Modernism and Its Margins: Reinscribing

This volume represents a rereading of modernism and the modernist canon from a double distance: geographical and temporal. It is a revision not only from the periphery (Spain and Latin America), but from this new fin de si cle as well, a revisiting of modernity and its cultural artifacts from that same postmodernity. Modernism and Its Margins is an attempt at introducing different perspectives and examples in the theoretical debate, redefine dominant assumptions of what modernism-or margins-mean in our historical juncture.

Dedication
In Memoriam
Acknowledgments
Introduction Modernism and Its Margins: Rescripting Hispanic Modernism
The Problematics of Modernism
On Modernism from the Periphery	p. 3
The Industrial Imaginary of Modernity: The "Totalizing" Gaze	p. 17
A Modernization That Holds Us Back: Culture under the Neoconservative Regression	p. 34
Rethinking the Theory of the Avant-Garde from the Periphery	p. 52
The Limits of Modernity in Latin American Poetry	p. 81
"Seven Islands in Search of an Author": The Canary Islands Avant-Garde	p. 98
Modernists from the Margins
Gender and Modernist Discourse: Emilia Pardo Bazan's Dulce Dueno	p. 117
Bunuel: A Cinematographic Impugnment of Modernity/Modernism/Avant-gardism and Other Options	p. 140
Recycling the Popular: Lorca, Lorquismo, and the Culture Industry	p. 151
Cultural Liaisons in American Literatures	p. 168
Brazilian Modernism: An Idea Out of Place?	p. 186
Counterhegemonic Subjectivities in Cesar Vallejo and Oswald de Andrade	p. 215
Borges: Tradition and the Avant-Garde	p. 228
"Dangerous Southern Islands": Modern Aesthetics as Anaesthetics in Carpentier's The Lost Steps and Borges's "The South"	p. 242
El siglo de las luces: Modernism and Epic	p. 260
Afterword: A Design for Modernity in the Margins	p. 277
Contributors	p. 297
Index	p. 303
Table of Contents provided by Blackwell. All Rights Reserved.

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Modernism and Its Margins: Reinscribing Cultural Modernity from Spain and Latin America

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