MUSIC DOWNLOAD CARD FOR EXPERIENCE MUSIC
, by Charlton, Katherine
- ISBN: 9781259297427 | 125929742X
- Cover: eBook
- Copyright: 1/8/2015
Experience Music 4e builds listening skills that extend beyond the classroom with McGraw-Hill Connect® Music’s new mobile listening guides, delivering powerful interactive music selections to students on-the-go. The varied experience that each student brings to the Music Appreciation course is now fostered through McGraw-Hill LearnSmart® and Spotify® integration, to personalize learning the language of music and the art of listening. Connect is the only integrated learning system that empowers students by continuously adapting to deliver precisely what they need, when they need it, so that your class time is more engaging and effective. It provides tools that make assessment easier, learning more engaging, and studying more efficient.
Prelude: The Fundamentals of Music
Chapter 1 Elements of Music: Sound, Rhythm, Melody, and Harmony
Sound
Rhythm
Melody
Harmony
Chapter 2 Elements that Structure Music—Key, Texture, and Form
Key
Texture
Form
Chapter 3 Musical Instruments and Ensembles
Voices and Vocal Ensembles
Stringed Instruments
Plucked Stringed Instruments
Bowed Stringed Instruments
Woodwinds
Brasses
Percussion Instruments
De?nite Pitch
Inde?nite Pitch
Keyboard Instruments
Electronic Instruments
Instruments in Non-Western Cultures
Instrumental Ensembles
Chamber Ensembles
The Orchestra
The Wind Ensemble
The Conductor
Prelude: The Culture of Medieval Europe
Chapter 4 Medieval Music
Medieval Sacred Music
Gregorian Chant
Listening Guide: “Dies irae” (“Day of Wrath”), beginning section, by Anonymous
Hildegard of Bingen
Listening Guide: “O pastor animarum” (“Shepherd of Souls”), by Hildegard of Bingen
MusiCurious: Medieval Nuns’ Daily Lives
The Mass
Polyphony and Measured Rhythm
Featured Listening: “Viderunt omnes” (“All Have Seen”), beginning section, by Léonin
Guillaume de Machaut
Listening Guide: “Agnus Dei” (“Lamb of God”) from Messe de Nostre Dame (Mass of Our Lady), by Guillaume de Machaut
Medieval Secular Music
Hearing the Difference “Dies irae” and Machaut’s “Agnus Dei” 39
Improvised Accompaniment to Monophonic Songs
Listening Guide: “Tant m’abelis” (“So Much I Love”), by Berenguier de Palou 40
The Motet 43
Characteristics of Medieval Music 45
Prelude: The Renaissance: The Rebirth of Humanism
Chapter 5 Renaissance Music
Renaissance Sacred Music
Josquin des Prez
Featured Listening: “Ave Maria” (“Hail, Mary”), by Josquin des Prez
Giovanni Pierluigi da Palestrina
Listening Guide: “Kyrie” (“Lord”) from Missa Papae Marcelli (Pope Marcellus Mass), by Giovanni Pierluigi da Palestrina
Renaissance Secular Music
Hearing the Difference Josquin’s “Ave Maria” and Palestrina’s “Kyrie”
The Madrigal in Italy
MusiCurious: Home Entertainment during the Renaissance
The Madrigal in England
Listening Guide: “Fair Phyllis,” by John Farmer
The Chanson in France
The Lied in Germany
Lute Songs
Listening Guide: “Flow My Tears,” by John Dowland
Renaissance Instrumental Music
Listening Guide: Three Dances from Terpsichore, by Michael Praetorius
Characteristics of Renaissance Music
Prelude: The Triumph of Baroque Style 62
Chapter 6 Baroque Opera
The Birth of Opera
Baroque Vocal Styles
MusiCurious: What Makes Opera Singers into International Stars
Claudio Monteverdi
MUSICURIOUS How Opera Makes Singers into International Stars
Listening Guide: “Tu se’ morta” (“You Are Dead”) from Act Two of Orfeo, by Claudio Monteverdi
Opera Outside of Italy
Featured Listening: “Thy Hand, Belinda” and “When I Am Laid in Earth” from Act Three of Dido and Aeneas, by Henry Purcell
Hearing the Difference: Dowland’s “Flow My Tears” and Purcell’s “When I Am Laid in Earth”
Chapter 7 Cantata
The Secular Cantata
The Chorale
The Sacred Cantata
Listening Guide: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, fourth movement, by Johann Sebastian Bach
Featured Listening: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, seventh movement, by Johann Sebastian Bach
Johann Sebastian Bach
Chapter 8 Oratorio
Oratorio
MusiCurious: Oratorio or Opera?: Know the Difference
