Cubase 4 Power! The Comprehensive Guide
, by Guerin, RobertNote: Supplemental materials are not guaranteed with Rental or Used book purchases.
- ISBN: 9781598630022 | 1598630024
- Cover: Paperback
- Copyright: 12/19/2006
Get ready to dive into Cubase 4! This book provides a thorough look at the most common as well as lesser-knownfeatures of this impressive digital audio production software. Beyond describing the features of the programand how they work, Cubase 4 Power! tells why to use certain features and when they are most beneficial toyour project. You'll gain a better understanding of Cubase while learning how to use all the exciting new toolsin version 4, including its new professional-level Control Room mixing environment, numerous new audio andMIDI plug-ins, the new SoundFrame asset management system, and much more. Packed with useful tips anddetailed explanations, this book is your guide to taking advantage of all that Cubase has to offer to make apowerful difference in your music creation.
Robert Guerin has been program coordinator at Trebas Institute in Montreal and a part-time professor at Vanier College, also in Montreal
Setup | p. 1 |
Basic Concepts | p. 3 |
What Is Cubase? | p. 3 |
What Is MIDI? | p. 5 |
Anatomy of a MIDI Message | p. 5 |
MIDI Connectors | p. 6 |
A Brief Overview of Digital Audio | p. 9 |
What Is Analog Sound? | p. 9 |
What Is Digital Audio? | p. 11 |
How Sampling Works | p. 11 |
About 32-Bit Recording | p. 13 |
Cubase Terminology | p. 15 |
Audio Connections | p. 15 |
Input Busses | p. 17 |
Output Busses | p. 17 |
Audio Track | p. 18 |
Audio Channels | p. 18 |
MIDI Connections | p. 19 |
MIDI Ports | p. 19 |
MIDI Channel | p. 21 |
MIDI Track | p. 22 |
Mixer Channel | p. 22 |
Cubase Environment | p. 23 |
About Audio Terminology | p. 24 |
Destructive and Nondestructive Editing | p. 26 |
Working with Events, Regions, and Parts | p. 27 |
The Browser Window | p. 29 |
Browser Window Areas | p. 29 |
Understanding the Information | p. 30 |
Linear and Musical Timebases | p. 31 |
Setting Up Peripherals | p. 33 |
Audio Hardware and Drivers | p. 34 |
ASIO Drivers | p. 34 |
ASIO DirectX Full Duplex Drivers | p. 35 |
MIDI Interfaces and Drivers | p. 36 |
Setting Up Devices in Cubase | p. 38 |
Setting Up MIDI Ports | p. 39 |
Setting a Remote Device | p. 41 |
Setting Up Audio Ports | p. 43 |
Running Other Applications Simultaneously | p. 46 |
Background Processes | p. 47 |
Other Audio Applications | p. 48 |
Monitoring Audio | p. 51 |
Monitoring Methods | p. 51 |
Monitoring Through Cubase | p. 52 |
Monitoring Externally | p. 54 |
Direct Monitoring | p. 54 |
Hooking Up Your Equipment | p. 55 |
Setting Up VST Connections | p. 58 |
Input Connections | p. 58 |
Output Connections | p. 60 |
Group/FX Connections | p. 61 |
External FX Connections | p. 61 |
External Instrument Connections | p. 64 |
Studio Connections | p. 65 |
Saving Connections | p. 66 |
New Project | p. 69 |
Create a New Project | p. 70 |
Project Setup | p. 71 |
Creating Audio Tracks | p. 74 |
Setting Up an Audio Track | p. 75 |
Creating an Instrument Track | p. 76 |
