Listening to Stanley Kubrick The Music in His

The musical scores of Stanley Kubrick's films are often praised as being innovative and forward looking. Despite playing such an important part in his productions, however, the ways Kubrick used music to great effect are still somewhat mysterious to many viewers. Although some viewers may know a little about the music in 2001: A Space Odyssey or A Clockwork Orange, few are aware of the particulars behind the music in Kubrick's other films.

Christing Lee Gengaro, Ph.D., is associate professor, Department of Music, Los Angeles City College. She has contributed essays to the Journal of Popular Music and Society, Anthony Burgess and Modernity (2008), and The Worlds of Back to the Future (2010).

Acknowledgments	p. v
Introduction	p. vii
Early Projects: Shorts and Early Features	p. 1
Love Themes, Leitmotifs, and Pop Music: Spartacus, Lolita, Dr. Strangelove, and Full Metal Jacket	p. 33
The Music of the Spheres: 2001: A Space Odyssey	p. 69
"It Was Lovely Music That Came to My Aid": A Clockwork Orange	p. 103
"I Was Lucky Enough to Have Superb Material to Work With": Barry Lyndon	p. 147
Midnight, the Stars, and You: The Shining	p. 179
Kubrick's Final Word: Eyes Wide Shut	p. 219
Films and Their Source Material	p. 257
Film Synopses	p. 259
Soundtracks and Track Lists	p. 267
Bibliography	p. 287
Index	p. 297
About the Author	p. 305
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Listening to Stanley Kubrick The Music in His Films

Summary

Author Biography

Table of Contents

Supplemental Materials