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| Introduction |
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7 | (2) |
| PART I. CULTURE AND MEMORY |
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9 | (72) |
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11 | (18) |
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Memory and Ontology: Forgetfulness as an Evasion of Being |
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29 | (12) |
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Non-Memory of L'Ecriture Feminine, or Stepping Out of Paradise |
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41 | (10) |
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Permutations of the Absolute: Archetypal Memory of Mass Culture |
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51 | (10) |
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Myth, Memory, and Postocolonial Resistance: The Fiction of Wilson Harris and Gabriel Garcia Marquez |
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61 | (20) |
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| PART II. MEMORY, PRESENCE, IDENTITY |
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81 | (64) |
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Mrs. Dalloway and the Finite Transcendental: Existence, Time, and Transcendence in Woolf, Husserl and Derrida |
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83 | (16) |
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The Forgetful Memory of Blanchot |
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99 | (10) |
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Self-Inscription and Self-Oblivion |
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109 | (14) |
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Reality or Nothing? Virtuality, Memory & Death |
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123 | (22) |
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| PART III. MEMORY: THE HIDDEN TOPOS |
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145 | |
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Poor Retention and the Rehearsing of Being: The Claim to Poetical Immortality in Shakespeare's Sonnets |
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145 | |
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``The lopped branches'' - an Interpretation of the Motif of Magic Forgetfulness in William Shakespeare's Cymbeline and Pericles. |
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163 | |
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181 | |
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189 | |
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