Todd M. Borgerding is Assistant Professor of Music at the University of Wisconsin-Oshkosh. He received his Ph.D. in Musicology from the University of Michigan in 1997
Series Editor's Foreword
vii
Acknowledgments
ix
Introduction
xi
Todd M. Borgerding
Isabella Medici-Orsini: A Portrait of Self-Affirmation
1
(26)
Donna G. Cardamone
``Simil combattimento fatto da Dame'': The Musicotheatrical Entertainments of Margherita Gonzaga's Balletto delle donne and the Female Warrior in Ferrarese Cultural History
27
(14)
Nina Treadwell
Madalena Casulana: my body knows unheard of songs
41
(32)
Thomasin LaMay
Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle
73
(50)
Kelley Harness
Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi
123
(44)
Laurie Stras
Gossip, Erotica, and the Male Spy in Alessandro Striggio's II Cicalamento delle donne al bucato (1567)
167
(32)
Christina Fuhrmann
Construction of Desire in Early Baroque Instrumental Music
199
(28)
Andrew Dell'Antonio
Music, Sex, and Ethnicity: Signification in Lully's Theatrical Chaconnes
227
(22)
Rose A. Pruiksma
Sic ego te dilegebam: Music, Homoeroticism, and the Scared in Early Modern Europe
249
(16)
Todd M. Borgerding
Christine de Pizan and ``Dueil Angoisseux''
265
(18)
Liane Curtis
Postscript: Dancing with the Ingrate
283
(6)
Suzanne Cusick
Contributors
289
(4)
Index
293
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