| Preface and Acknowledgments |
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11 | (1) |
| A Primer of Art History |
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12 | (5) |
| Introduction |
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17 | (1) |
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17 | (5) |
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17 | (1) |
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18 | (2) |
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Originality and Tradition |
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20 | (1) |
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21 | (1) |
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Self-Expression and Audience |
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21 | (1) |
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22 | (1) |
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22 | (12) |
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22 | (9) |
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31 | (3) |
| Part One THE ANCIENT WORLD |
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34 | (112) |
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38 | (2) |
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Prehistoric Art in Europe and North America |
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40 | (7) |
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41 | (2) |
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41 | (1) |
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42 | (1) |
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43 | |
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43 | (2) |
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45 | |
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Table Major Events in Prehistory |
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42 | (5) |
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47 | (17) |
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48 | (10) |
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48 | (1) |
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48 | (1) |
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48 | (5) |
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53 | (5) |
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58 | (1) |
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58 | (1) |
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58 | |
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59 | (1) |
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59 | (2) |
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61 | (1) |
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61 | |
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Table Major Periods in Ancient Egypt |
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48 | (16) |
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64 | (12) |
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65 | (8) |
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65 | (2) |
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67 | (2) |
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69 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | |
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73 | (1) |
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74 | |
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Table Major Civilizations in the Ancient Near East |
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67 | (9) |
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76 | (8) |
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77 | (1) |
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78 | (4) |
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79 | (1) |
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80 | (1) |
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80 | (2) |
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82 | |
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Table Major Civilizations in the Aegean |
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78 | (6) |
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84 | (34) |
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85 | (9) |
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85 | (2) |
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87 | (3) |
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90 | (2) |
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92 | (2) |
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94 | (7) |
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94 | (1) |
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95 | (1) |
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95 | (5) |
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100 | (1) |
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101 | |
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102 | (3) |
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105 | (8) |
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113 | (2) |
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115 | |
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Box the Greek Gods and Goddesses |
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89 | (5) |
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Box the Hero in Greek Legend |
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94 | (16) |
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Box Music, Poetry, and Theater in Ancient Greece |
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110 | |
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Table Major Periods of Greek Art |
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87 | (31) |
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118 | (7) |
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Tombs and Their Decoration |
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119 | (6) |
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119 | (1) |
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120 | (2) |
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122 | (1) |
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122 | (2) |
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The Architecture of Cities |
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124 | (1) |
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125 | (21) |
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126 | (6) |
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132 | (7) |
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132 | (4) |
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136 | (3) |
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139 | |
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139 | (3) |
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142 | (1) |
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143 | |
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Table Rome's Republic and Empires |
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132 | (1) |
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Table Major Roman Emperors |
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132 | (12) |
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Time Line 1 (4000 s.c.-300 A.D.) |
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144 | (2) |
| Part Two THE MIDDLE AGES |
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146 | (118) |
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150 | (2) |
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Early Christian and Byzantine Art |
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152 | (28) |
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153 | (12) |
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153 | (3) |
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156 | (2) |
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158 | (1) |
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Roll, Book, and Illustration |
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159 | (3) |
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162 | (3) |
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165 | |
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165 | (9) |
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174 | (2) |
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176 | |
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Box Biblical, Church, and Celestial Beings |
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155 | (5) |
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Box Versions of the Bible |
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160 | (2) |
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Box Covenants Old and New |
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162 | (2) |
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164 | (7) |
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Box the Liturgy of the Mass |
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171 | |
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Table Major Dates in the Early Christian and Byzantine Periods |
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158 | (22) |
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180 | (16) |
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181 | (1) |
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182 | (3) |
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Manuscripts and Book Covers |
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183 | (2) |
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185 | (5) |
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185 | (2) |
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Manuscripts and Book Covers |
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187 | (3) |
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190 | |
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190 | (1) |
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191 | (2) |
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193 | (1) |
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194 | |
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Box What Is an Architect and Who Is a Master? |
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187 | (9) |
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196 | (19) |
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198 | (8) |
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198 | (2) |
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Burgundy and Western France |
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200 | (2) |
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202 | (2) |
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204 | (2) |
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206 | (4) |
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206 | (2) |
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208 | (1) |
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209 | (1) |
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209 | (1) |
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210 | |
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210 | (3) |
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213 | (1) |
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214 | |
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Box Monasticism and Christian Monastic Orders |
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200 | (12) |
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212 | (3) |
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215 | (49) |
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216 | (15) |
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216 | (9) |
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225 | (2) |
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227 | (1) |
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227 | (4) |
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231 | (12) |
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231 | (6) |
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237 | (2) |
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International Style Sculpture in the North |
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239 | (1) |
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240 | (2) |
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International Style Sculpture in the South |
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242 | (1) |
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243 | |
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243 | (2) |
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245 | (10) |
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Painting North of the Alps |
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255 | (2) |
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International Style Painting |
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257 | |
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Box Dionysian Theology and the Abbey of St-Denis |
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218 | (44) |
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262 | (2) |
| Part Three THE RENAISSANCE THROUGH THE ROCOCO |
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264 | (188) |
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Map the Renaissance through the Rococo |
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268 | (2) |
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The Early Renaissance in Italy |
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270 | (29) |
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272 | (7) |
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279 | (5) |
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284 | |
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Box Scientific Perspective |
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276 | (23) |
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The High Renaissance in Italy |
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299 | (24) |
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300 | (4) |
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304 | (2) |
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306 | (8) |
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314 | (5) |
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319 | (1) |
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319 | (4) |
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The Late Renaissance in Italy |
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323 | (23) |
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326 | (14) |
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Mannerism in Florence and Rome |
