Digital Cinema The Revolution in

With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound -- this book details how each phase of the digital movie-making process, shooting, postproduction, delivery, and exhibition -- differs from film and provides clear answers to the cost vs. quality controversy. * Nonlinear editing -- software, basic technique, cost savings * Digital video color correction * CGI -- changing the shot after the shoot * Digital composition for film * Universal mastering (film, DVD, TV, Internet) * Digital distribution and exhibition

Brian McKernan (New York, NY) conceived, launched, and edits Digital Cinema magazine (UE Media/CMP), the de facto professional journal of digital motion-picture production and exhibition. McKernan edited Videography, the professional video production and technology magazine, from November 1987 to May 1999. From 1995 to 2001 he also served as Editorial Director of United Entertainment Media's Video Division, which included the magazines Television Broadcast, Government Video, Videography, and Content Creation Europe.

I: Foreword

II: Evolution of Cinema

III: Digital Cinematography

IV: Digital Post-Production

V: Digital Delivery

VI: Digital Exhibition

VII: Conclusions

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Digital Cinema The Revolution in Cinematography, Post-Production, and Distribution

Summary

Author Biography

Table of Contents