Expression in Pop-Rock Music: Critical and

This collection of essays, written by leading musicologists and music theorists specializing in popular music, presents a wide range of scholarly approaches to understanding artistic expression in rock music.

The Musical World(s?) of Frank Zappa: Some Observations of His "Crossover" Pieces	p. 1
Frank Zappa's "The Black Page": A Case of Musical "Conceptual Continuity"	p. 45
Analytic Methodologies for Rock Music: Harmonic and Voice-Leading Strategies in Tori Amos's "Crucify"	p. 63
Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970s American Progressive Rock	p. 93
Pitch Down the Middle	p. 111
Music, Contexts, and Meaning in U2	p. 175
From L'Etranger to "Killing an Arab": Representing the Other in a Cure Song	p. 199
The Imagination of Pop-Rock Criticism	p. 215
Trapped within the Wheels: Flow and Repetition, Modernism and Tradition in Stevie Wonder's "Living for the City"	p. 239
Fumbling Towards Ecstasy: Voice Leading, Tonal Structure, and the Theme of Self-Realization in the Music of Sarah McLachlan	p. 267
Country-Pop Formulae and Craft: Shania Twain's Crossover Appeal	p. 285
Large-Scale Strategy and Compositional Design in the Early Music of Genesis	p. 313
Rock and Roll Rhapsody: Pop Epics of the 1970s	p. 345
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Expression in Pop-Rock Music: Critical and Analytical Essays

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