The Cambridge Companion to Victorian and

This Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theater. An introduction surveying the historical period of the theater is followed by an essay contextualizing it within the culture as a whole. Succeeding chapters examine performance and production, (including music, actors, stagecraft and audience), plays and playwriting and issues of class and gender. Types of performances (such as comedy, farce, melodrama) and the economics of the theater are also analyzed.

List of illustrations
Notes on contributors
Preface Kerry Powell
Part I. Introduction: Before the curtain Nina Auerbach
Part II. Performance and Context: 1. Actors and acting Joseph W. Donohue Jr.
2. The show business economy and its discontents Tracy C. Davis
3. Victorian and Edwardian stagecraft: techniques and issues Russell Jackson
4. Music for the theatre: style and function in incidental music Michael Pisani
5. Victorian and Edwardian audiences Jim Davis and Victor Emeljanow
6. Performing identities: actresses and autobiography Mary Jean Corbett
Part III. Text and Context: 7. Comedy and farce Michael Booth
8. Encountering melodrama David Mayer
9. The Music Hall Jacky Bratton
10. Theatre of the 1890s: Breaking down the barriers Peter Raby
11. New theatres for a new drama Cary M. Mazer
12. The fallen woman on stage: maidens, magdalens, and the emancipated female Sos Eltis
13. Reimagining the theatre: women playwrights of the Victorian and Edwardian period Susan Carlson and Kerry Powell
14. The East End Theatre Heidi Holder
Index.

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The Cambridge Companion to Victorian and Edwardian Theatre

Summary

Table of Contents

Supplemental Materials