| Acknowledgements |
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9 | (2) |
| Preface |
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11 | (6) |
| Introduction |
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17 | (8) |
| Selected Approaches and Foci |
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25 | (4) |
| Part I: The Neglected Films |
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29 | (8) |
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29 | (4) |
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29 | (2) |
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1.1.2 The Fountain of Youth |
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31 | (1) |
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31 | (1) |
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32 | (1) |
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1.2 Reasons for their Neglect |
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33 | (4) |
| Part II: The Stylistic Development |
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37 | (42) |
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38 | (35) |
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2.1.1 Mise-en-scene and Cinematography |
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40 | (12) |
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40 | (2) |
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2.1.1.2 News on the March |
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42 | (2) |
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2.1.1.3 Essayistic Documentaries |
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44 | (4) |
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48 | (4) |
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52 | (13) |
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52 | (2) |
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2.1.2.2 News on the March |
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54 | (1) |
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2.1.2.3 Essayistic Documentaries |
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55 | (10) |
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65 | (8) |
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66 | (2) |
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2.1.3.2 News on the March |
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68 | (1) |
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2.1.3.3 Essayistic Documentaries |
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69 | (4) |
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73 | (6) |
| Part III: The Thematic Development |
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79 | (26) |
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81 | (11) |
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92 | (9) |
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101 | (4) |
| Part IV: Two Elements that Dominated Welles' Career |
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105 | (52) |
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4.1 A Short Introduction to Welles' beginning in theater, radio and film. |
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105 | (4) |
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4.1.1 Welles' beginning in the theater |
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105 | (1) |
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4.1.2 Welles' beginning in radio |
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105 | (1) |
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4.1.3 Welles' beginning in film |
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106 | (3) |
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4.2 The Element of Narrative Commentary |
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109 | (28) |
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4.2.1 Narration in the Theater |
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111 | (2) |
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4.2.2 Narration in the Radio |
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113 | (6) |
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4.1.2.1 The Traditional Way |
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114 | (1) |
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115 | (4) |
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119 | (17) |
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4.2.3.1 In the Fictional Film Genre |
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119 | (3) |
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4.2.3.2 In the Documentary Genre |
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122 | (2) |
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4.2.3.3 In the Essayistic Documentary |
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124 | (12) |
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4.2.3.3.1 The Element of Direct Address |
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126 | (2) |
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4.2.3.3.2 The Element of Personal Expression |
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128 | (5) |
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4.2.3.3.3 The Element of Self-Reflection |
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133 | (3) |
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136 | (1) |
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4.3 Welles' Concern for Public Enlightenment |
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137 | (20) |
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138 | (2) |
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140 | (5) |
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145 | (8) |
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146 | (3) |
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4.2.3.2 Essayistic Documentaries |
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149 | (4) |
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153 | (4) |
| Part V: Conclusion |
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157 | (12) |
| Part VI: Bibliography |
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169 | |
