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| A Note on the Text |
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7 | (2) |
| An Introduction |
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Leaving Gravesend at Last: Introducing Strindberg to England |
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9 | (17) |
| Narrative, Plot and Self |
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26 | (12) |
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38 | (17) |
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55 | (17) |
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P-aris: Notes for an Unwritten Volume of Strindberg's Autobiography |
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72 | (12) |
| Plots, Plays and Performance |
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Naturalism and the Plot in Creditors |
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84 | (8) |
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Prisoners at Play: Form and Meaning in Strindberg's The Dance of Death and Beckett's Endgame |
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92 | (20) |
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`Spela den sa att Pontoppidan och Fru Nansen fa blaskatarrh': Strindberg's Correspondence with Actors and Directors |
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112 | (20) |
| From Naturalism to Modernism |
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Towards a New Language: Strindberg's Break with Naturalism |
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132 | (13) |
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`New Arts, New Worlds!' Strindberg and Painting |
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145 | (23) |
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Strindberg and Musical Expressionism in Vienna |
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168 | (19) |
| A Penance for Strindberg |
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Acting Women, or The Performing Self |
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187 | (22) |
| Notes |
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209 | (26) |
| Index |
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235 | |
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