) |
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| Index |
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247 | |
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