George Frideric Handel
Messiah
Listening Guide: “Comfort Ye” from Messiah, by George Frideric Handel
Featured Listening: “Ev’ry Valley” from Messiah, by George Frideric Handel
Listening Guide: “Hallelujah” from Messiah, by George Frideric Handel
The Passion
Hearing the Difference: Bach’s “Wachet auf,” Cantata no. 140, seventh movement, and Handel’s “Hallelujah” Chorus
Chapter 9 Baroque Solo and Chamber Music
Keyboard Music
Fugue
Featured Listening: “The Little Fugue in G Minor,” by Johann Sebastian Bach
Suite
MusiCurious: The King of Instruments
Listening Guide: “Bourree I” from Cello Suite no. 3 in C major, BWV 1009, by Johann Sebastian Bach
Baroque Sonata
Elisabeth-Claude Jacquet de la Guerre
Listening Guide: “Aria,” sixth movement, from Sonata in D Minor for Violin and Basso Continuo, by Elisabeth-Claude Jacquet de la Guerre
Chapter 10 The Baroque Orchestra
The Orchestra
Listening Guide: “Minuet” from Water Music, by George Frideric Handel
MusiCurious: How Baroque Players and Singers “Decorate” Music
Concerto Grosso
Listening Guide: Brandenburg Concerto no. 5, ?rst movement, by Johann Sebastian Bach
Solo Concerto
Antonio Vivaldi
Featured Listening: “La Primavera” (“Spring”), ?rst movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
MusiCurious: Attending a Concert
Listening Guide: “La Primavera” (“Spring”), second movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Listening Guide: “La Primavera” (“Spring”), third movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Characteristics of Baroque Music
Prelude: The Classical Era: Reason and Revolution
Chapter 11 The Classical Symphony
The Form of Classical Multimovement Works
Single-Movement Sonata Form
Theme and Variations Form
Minuet and Trio Form
The Classical Orchestra
MusiCurious: Why Composers Write “Boring” Slow Movements
MusiCurious: What Does the Conductor Do?
Wolfgang Amadeus Mozart
Listening Guide: Symphony no. 40 in G Minor, ?rst movement, by Wolfgang Amadeus Mozart
Featured Listening: “Surprise,” Symphony no. 94 in G Major, second movement, by Franz Joseph Haydn
Listening Guide: Symphony no. 40 in G Minor, third movement, by Wolfgang Amadeus Mozart
Hearing the Difference: Vivaldi’s “Spring,” ?rst movement, and Mozart’s Symphony no. 40 in G Minor, ?rst movement
Chapter 12 The Classical Concerto
Concerto Soloists
Double-Exposition Sonata Form
Featured Listening: Piano Concerto no. 23 in A Major, ?rst movement, K. 488, by Wolfgang Amadeus Mozart
Hearing the Difference: Bach’s Brandenburg Concerto no. 5, ?rst movement,and Mozart’s Piano Concerto no. 23, ?rst movement
Chapter 13 Classical Chamber Music
Chamber Sonatas
Franz Joseph Haydn
MusiCurious: Chamber Music Concerts
Featured Listening: String Quartet op. 33, no. 3 (“The Bird”), fourth movement, by Franz Joseph Haydn
Rondo Form
A Sonata for Flute and Guitar
Listening Guide: Grande Sonata no. 85 for ?ute and guitar, third movement, Scherzo, by Mauro Giuliani
Chapter 14 Classical Vocal Music
Haydn’s Vocal Music
Classical Opera
The Marriage of Figaro
MusiCurious: Classical and Romantic Opera (The Castrato Bows Out)
The Characters
The Plot
Listening Guide: “Non so più cosa son” (“I Don’t Know What I Am Anymore”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Featured Listening: “Non più andrai” (“No More Will You”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Chapter 15 The Music of Beethoven
Ludwig van Beethoven
Featured Listening: Symphony no. 5 in C Minor, ?rst movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, second movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, third movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, fourth movement, by Ludwig van Beethoven
The Classical Piano
Hearing the Difference: Haydn’s Symphony no. 94, second movement, and Beethoven’s Symphony no. 5, second movement
Listening Guide: “Moonlight,” Piano Sonata no. 14 in C-Sharp Minor, op. 27, no. 2, ?rst movement, by Ludwig van Beethoven
Characteristics of Classical Music
Prelude: Music of the Romantic Era
Chapter 16 Romantic Songs
The Salon
Art Song
MusicCurious: How Does a Composer Write a Piece of Music?