Creating a MIDI Track | p. 78 |
Setting Up an Instrument Track | p. 79 |
Recording | p. 81 |
Control Room Mixer | p. 83 |
Project Studio Control Room | p. 84 |
External Inputs | p. 88 |
Monitoring Options | p. 89 |
Listen Enable Bus | p. 90 |
Talkback Options | p. 91 |
Dim and Reference Levels | p. 92 |
Dim(d)CRM Extended View | p. 93 |
Studio Sends | p. 94 |
SoundFrame | p. 97 |
MediaBay | p. 98 |
Browser | p. 99 |
Viewer | p. 101 |
Scope | p. 103 |
Tag Editor | p. 104 |
Manage Tags | p. 105 |
Customizing the MediaBay | p. 108 |
Instrument Tracks | p. 108 |
VST Presets | p. 110 |
Track Presets | p. 112 |
About VST3 | p. 114 |
Recording Audio | p. 115 |
Metronome and Tempo | p. 115 |
Click Settings | p. 116 |
Tempo and Time Signature | p. 117 |
Recording Audio | p. 118 |
Recording Audio in Cycle Mode | p. 120 |
Stacked Cycle Record Modes | p. 122 |
Importing Content | p. 124 |
About Audio File Imports | p. 124 |
About Audio CD Track Imports | p. 125 |
Importing Audio from Video Files | p. 127 |
About OMF | p. 127 |
Using Instruments | p. 129 |
VST Instruments (VSTi) | p. 129 |
Setting Up an Instrument Track | p. 130 |
Setting Up a VSTi | p. 132 |
Using Presets | p. 137 |
VSTi and Latency | p. 137 |
The Device Manager | p. 138 |
Adding a MIDI Device | p. 138 |
Managing a MIDI Device | p. 140 |
Using Devices in the Inspector | p. 144 |
Recording MIDI | p. 147 |
Record Modes | p. 147 |
Left and Right Locators | p. 150 |
MIDI and Audio Activity Indicators | p. 152 |
Recording MIDI | p. 153 |
Importing MIDI Files | p. 154 |
ReWire | p. 157 |
ReWire Setup | p. 157 |
VSTi and ReWire Channels | p. 160 |
Exporting VSTi and ReWire Channels | p. 162 |
Insert Effects | p. 165 |
Audio Track Inserts | p. 165 |
Inserts on Control Room Connections | p. 168 |
Pool | p. 171 |
Pool Folders | p. 171 |
The Pool Areas | p. 172 |
Understanding the Information | p. 174 |
Pool Functions | p. 177 |
Dealing with Missing Files | p. 177 |
Optimizing the Pool | p. 179 |
Archiving and Exporting a Pool | p. 180 |
Pool Interaction | p. 181 |
Offline Processes in the Pool | p. 182 |
Advanced Recording Options | p. 183 |
MIDI Recording Preferences | p. 183 |
MIDI Filtering | p. 186 |
Overdub Recording Techniques | p. 188 |
Punch-In/Punch-Out | p. 189 |
Pre-Roll/Post-Roll | p. 190 |
Navigation | p. 193 |
Project Navigation | p. 195 |
Changing Your Focus | p. 195 |
Using the Overview Panel | p. 196 |
Using the Zoom Tools | p. 197 |
The Transport Panel | p. 198 |
Performance | p. 198 |
Shuttle, Jog, and Nudge | p. 199 |
Main Transport | p. 200 |
The Project Window | p. 201 |
Project Window Areas | p. 201 |
Constrain Delay Compensation | p. 203 |
View Switches | p. 204 |
Automation Mode | p. 204 |
Transport | p. 205 |
Tools | p. 205 |
Autoscroll | p. 207 |
Snap/Quantize | p. 207 |
Context Menus in the Project Window | p. 209 |
The Inspector | p. 210 |
The Track List | p. 211 |
The Event Display | p. 215 |
Track Classes | p. 215 |
Adding Tracks | p. 216 |
Ruler Tracks | p. 217 |
Video Tracks | p. 218 |
MIDI Tracks | p. 219 |
MIDI Events in Cubase | p. 219 |
Setting Up a MIDI Track | p. 220 |
