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9 | (23) |
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II. The Castle of Otranto |
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32 | (61) |
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32 | (5) |
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Manfred - The Sovereign's Code |
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37 | (24) |
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38 | (5) |
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43 | (2) |
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45 | (1) |
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46 | (2) |
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48 | (3) |
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Intrusion of Outside Morality |
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51 | (3) |
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54 | (2) |
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56 | (1) |
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Evaluation of Manfred's Development |
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57 | (4) |
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Jerome - The Clerical Code |
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61 | (3) |
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Theodore - The Chivalrous Code |
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64 | (4) |
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Frederic - The Aristocratic Code |
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68 | (2) |
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Hippolita - The Wife Code |
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70 | (3) |
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Matilda - The Daughter Code |
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73 | (5) |
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Isabella - The Damsel Code |
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78 | (3) |
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Matilda vs. Isabella vs. Hippolita - The Female Code |
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81 | (4) |
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85 | (8) |
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III. The Old English Baron |
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93 | (28) |
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93 | (3) |
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96 | (6) |
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The Interrogation of Margery Twyford |
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102 | (2) |
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104 | (3) |
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107 | (10) |
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117 | (4) |
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IV. The Mysteries of Udolpho |
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121 | (75) |
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121 | (6) |
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127 | (4) |
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The Death of Mme St. Aubert |
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131 | (6) |
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137 | (9) |
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146 | (9) |
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155 | (27) |
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156 | (2) |
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158 | (2) |
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c) Emily and Count Morano |
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160 | (3) |
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163 | (2) |
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165 | (7) |
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f) Montoni as Symbol of Emily's Sexuality |
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172 | (7) |
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179 | (3) |
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Conclusion - Emily versus Emily |
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182 | (14) |
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196 | (103) |
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196 | (3) |
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199 | (2) |
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201 | (4) |
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205 | (12) |
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Conclusion I - Ambrosio's Fall from Grace |
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217 | (4) |
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Ambrosio's Rejection of Matilda |
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221 | (6) |
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Ambrosio's Turning to Antonia |
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227 | (10) |
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Conclusion II-Ambrosio's Deviation |
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237 | (4) |
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241 | (5) |
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Ambrosio's Rape-Scenarios |
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246 | (9) |
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255 | (5) |
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260 | (14) |
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260 | (5) |
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265 | (2) |
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267 | (4) |
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271 | (3) |
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274 | (11) |
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285 | (14) |
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299 | (24) |
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323 | |
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