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326 | (7) |
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333 | (2) |
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335 | (5) |
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340 | (2) |
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340 | (2) |
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342 | (4) |
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342 | (1) |
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343 | (1) |
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344 | (2) |
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``Late Gothic'' Painting, Sculpture, and Graphic Arts |
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346 | (19) |
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347 | (10) |
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Swiss and French Painting |
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357 | (2) |
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``Late Gothic'' Sculpture |
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359 | (2) |
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361 | (4) |
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361 | (1) |
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361 | (4) |
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The Renaissance in the North |
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365 | (17) |
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366 | (9) |
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375 | (5) |
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380 | (2) |
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The Baroque in Italy and Spain |
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382 | (21) |
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384 | (9) |
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393 | (3) |
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396 | (4) |
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400 | (3) |
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The Baroque in Flanders and Holland |
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403 | (17) |
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404 | (5) |
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409 | (11) |
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Landscape, Still-Life, and Genre Painters |
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415 | (5) |
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The Baroque in France and England |
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420 | (14) |
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421 | (4) |
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425 | (1) |
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425 | (6) |
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431 | (1) |
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432 | (2) |
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434 | (18) |
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435 | (6) |
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435 | (1) |
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436 | (1) |
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437 | (4) |
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441 | (3) |
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444 | (3) |
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447 | (3) |
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450 | (2) |
| Part Four THE MODERN WORLD |
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452 | (226) |
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456 | (2) |
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458 | (17) |
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459 | (1) |
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459 | (7) |
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459 | (3) |
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462 | (4) |
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466 | (2) |
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468 | (1) |
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468 | (1) |
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469 | (3) |
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Neoclassicism and the Antique |
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472 | |
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468 | (7) |
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475 | (36) |
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476 | (22) |
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476 | (3) |
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479 | (12) |
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491 | (4) |
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495 | (1) |
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496 | (2) |
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498 | (4) |
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498 | (1) |
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499 | (3) |
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502 | (4) |
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502 | (1) |
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503 | (2) |
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Neo-Renaissance and Neo-Baroque Architecture |
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505 | (1) |
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506 | (5) |
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The Founders of Photography |
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507 | (1) |
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508 | (1) |
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The Restless Spirit and Stereophotography |
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509 | (1) |
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509 | (2) |
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Realism and Impressionism |
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511 | (27) |
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512 | (17) |
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512 | (12) |
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524 | (1) |
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525 | (4) |
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529 | (3) |
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532 | (2) |
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Box the Materials of Modern Architecture |
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534 | (4) |
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Post-Impressionism, Symbolism, and Art Nouveau |
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538 | (23) |
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539 | (13) |
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539 | (7) |
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546 | (6) |
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552 | (2) |
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554 | (2) |
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554 | (2) |
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556 | (1) |
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556 | (5) |
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556 | (1) |
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557 | (1) |
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558 | (2) |
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560 | (1) |
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Twentieth-Century Painting |
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561 | (46) |
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Painting before World War I |
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562 | (16) |
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562 | (3) |
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565 | (4) |
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569 | (1) |
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569 | (5) |
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574 | (1) |
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575 | (2) |
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577 | (1) |
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578 | (1) |
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Painting between the Wars |
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578 | (13) |
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578 | (4) |
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582 | (2) |
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584 | (4) |
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588 | (2) |
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590 | (1) |
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Painting since World War II |
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591 | (13) |
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591 | (4) |
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595 | (1) |
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596 | (1) |
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597 | (1) |
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African-American Painting |
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598 | (1) |
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599 | (1) |
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600 | (2) |
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602 | (2) |
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604 | (3) |
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Neo-Expressionism and Neo-Abstraction |
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604 | (3) |
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Twentieth-Century Sculpture |
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607 | (22) |
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Sculpture before World War I |
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608 | (3) |
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608 | (2) |
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610 | (1) |
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Sculpture between the Wars |
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611 | (7) |
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611 | (1) |
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612 | (4) |
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616 | (2) |
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618 | (11) |
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Primary Structures and Environmental Sculpture |
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618 | (1) |
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Minimalism and Post-Minimalism |
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619 | (1) |
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African-American Sculpture |
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620 | (1) |
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620 | (1) |
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621 | (1) |
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Constructions and Assemblage |
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622 | (3) |
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Environments and Installations |
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625 | (2) |
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627 | (1) |
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627 | (2) |
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Twentieth-Century Architecture |
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629 | (16) |
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Architecture before World War I |
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630 | (3) |
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630 | (2) |
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632 | (1) |
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Architecture between the Wars |
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633 | (8) |
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634 | (1) |
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634 | (5) |
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639 | (2) |
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641 | (4) |
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641 | (1) |
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641 | (1) |
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642 | (1) |
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643 | (2) |
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Twentieth-Century Photography |
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645 | (14) |
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646 | (9) |
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646 | (1) |
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647 | (5) |
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652 | (1) |
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The Heroic Age of Photography |
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652 | (1) |
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653 | (2) |
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655 | (4) |
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655 | (1) |
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656 | (1) |
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656 | (3) |
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659 | (19) |
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661 | (1) |
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662 | (5) |
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662 | (1) |
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663 | (2) |
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Architecture after Post-modernism: What's Next |
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665 | (2) |
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667 | (4) |
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668 | (3) |
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671 | (1) |
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672 | (2) |
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674 | (4) |
| Glossary |
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678 | (4) |
| Books for Further Reading |
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682 | (3) |
| Index |
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685 | (10) |
| List of Credits |
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695 | |