Franz Schubert
Featured Listening: “Erlkönig” (“King of the Elves”), by Franz Schubert
Robert and Clara Schumann
Listening Guide: “Im wunderschönen Monat Mai” (“In the Wonderfully Lovely Month of May”) from Dichterliebe (A Poet’s Love), by Robert Schumann
Listening Guide: “Leibst du um Schönheit” (“If You Love for Beauty’s Sake”), by Clara Wieck Schumann
Chapter 17 Romantic Piano Music
Frédéric Chopin and Franz Liszt
Featured Listening: Nocturne, op.9, no.2, by Frédéric Chopin
Listening Guide: Transcendental Étude No. 10 in F minor by Franz Liszt
Chapter 18 Romantic Program Music
MusiCurious: Does the Listener need to know the Program in Program Music?
Hector Berlioz
Symphonie fantastique
Featured Listening: Symphonie fantastique, ?fth movement, “Dream of a Witches’ Sabbath,” by Hector Berlioz
Hearing the Difference: Beethoven’s Symphony no. 5, ?rst movement, and Berlioz’s Symphonie fantastique, ?fth movement
Other Program Music
Chapter 19 Nationalism in the Romantic Era
Bedrich Smetana
Featured Listening: “The Moldau,” by Bedrich Smetana
Chapter 20 The Concert Overture
Peter Ilyich Tchaikovsky
Romeo and Juliet Overture
MusiCurious: Romeo and Juliet: The Alternate Endings
Featured Listening: Romeo and Juliet Overture, by Peter Ilyich Tchaikovsky
Chapter 21 The Romantic Concerto
Felix Mendelssohn and Fanny Mendelssohn Hensel
Mendelssohn’s Concerto
Featured Listening: Violin Concerto in E Minor, op. 64, ?rst movement, by Felix Mendelssohn
Hearing the Difference: Vivaldi’s “La Primavera,” ?rst movement, and Mendelssohn’s Violin Concerto, ?rst movement
Chapter 22 Romantic Choral Music
Johannes Brahms
Brahms’s Requiem
Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is They Dwelling Place,” by Johannes Brahms
Chapter 23 The Late Romantic Symphonies
The Romantic Symphony
Listening Guide: Symphony no. 4, fourth movement, by Johannes Brahms
Antonín Dvorák
Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvorák
Other Late Romantics
Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler
Chapter 24 Romantic Opera in France and Italy
French Opera
Italian Opera
Giuseppe Verdi
MusiCurious: Attending an Opera
Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida, by Giuseppe Verdi
Giacomo Puccini
Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème, by Giacomo Puccini
Hearing the Difference: Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì”
Chapter 25 Romantic German Opera
Richard Wagner
MusiCurious: Opera Productions
Featured Listening: “Grane, mein Ross!” (“Grane, my horse!”) and ?nale to Götterdämmerung from Der Ring des Nibelungen, by Richard Wagner
Characteristics of Romantic Music
Prelude: The Early Twentieth Century
Chapter 26 Impressionism and Symbolism
Claude Debussy
Featured Listening: Prélude à L’après-midi d’un faune (Prelude to The Afternoon of a Faun), by Claude Debussy
Maurice Ravel
Hearing the Difference: Smetana’s “The Moldau” and Debussy’s Prélude à L’après-midi d’un faune
Chapter 27 Primitivism and Neoclassicism
Primitivism
Igor Stravinsky
MusiCurious: Music for Ballet
Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction,” by Igor Stravinsky
Neoclassicism
Listening Guide: Concerto in E-Flat Major, the Dumbarton Oaks Concerto, ?rst movement, by Igor Stravinsky
Chapter 28 Eastern European Nationalism
Béla Bartók
Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo,” by Béla Bartók
Chapter 29 Germanic Expressionism and the Development of Serialism
MusiCurious: How is it Great Art if it is Ugly?
