The Homoerotics of Early Modern Drama

This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyzes the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores.

Preface
1. Introduction
2. The homoerotics of marriage in Ovidian comedy
3. The homoerotics of mastery in satiric comedy
4. The homoerotics of favouritism in tragedy
5. The homoerotics of masculinity in tragicomedy
Notes
Works cited

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The Homoerotics of Early Modern Drama

Summary

Table of Contents

Supplemental Materials