Letztes Jahr in Marienbad Ein Film als Kunstwerk

The 1961 film Last Year in Marienbad broke with traditional structures of time, location, and causality like no other film before it. The director, Alain Resnais, played with an artistic language in which the style itself became the content. In doing so, he defined an appreciation of art that has extended into the present day: Nouvelle Vague. The catalogue examines the influence of the film on the fine arts, on Pop culture and fashion, garnering international approaches from the beginning of the twentieth century through to the present.

student of History of Art, Classical Archeology and Englisch Literature at the Universities of Mainz, Berlin and London - professional stations at the National Gallery of Art in Washington D.C and the Institute of Contemporary Art in Boston - 2007 president of the Jury of the "Turner Kunstpreis" - since 2011 director of the "Kunsthalle Bremen" Christoph Grunenberg was a student of History of Art, Classical Archeology and Englisch Literature at the Universities of Mainz, Berlin and London. He has held professional stations at the National Gallery of Art in Washington D.C and the Institute of Contemporary Art in Boston. In 2007 he was president of the Jury of the "Turner Kunstpreis". Since 2011 he has been director of the "Kunsthalle Bremen".