Arnold Schoenberg
Featured Listening: “Der Mond?eck” (“Moon?eck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg
Other Serial Composers
Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern
Characteristics of Twentieth-Century Music (to World War II)
Prelude: American Innovations in the Arts 278
Chapter 30 American Music Before World War II
The Seventeenth Century
The Eighteenth Century
Featured Listening: “When Jesus Wept,” by William Billings
The Nineteenth Century
Listening Guide: “Jeanie with the Light Brown Hair,” by Stephen Foster
After the Civil War
Listening Guide: “Ah, Love, but a Day,” by Amy Beach
Canadian Music
Chapter 31 Early Jazz Styles
Origins of Jazz
Listening Guide: “Village Celebration,” by Mende Tribe of Sierra Leone
Ragtime
Listening Guide: “Maple Leaf Rag,” by Scott Joplin
The Blues
MusiCurious: Improvisation
Featured Listening: “Lost Your Head Blues,” by Bessie Smith
New Orleans Jazz
Swing Jazz
Hearing the Difference: Foster’s “Jeanie with the Light Brown Hair” and Smith’s “Lost Your Head Blues”
Listening Guide: “It Don’t Mean a Thing If It Ain’t Got That Swing,” by Duke Ellington
Chapter 32 Developments in Jazz in the Late Twentieth Century
Bebop
Featured Listening: “Ko Ko,” by Charlie Parker
Cool Jazz
MusiCurious: Attending A Jazz Concert
New Styles in the 1960s
Fusion
Listening Guide: “Miles Runs the Voodoo Down” (beginning), by Miles Davis 308
Hearing the Difference: Parker’s “Ko Ko” and Davis’s “Miles Runs the Voodoo Down”
Chapter 33 American Classical Music In?uenced by Early Jazz
George Gershwin
Listening Guide: Rhapsody in Blue, by George Gershwin
William Grant Still
Featured Listening: Afro-American Symphony, ?rst movement, by William Grant Still
Chapter 34 Twentieth-Century American Classical Styles
Charles Ives
Listening Guide: The Unanswered Question, by Charles Ives
Aaron Copland
Featured Listening: “Fanfare for the Common Man,” by Aaron Copland
Ellen Taaffe Zwilich
Listening Guide: Symphony no. 1, ?rst movement, by Ellen Taaffe Zwilich
Hearing the Difference: Mozart’s Symphony no. 40, ?rst movement, and Zwilich’s Symphony no. 1, ?rst movement
Chapter 35 Musical Theater
Broadway Musicals
Leonard Bernstein
Featured Listening: “America” from West Side Story, by Leonard Bernstein
Later Musicals
MusiCurious: Musicals and Operas: Similar, but Different
Chapter 36 Film Music
The Earliest Film Music
Early Sound Films
Later Film Scoring Practices
Featured Listening: “Main Theme” from Star Wars, by John Williams
Trends in Movie Music
Characteristics of Music in America
Prelude: New Ideas and Styles from Twentieth-Century Internationalism 344
Chapter 37 World Musics
Musical Elements in Non-Western Musics
Pitch and Scale Systems
Harmony
Rhythm
Instruments
Music from Indonesia
Featured Listening: “Srepegan (slendro nim),” by Gamelan Ensemble
Music from China
Listening Guide: “Moonlight on the Ching Yang River,” by Yo Su-Nan
Music from India
Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav
