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Beginning with a brief account of Saraha's life from what little is known of it, the book surveys his major work, his trilogy of songs: the People, King and Queen Doha. The scarcity of indigenous Indian source material necessitates constant reference to the rich Tibetan tradition, in particular the nDzogs-chen/sNyingthig teaching. | Foreword |
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ix | |
| Preface |
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xiii | |
| Ecstatic Spontaneity |
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1 | (86) |
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3 | (13) |
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16 | (28) |
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44 | (14) |
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58 | (29) |
| Saraha's Three Cycles of Doha |
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87 | (128) |
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People Doha (Dohakosa-giti) |
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89 | (34) |
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Queen Doha (Dohakosa-upadesa-giti) |
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123 | (27) |
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King Doha (Dohakosa nama Carya-giti) |
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150 | (9) |
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Notes to Doha Translations |
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159 | (56) |
| Bibliography |
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215 | |
| Indexes |
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223 | |
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Index of Sanskrit and Apabhramsa Terms |
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232 | |
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234 | |
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