Disgust: The Theory and History of a Strong Sensation
, by Menninghaus, Winfried; Eiland, Howard; Golb, Joel
- ISBN: 9780791458327 | 0791458326
- Cover: Paperback
- Copyright: 10/1/2003
Examines this forceful emotion from philosophical, literary, and art historical perspectives.
| INTRODUCTION: BETWEEN VOMITING AND LAUGHING. BASE LINES OF A PHILOSOPHY OF DISGUST | 1 | (24) | |||
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1 | (4) | |||
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5 | (11) | |||
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16 | (4) | |||
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20 | (5) | |||
| 1 THE DISGUST TABOO, AND THE OMNIPRESENCE OF DISGUST IN AESTHETIC THEORY | 25 | (26) | |||
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26 | (5) | |||
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31 | (2) | |||
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33 | (2) | |||
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35 | (3) | |||
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38 | (7) | |||
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45 | (6) | |||
| 2 DISGUSTING ZONES AND DISGUSTING TIMES: THE CONSTRUCTION OF THE IDEALLY BEAUTIFUL BODY | 51 | (52) | |||
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51 | (3) | |||
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54 | (4) | |||
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58 | (2) | |||
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60 | (4) | |||
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64 | (2) | |||
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66 | (1) | |||
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67 | (2) | |||
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69 | (2) | |||
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71 | (1) | |||
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71 | (1) | |||
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72 | (3) | |||
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75 | (3) | |||
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78 | (3) | |||
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81 | (3) | |||
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84 | (7) | |||
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91 | (5) | |||
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96 | (7) | |||
| 3 "STRONG VITAL SENSATION" AND ORGANON OF PHILOSOPHY: THE JUDGMENT OF DISGUST IN KANT | 103 | (18) | |||
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103 | (5) | |||
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108 | (1) | |||
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109 | (3) | |||
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112 | (1) | |||
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113 | (2) | |||
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115 | (3) | |||
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118 | (3) | |||
| 4 POETRY OF PUTREFACTION: "BEAUTIFUL DISGUST" AND THE PATHOLOGY OF THE "ROMANTIC" | 121 | (26) | |||
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121 | (2) | |||
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123 | (2) | |||
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125 | (3) | |||
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128 | (3) | |||
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131 | (3) | |||
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134 | (5) | |||
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139 | (8) | |||
| 5 THE "NO" OF DISGUST AND NIETZSCHE'S "TRAGEDY" OF KNOWLEDGE | 147 | (36) | |||
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149 | (2) | |||
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151 | (3) | |||
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154 | (2) | |||
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156 | (2) | |||
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158 | (2) | |||
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160 | (5) | |||
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165 | (2) | |||
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167 | (11) | |||
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178 | (5) | |||
| 6 THE PSYCHOANALYSIS OF STINKING: LIBIDO, DISGUST, AND CULTURAL DEVELOPMENT IN FREUD | 183 | (44) | |||
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183 | (2) | |||
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185 | (1) | |||
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186 | (7) | |||
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193 | (3) | |||
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196 | (7) | |||
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203 | (5) | |||
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208 | (5) | |||
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213 | (5) | |||
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218 | (2) | |||
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220 | (2) | |||
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222 | (5) | |||
| 7 THE ANGEL OF DISGUST: KAFKA'S POETICS OF "INNOCENT" ENJOYMENT OF "SULPHUROUS" PLEASURES | 227 | (116) | |||
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228 | (28) | |||
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228 | (6) | |||
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234 | (2) | |||
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236 | (5) | |||
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241 | (7) | |||
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248 | (1) | |||
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249 | (5) | |||
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254 | (2) | |||
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256 | (5) | |||
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261 | (20) | |||
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261 | (11) | |||
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272 | (9) | |||
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281 | (17) | |||
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281 | (5) | |||
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286 | (5) | |||
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291 | (3) | |||
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294 | (4) | |||
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298 | (20) | |||
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307 | (3) | |||
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310 | (6) | |||
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316 | (2) | |||
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318 | (14) | |||
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332 | (2) | |||
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334 | (9) | |||
| 8 HOLY DISGUST (BATAILLE) AND THE STICKY JELLY OF EXISTENCE (SARTRE) | 343 | (22) | |||
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343 | (5) | |||
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348 | (7) | |||
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355 | (10) | |||
| 9 ABJECT MOTHER (KRISTEVA), ABJECT ART, AND THE CONVERGENCE OF DISGUST, TRUTH, AND THE REAL | 365 | (38) | |||
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366 | (4) | |||
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370 | (2) | |||
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372 | (6) | |||
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378 | (3) | |||
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381 | (4) | |||
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385 | (2) | |||
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387 | (2) | |||
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389 | (4) | |||
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393 | (2) | |||
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395 | (8) | |||
| NOTES | 403 | (50) | |||
| BIBLIOGRAPHY | 453 |
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