Music from Africa
Ewe Drum Ensembles
Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”), by Ewe of Ghana
Chapter 38 Post–World War II Innovations
Henry Cowell
Featured Listening: “The Banshee,” by Henry Cowell John Cage
Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage
Hearing the Difference: Wayang kulit Gamelan
Ensemble’s “Srepegan (slendro nim)” and Cage’s Sonata V
Electronic Music
Edgard Varèse
Listening Guide: “Poème électronique” (“Electronic Poem”), by Edgard Varèse
Terry Riley
Listening Guide: “In C,” by Terry Riley
MusiCurious: Performing an Aleatoric Work
Chapter 39 Minimalism
Philip Glass
Featured Listening: Company, second movement, by Philip Glass
Hearing the Difference: Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement
Steve Reich
Listening Guide: Electric Counterpoint, third movement, by Steve Reich
John Adams
Listening Guide: “Short Ride in a Fast Machine,” by John Adams
Characteristics of Non-Western-In?uenced Music
Rock Music (McGraw-Hill Education Create)
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
Texture
Form
Chapter 3 Musical Instruments and Ensembles
Voices and Vocal Ensembles
Stringed Instruments
Plucked Stringed Instruments
Bowed Stringed Instruments
Woodwinds
Brasses
Percussion Instruments
De?nite Pitch
Inde?nite Pitch
Keyboard Instruments
Electronic Instruments
Instruments in Non-Western Cultures
Instrumental Ensembles
Chamber Ensembles
The Orchestra
The Wind Ensemble
The Conductor
Prelude: The Culture of Medieval Europe
Chapter 4 Medieval Music
Medieval Sacred Music
Gregorian Chant
Listening Guide: “Dies irae” (“Day of Wrath”), beginning section, by Anonymous
Hildegard of Bingen
Listening Guide: “O pastor animarum” (“Shepherd of Souls”), by Hildegard of Bingen
MusiCurious: Medieval Nuns’ Daily Lives
The Mass
Polyphony and Measured Rhythm
Featured Listening: “Viderunt omnes” (“All Have Seen”), beginning section, by Léonin
Guillaume de Machaut
Listening Guide: “Agnus Dei” (“Lamb of God”) from Messe de Nostre Dame (Mass of Our Lady), by Guillaume de Machaut
Medieval Secular Music
Hearing the Difference “Dies irae” and Machaut’s “Agnus Dei” 39
Improvised Accompaniment to Monophonic Songs
Listening Guide: “Tant m’abelis” (“So Much I Love”), by Berenguier de Palou 40
The Motet 43
Characteristics of Medieval Music 45
Prelude: The Renaissance: The Rebirth of Humanism
Chapter 5 Renaissance Music
Renaissance Sacred Music
Josquin des Prez
Featured Listening: “Ave Maria” (“Hail, Mary”), by Josquin des Prez
Giovanni Pierluigi da Palestrina
Listening Guide: “Kyrie” (“Lord”) from Missa Papae Marcelli (Pope Marcellus Mass), by Giovanni Pierluigi da Palestrina
Renaissance Secular Music
Hearing the Difference Josquin’s “Ave Maria” and Palestrina’s “Kyrie”
The Madrigal in Italy
MusiCurious: Home Entertainment during the Renaissance
The Madrigal in England
Listening Guide: “Fair Phyllis,” by John Farmer
The Chanson in France
The Lied in Germany
Lute Songs
Listening Guide: “Flow My Tears,” by John Dowland
