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  Long known for bringing trenchant analyses of sociopolitical structures into the museum, Hans Haacke has in the past exposed corporations who use art sponsorship to booster their image and slum landlords who hide behind diversified corporations. In his first exhibition in Vienna, the title of which gives its name to this book, Haacke tackles Austria's emotionally laden understanding of its own history and national identity. A larger discourse on the culture of memory weaves its way through selected historical works of Haacke's, including his 1999 project for the Reichstag, as well as through the artist's own writings, available here for the first time. | Preface |
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10 | (2) |
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| Acknowledgments |
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12 | (2) |
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| Hans Haacke: An Exhibition in Austria |
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14 | (16) |
| A Rose is a Rose. A Nation is a Nation. Hans Haacke and the Critique of Imaginary Community |
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30 | (22) |
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| The Stratifications of Austrian Memory. Locating the New Memorial Culture within the Historic Awareness of the Second Republic |
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52 | (32) |
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| Exhibition and Works Texts |
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Mia san mia (We Are Who We Are), 2001, Vienna |
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84 | (14) |
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To the Population, 1999/2000, Berlin |
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98 | (16) |
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Memorial to the Victims of National Socialism at the Military Target Practice Range ``Feliferhof'' in Graz, 1996 |
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114 | (12) |
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And You Were Victorious After All, 1988, Graz |
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126 | (23) |
| Provisional Remarks, 1971 |
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149 | (9) |
| List of Works in the Exhibition |
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158 | (4) |
| Additional Works by Hans Haacke in the Generali Foundation Collection |
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162 | (2) |
| Condensation Cube, 1963-65 |
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164 | (2) |
| Circulation, 1969 |
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166 | (6) |
| Biography |
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172 | (3) |
| Bibliography |
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175 | (10) |
| Photo Credits |
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185 | (2) |
| Colophon |
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187 | |
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