Notepad | p. 224 |
User Panel | p. 224 |
MIDI Channel | p. 225 |
MIDI Channel Settings | p. 228 |
MIDI to Mixdown | p. 230 |
Audio Tracks | p. 233 |
Audio Objects in Cubase | p. 234 |
Setting Up an Audio Track | p. 235 |
Inspector Sections | p. 237 |
Equalizers Section on Audio Tracks | p. 237 |
Equalizer Curve | p. 242 |
Channel | p. 243 |
Channel Settings Window for Audio Tracks | p. 244 |
Editing | p. 247 |
Sample Editor | p. 249 |
Sample Editor Areas | p. 250 |
Basic Editing Functions | p. 253 |
About Musical Mode | p. 254 |
Working with Regions | p. 255 |
Snap-Point | p. 256 |
Hitpoints | p. 257 |
Creating Hitpoints | p. 257 |
Audio Processing Options | p. 263 |
Audio Time Stretching | p. 264 |
Musical Mode | p. 264 |
Warp Audio | p. 266 |
Creating Warp Tabs from Hitpoints | p. 268 |
Time Warp | p. 269 |
Editing Audio and Time Warp Tabs | p. 270 |
Audio Processing Options | p. 270 |
Using Audio Processes | p. 271 |
The Offline Process History | p. 278 |
The Edit History | p. 279 |
Editing MIDI Events | p. 281 |
In-Place Editor | p. 282 |
Muting Events | p. 284 |
Splitting and Resizing Note Events | p. 284 |
Merging Note Events | p. 285 |
Using the Draw Tool | p. 286 |
Using the Line Tool | p. 287 |
Zooming | p. 290 |
The Info Line | p. 290 |
MIDI Controllers | p. 290 |
Key Editor | p. 293 |
Editor Toolbar | p. 294 |
Solo Editor and Acoustic Feedback | p. 294 |
Show Info | p. 294 |
Tool Buttons | p. 295 |
Autoscroll | p. 296 |
Auto Select Controller | p. 296 |
Part Editing Options | p. 296 |
Insert Velocity | p. 297 |
Snap and Quantize | p. 297 |
Step Input of MIDI Events | p. 298 |
Mouse Position | p. 300 |
Independent Track Loop | p. 300 |
Color Scheme Selector | p. 300 |
Other Toolbar Items | p. 301 |
Key Editor Display Areas | p. 302 |
Using Step Input | p. 304 |
Editing Multiple Tracks | p. 304 |
Drum Editors | p. 307 |
Drum Editor | p. 307 |
Drum Editor Display Areas | p. 308 |
Working with Drum Maps | p. 310 |
MIDI Menu Options | p. 315 |
Transpose | p. 315 |
Merge MIDI In Loop | p. 317 |
Dissolve Parts | p. 318 |
O-Note Conversion | p. 319 |
About MIDI Functions | p. 320 |
Arranging | p. 323 |
Quantizing Your Events | p. 325 |
Quantize Methods | p. 326 |
Setting Up a Quantize Grid | p. 329 |
Quantize Parameters | p. 330 |
Applying Quantize | p. 332 |
Creating Groove Quantize Presets | p. 333 |
MIDI Track Effects | p. 335 |
MIDI Modifiers | p. 335 |
About MIDI Effects | p. 338 |
MIDI Inserts | p. 339 |
MIDI Sends | p. 340 |
Edit Menu Options | p. 343 |
Splitting | p. 344 |
Split at Cursor | p. 344 |
Split Loop | p. 344 |
Split Range | p. 345 |
Range Crop | p. 346 |
Insert Silence | p. 346 |
Pasting Functions | p. 347 |
Copying | p. 348 |
Duplicate | p. 348 |
Repeat | p. 350 |
Fill Loop | p. 351 |
Resizing Objects | p. 353 |
Normal Sizing | p. 353 |
Sizing Moves Contents | p. 354 |
Sizing Applies Time Stretch | p. 354 |
Shifting Events Inside an Object | p. 356 |
Muting Objects | p. 357 |
Lock | p. 357 |
Play Order Track | p. 359 |
Creating a Play Order Project | p. 359 |
Play Order Part | p. 361 |
Play Order Editor | p. 362 |