Renaissance Instrumental Music
Listening Guide: Three Dances from Terpsichore, by Michael Praetorius
Characteristics of Renaissance Music
Prelude: The Triumph of Baroque Style 62
Chapter 6 Baroque Opera
The Birth of Opera
Baroque Vocal Styles
MusiCurious: What Makes Opera Singers into International Stars
Claudio Monteverdi
MUSICURIOUS How Opera Makes Singers into International Stars
Listening Guide: “Tu se’ morta” (“You Are Dead”) from Act Two of Orfeo, by Claudio Monteverdi
Opera Outside of Italy
Featured Listening: “Thy Hand, Belinda” and “When I Am Laid in Earth” from Act Three of Dido and Aeneas, by Henry Purcell
Hearing the Difference: Dowland’s “Flow My Tears” and Purcell’s “When I Am Laid in Earth”
Chapter 7 Cantata
The Secular Cantata
The Chorale
The Sacred Cantata
Listening Guide: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, fourth movement, by Johann Sebastian Bach
Featured Listening: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, seventh movement, by Johann Sebastian Bach
Johann Sebastian Bach
Chapter 8 Oratorio
Oratorio
MusiCurious: Oratorio or Opera?: Know the Difference
George Frideric Handel
Messiah
Listening Guide: “Comfort Ye” from Messiah, by George Frideric Handel
Featured Listening: “Ev’ry Valley” from Messiah, by George Frideric Handel
Listening Guide: “Hallelujah” from Messiah, by George Frideric Handel
The Passion
Hearing the Difference: Bach’s “Wachet auf,” Cantata no. 140, seventh movement, and Handel’s “Hallelujah” Chorus
Chapter 9 Baroque Solo and Chamber Music
Keyboard Music
Fugue
Featured Listening: “The Little Fugue in G Minor,” by Johann Sebastian Bach
Suite
MusiCurious: The King of Instruments
Listening Guide: “Bourree I” from Cello Suite no. 3 in C major, BWV 1009, by Johann Sebastian Bach
Baroque Sonata
Elisabeth-Claude Jacquet de la Guerre
Listening Guide: “Aria,” sixth movement, from Sonata in D Minor for Violin and Basso Continuo, by Elisabeth-Claude Jacquet de la Guerre
Chapter 10 The Baroque Orchestra
The Orchestra
Listening Guide: “Minuet” from Water Music, by George Frideric Handel
MusiCurious: How Baroque Players and Singers “Decorate” Music
Concerto Grosso
Listening Guide: Brandenburg Concerto no. 5, ?rst movement, by Johann Sebastian Bach
Solo Concerto
Antonio Vivaldi
Featured Listening: “La Primavera” (“Spring”), ?rst movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
MusiCurious: Attending a Concert
Listening Guide: “La Primavera” (“Spring”), second movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Listening Guide: “La Primavera” (“Spring”), third movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Characteristics of Baroque Music
Prelude: The Classical Era: Reason and Revolution
Chapter 11 The Classical Symphony
The Form of Classical Multimovement Works
Single-Movement Sonata Form
Theme and Variations Form
Minuet and Trio Form
The Classical Orchestra
MusiCurious: Why Composers Write “Boring” Slow Movements
MusiCurious: What Does the Conductor Do?
