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 | Acknowledgements |
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viii | |
| A Note on Presentation |
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ix | |
| Abbreviations |
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x | |
| Introduction - Tudor Literature: Drab or Tarnished? |
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1 | (10) |
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| PART I: EARLIER TUDOR LITERATURE |
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Subversion in The Towneley Cycle: Strategies for Evil |
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11 | (13) |
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Table: The Wakefield Master and the Towneley Cycle |
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Sceptical Historiography: Thomas More's History of Richard III |
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24 | (10) |
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`To Seek the Place Where I Myself Had Lost': Acts of Memory in the Poetry of Henry Howard, Earl of Surrey |
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34 | (10) |
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William Turner's Religious Polemic as a Polyvalent Cultural Intervention |
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44 | (8) |
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`As a Shadow to a Body': Heresy, Treason and the Law in the Sixteenth Century |
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52 | (11) |
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The Earliest Tudor Witch in Print: The Examination of John Walsh |
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63 | (16) |
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| PART II: ELIZABETHAN POETRY AND PROSE |
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Revenge of the Angel Gabriel: Harvey's `A Nobleman's Suit to a Country Maid' |
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79 | (11) |
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Late Tudor Narrative Voice(s): Philip Sidney and Barnaby Rich |
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90 | (8) |
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Remapping Elizabethan Court Poetry |
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98 | (14) |
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`Philip's Phoenix'?: Mary Sidney Herbert and the Identity of Author |
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112 | (18) |
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Veiling Medusa: Arthur's Shield in The Fairy Queen |
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130 | (12) |
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Fashioning a Tudor Body: Civility and State-Formation in The Fairy Queen and A View of the Present State of Ireland |
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142 | (15) |
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| PART III: SHAKESPEARE AND THE DRAMA |
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The British Myth in Tudor Drama |
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157 | (9) |
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166 | (8) |
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Shakespeare's Henry V: Tudor or Jacobean? |
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174 | (15) |
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The Role of Body Images in the Tudor Myth and its Subversion in Shakespeare's History Plays |
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189 | (6) |
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Stefani Brusberg-Kiermeier |
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`Since Forged Invention Former Time Defaced': Representing Tudor History in the 1590s |
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195 | (16) |
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| Notes on Contributors |
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211 | (3) |
| Bibliography of Secondary Sources |
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214 | (14) |
| Index |
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228 | |
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