Gather into One : Praying and Singing Globally

C. Michael Hawn is associate professor of church music at Perkins School of Theology, Southern Methodist University, Dallas, Texas.

Series Preface

x

List of Musical Examples and Figures

xii

Preface

xiv

From Center to Spectrum: Praying and Singing Globally

1

(31)

Center versus Periphery Dichotomy

2

(2)

Singing and Praying for the Sake of the World

4

(3)

A Starting Place: Distinguishing between Bias and Prejudice

7

(2)

Liturgical Plurality: Diversity of Songs --- Unity of Spirit

9

(8)

Purpose, Delimitations, and Methodology

17

(4)

The Road to Meaning in Music: Related Literature

21

(5)

Music and Semiology: Asking New Questions

26

(4)

A Liturgical Trilemma

30

(2)

The Fiesta of the Faithful: Pablo Sosa and the Contextualization of Latin American Hymnody

32

(40)

Growing up in Argentina

34

(1)

Argentine Ethnic Demographics

35

(2)

Argentine Politics

37

(3)

A Heritage of Popular Argentine Poetry

40

(1)

Pablo Sosa: Pastoral Musician

40

(10)

Pablo Sosa: Poet

50

(9)

Pablo Sosa: The Contextual Theologian

59

(2)

Pablo Sosa: Hymnal Editor and Recording Producer

61

(6)

Pablo Sosa: The Ecumenical Liturgist

67

(2)

De-contextualizing Pablo Sosa

69

(1)

Recontextualizing the Work of Pablo Sosa for the United States

70

(2)

Sounds of Bamboo: I-to Loh and the Development of Asian Hymns

72

(32)

A Brief Biography

74

(5)

Life as a Teacher, Hymnologist, and Ethnomusicologist

79

(1)

An Analysis of Sound the Bamboo (1990)

80

(4)

Asian Hymns in Western Hymnals

84

(3)

Guidelines for the Publication of Cross-Cultural Music in the West

87

(1)

The Process of Musical Inculturation and Sound the Bamboo (1990)

88

(2)

I-to Loh's Contributions to Sound the Bamboo (1990)

90

(9)

Sound the Bamboo (2000)

99

(1)

I-to Loh's Work Today

100

(2)

The Impact of I-to Loh's Work in Asia

102

(2)

Singing Freedom: David Dargie and South African Liberation Song

104

(44)

Introduction to Recent South African Politics

104

(3)

Father Dargie: A Vocational Response to Vatican II in Liturgy and Song

107

(2)

The Making of a Musical Liberator

109

(6)

Andrew Tracey and Ethnomusicological Study

115

(3)

Church Music Composition Workshops

118

(2)

Church Music from South Africa

120

(8)

The Hymns of Ntsikana

128

(9)

What Is Liberation Hymnody?

137

(9)

Conclusion

146

(2)

The Spirit of Ngoma: Patrick Matsikenyiri and Indigenous Song in Zimbabwe

148

(41)

Brief History of Zimbabwe

149

(4)

Living in Old Mutare and Modern Mutare

153

(6)

From Local Church Musician to Global Animateur

159

(1)

Music in African Culture and Worship

160

(4)

Ngoma: An African Conceptual Framework for Music

164

(7)

The Songs

171

(16)

Conclusion

187

(2)

The Wild Goose Sings: John Bell and the Music of the Iona Community

189

(35)

The Iona of Saint Columba (521-97 C.E.)

191

(5)

The Iona of George MacLeod (1895-1991)

196

(8)

John Bell and Graham Maule and the Formation of the Wild Goose Worship Group

204

(4)

Themes of Iona Liturgy and Music

208

(13)

Conclusion

221

(3)

Form and Ritual: Sequential and Cyclic Musical Structures and Their Use in Liturgy

224

(17)

Characteristics of Sequential Musical Structures

225

(5)

Characteristics of Cyclic Musical Structures

230

(4)

Musical Structures and Ritual

234

(7)

The Church Musician as Enlivener

241

(30)

Mapping the Liturgical and Musical Field of the Enlivener: Living in Liminality

243

(9)

The Office of the Enlivener

252

(8)

A North American Enlivener: Mary Oyer

260

(11)

Polyrhythmic Worship

271

(8)

Bibliography

279

(20)

Index of Names

299

(3)

Index of Subjects

302

(4)

Index of Hymns, Hymn Tunes, and Musical Works

306

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Gather into One : Praying and Singing Globally

Author Biography

Table of Contents

Supplemental Materials