Exploring World Art

, by Venbrux, Eric; Rosi, Pamela Sheffield; Welsch, Robert L.

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ISBN: 9781577664055 | 1577664051
Cover: Paperback
Copyright: 11/20/2005

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Supplemental Materials

Preface

Exploring World Art: An Introduction

(38)

Robert L. Welsch

Eric Venbrux

Pamela Sheffield Rosi

Section One Theoretical Orientations to the Subject of World Art

(44)

Gauguin, Negrin, and the Art of Anthropology: Reflections on the Construction of Art Worlds in a Costa Rican Port City

(26)

Russell Leigh Sharman

Anthropologies of Art: Three Approaches

(14)

Wilfried van Damme

Section Two Traditional and Modern Pathways for Contemporary African Art

(48)

Circuits of African Art/Paths of Wood: Exploring an Anthropological Trail

(24)

Paul Stoller

Tourism, Aesthetics, and Global Flows along the Swahili Coast

111

(20)

Sidney L. Kasfir

Section Three Creating New Traditions in Contemporary Art

131

(42)

``Frame that Rug!'': Narratives of Zapotec Textiles as Art and Ethnic Commodity in the Global Marketplace

135

(22)

Sharon W. Tiffany

Contending Indian Art-Worlds: Patta Chitra Paintings in Orissa

157

(16)

Helle Bundgaard

Section Four Engaging Tradition in Contemporary Aboriginal Art

173

(46)

The Unsettled Business of Tradition, Indigenous Being, and Acrylic Painting

177

(24)

Fred R. Myers

The Postcolonial Virtue of Aboriginal Art from Bathurst and Melville Islands

201

(18)

Eric Venbrux

Section Five Moving Away from Tradition in Contemporary Papua New Guinea Art

219

(66)

Gender, Location, and Tradition: A Comparison of Two Papua New Guinean Contemporary Artists

225

(20)

Jacquelyn A. Lewis-Harris

The Disputed Value of Contemporary Papua New Guinea Artists and Their Work

245

(26)

Pamela Sheffield Rosi

High Art as Tourist Art, Tourist Art as High Art: Comparing the New Guinea Sculpture Garden at Stanford University and Sepik River Tourist Art

271

(14)

Eric K. Silverman

Section Six New Uses for Native American Art

285

(52)

``Do We Still Have No Word for Art?'': A Contemporary Mohawk Question

291

(26)

Morgan Perkins

Commodities of Authenticity: When Native People Consume Their Own ``Tourist Art''

317

(20)

Alexis Bunten

Section Seven Curatorial Authority

337

(62)

Living with the Ancestors in an International Contemporary Art World

343

(14)

Nick Stanley

Curatorial Authority and Postmodern Representations of African Art

357

(14)

Carol Hermer

Native American Art in a Global Context: Politicization as a Form of Aesthetic Response

371

(18)

Nancy Marie Mithlo

The Authenticity of Contemporary World Art: Afterword

389

(10)

Robert L. Welsch

Contributors

399

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Exploring World Art

Table of Contents

Supplemental Materials