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Mia San Mia/We Are Who We Are

Author(s): BREITWIESER SABINE (ED)
ISBN10: 3901107347
ISBN13: 9783901107344
Cover: Hardcover
 
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SummaryTable of Contents
Long known for bringing trenchant analyses of sociopolitical structures into the museum, Hans Haacke has in the past exposed corporations who use art sponsorship to booster their image and slum landlords who hide behind diversified corporations. In his first exhibition in Vienna, the title of which gives its name to this book, Haacke tackles Austria's emotionally laden understanding of its own history and national identity. A larger discourse on the culture of memory weaves its way through selected historical works of Haacke's, including his 1999 project for the Reichstag, as well as through the artist's own writings, available here for the first time.
Preface 10(2)
Dietrich Karner
Acknowledgments 12(2)
Sabine Breitwieser
Hans Haacke: An Exhibition in Austria 14(16)
A Rose is a Rose. A Nation is a Nation. Hans Haacke and the Critique of Imaginary Community 30(22)
Christian Kravagna
The Stratifications of Austrian Memory. Locating the New Memorial Culture within the Historic Awareness of the Second Republic 52(32)
Heidemarie Uhl
Exhibition and Works Texts
Hans Haacke
Mia san mia (We Are Who We Are), 2001, Vienna
84(14)
To the Population, 1999/2000, Berlin
98(16)
Memorial to the Victims of National Socialism at the Military Target Practice Range ``Feliferhof'' in Graz, 1996
114(12)
And You Were Victorious After All, 1988, Graz
126(23)
Provisional Remarks, 1971 149(9)
List of Works in the Exhibition 158(4)
Additional Works by Hans Haacke in the Generali Foundation Collection 162(2)
Condensation Cube, 1963-65 164(2)
Circulation, 1969 166(6)
Biography 172(3)
Bibliography 175(10)
Photo Credits 185(2)
Colophon 187

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