Populating a List | p. 362 |
Navigating the Play Order List | p. 363 |
Creating Order | p. 363 |
Managing Lists | p. 364 |
Flattening a List | p. 364 |
Tempo Track | p. 367 |
Tempo Track Editor | p. 367 |
Time Warping | p. 371 |
Warping Inside Editors | p. 374 |
Working in Sync | p. 375 |
About Word Clock, SMPTE, and MIDI Clock | p. 376 |
Timecode | p. 376 |
MIDI Clock | p. 379 |
MIDI Machine Control | p. 380 |
Digital Clock | p. 381 |
Resolving Differences | p. 383 |
Internal and External References | p. 383 |
Setting Up Synchronizations | p. 386 |
Synchronizing Cubase | p. 388 |
Mixing and Mastering | p. 391 |
Mixer | p. 393 |
Mixer Areas | p. 393 |
Common Panel | p. 394 |
Extended Common Panel | p. 400 |
Routing Panel | p. 403 |
Working with Mixer Settings | p. 404 |
Output Bus Channels | p. 405 |
Input Bus Channels | p. 407 |
Can Hide | p. 408 |
FX Channel Tracks | p. 411 |
FX Channels Options | p. 411 |
Audio Track Sends | p. 413 |
FX Channel through VST Connections | p. 417 |
Group Channel Tracks | p. 419 |
Anatomy of a Group Track | p. 419 |
Group Channels | p. 420 |
Using Group Channels | p. 420 |
Groups as Monitor Mix (Cubase Studio 4) | p. 422 |
Writing Automation | p. 425 |
Using Read and Write Buttons | p. 425 |
Writing Channel Track Automation | p. 426 |
Writing Parameter Automation | p. 428 |
About Automation Modes | p. 429 |
Drawing Automation | p. 430 |
Hiding and Removing Automation Subtracks | p. 434 |
Editing Automation | p. 435 |
Using Write Automation | p. 435 |
Using Automation Subtracks | p. 435 |
Automation Techniques | p. 439 |
Automation in the Mixer | p. 439 |
Automation Tracks | p. 440 |
Using SysEx | p. 442 |
Recording SysEx | p. 443 |
Transmitting Bulk Dumps | p. 446 |
Using a Remote Control Mixer | p. 447 |
Surround Mixing | p. 451 |
Multichannel Configurations | p. 451 |
Surround Bus | p. 452 |
Surround Routing Options | p. 454 |
Surround Panner | p. 455 |
Routing Effects in Surround Outputs | p. 460 |
Exporting a Surround Mix | p. 463 |
Final Mix Export | p. 465 |
Audio Exporting Options | p. 465 |
Lossless versus Lossy Formats | p. 468 |
Broadcast Wave Properties | p. 469 |
OMF Export Options | p. 470 |
About Mastering | p. 473 |
Creating an Audio Compact Disc | p. 475 |
About Dithering | p. 476 |
Backing Up Your Work | p. 478 |
Managing | p. 481 |
Project Customization | p. 483 |
Workspaces | p. 483 |
Creating Templates | p. 485 |
Customizing Key Commands | p. 487 |
Macros | p. 488 |
Customizing Toolbars | p. 490 |
Customizing Your Transport Panel | p. 492 |
Customizing Track Controls | p. 493 |
Project Optimization | p. 495 |
Disabling Audio Tracks | p. 495 |
Using VST Plug-Ins | p. 496 |
Optimizing Projects after Processing | p. 498 |
About Freeze | p. 499 |
Freeze an Audio Channel | p. 500 |
Freeze Edits | p. 500 |
Freeze Real-Time Processes | p. 500 |
Freezing VSTi | p. 501 |
Working with Video Files | p. 502 |
Folder Track | p. 504 |
Index | p. 507 |
Table of Contents provided by Ingram. All Rights Reserved. |
What is included with this book?
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.