Wolfgang Amadeus Mozart
Listening Guide: Symphony no. 40 in G Minor, ?rst movement, by Wolfgang Amadeus Mozart
Featured Listening: “Surprise,” Symphony no. 94 in G Major, second movement, by Franz Joseph Haydn
Listening Guide: Symphony no. 40 in G Minor, third movement, by Wolfgang Amadeus Mozart
Hearing the Difference: Vivaldi’s “Spring,” ?rst movement, and Mozart’s Symphony no. 40 in G Minor, ?rst movement
Chapter 12 The Classical Concerto
Concerto Soloists
Double-Exposition Sonata Form
Featured Listening: Piano Concerto no. 23 in A Major, ?rst movement, K. 488, by Wolfgang Amadeus Mozart
Hearing the Difference: Bach’s Brandenburg Concerto no. 5, ?rst movement,and Mozart’s Piano Concerto no. 23, ?rst movement
Chapter 13 Classical Chamber Music
Chamber Sonatas
Franz Joseph Haydn
MusiCurious: Chamber Music Concerts
Featured Listening: String Quartet op. 33, no. 3 (“The Bird”), fourth movement, by Franz Joseph Haydn
Rondo Form
A Sonata for Flute and Guitar
Listening Guide: Grande Sonata no. 85 for ?ute and guitar, third movement, Scherzo, by Mauro Giuliani
Chapter 14 Classical Vocal Music
Haydn’s Vocal Music
Classical Opera
The Marriage of Figaro
MusiCurious: Classical and Romantic Opera (The Castrato Bows Out)
The Characters
The Plot
Listening Guide: “Non so più cosa son” (“I Don’t Know What I Am Anymore”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Featured Listening: “Non più andrai” (“No More Will You”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Chapter 15 The Music of Beethoven
Ludwig van Beethoven
Featured Listening: Symphony no. 5 in C Minor, ?rst movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, second movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, third movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, fourth movement, by Ludwig van Beethoven
The Classical Piano
Hearing the Difference: Haydn’s Symphony no. 94, second movement, and Beethoven’s Symphony no. 5, second movement
Listening Guide: “Moonlight,” Piano Sonata no. 14 in C-Sharp Minor, op. 27, no. 2, ?rst movement, by Ludwig van Beethoven
Characteristics of Classical Music
Prelude: Music of the Romantic Era
Chapter 16 Romantic Songs
The Salon
Art Song
MusicCurious: How Does a Composer Write a Piece of Music?
Franz Schubert
Featured Listening: “Erlkönig” (“King of the Elves”), by Franz Schubert
Robert and Clara Schumann
Listening Guide: “Im wunderschönen Monat Mai” (“In the Wonderfully Lovely Month of May”) from Dichterliebe (A Poet’s Love), by Robert Schumann
Listening Guide: “Leibst du um Schönheit” (“If You Love for Beauty’s Sake”), by Clara Wieck Schumann
Chapter 17 Romantic Piano Music
Frédéric Chopin and Franz Liszt
Featured Listening: Nocturne, op.9, no.2, by Frédéric Chopin
Listening Guide: Transcendental Étude No. 10 in F minor by Franz Liszt
Chapter 18 Romantic Program Music
MusiCurious: Does the Listener need to know the Program in Program Music?
Hector Berlioz
Symphonie fantastique
Featured Listening: Symphonie fantastique, ?fth movement, “Dream of a Witches’ Sabbath,” by Hector Berlioz
Hearing the Difference: Beethoven’s Symphony no. 5, ?rst movement, and Berlioz’s Symphonie fantastique, ?fth movement
Other Program Music
Chapter 19 Nationalism in the Romantic Era
Bedrich Smetana
Featured Listening: “The Moldau,” by Bedrich Smetana
Chapter 20 The Concert Overture
Peter Ilyich Tchaikovsky
Romeo and Juliet Overture
MusiCurious: Romeo and Juliet: The Alternate Endings
Featured Listening: Romeo and Juliet Overture, by Peter Ilyich Tchaikovsky
Chapter 21 The Romantic Concerto
Felix Mendelssohn and Fanny Mendelssohn Hensel
Mendelssohn’s Concerto
Featured Listening: Violin Concerto in E Minor, op. 64, ?rst movement, by Felix Mendelssohn
Hearing the Difference: Vivaldi’s “La Primavera,” ?rst movement, and Mendelssohn’s Violin Concerto, ?rst movement
Chapter 22 Romantic Choral Music
Johannes Brahms
Brahms’s Requiem
Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is They Dwelling Place,” by Johannes Brahms
Chapter 23 The Late Romantic Symphonies
The Romantic Symphony
Listening Guide: Symphony no. 4, fourth movement, by Johannes Brahms
Antonín Dvorák
Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvorák
Other Late Romantics
Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler
Chapter 24 Romantic Opera in France and Italy
French Opera
Italian Opera
Giuseppe Verdi
MusiCurious: Attending an Opera
Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida, by Giuseppe Verdi
Giacomo Puccini
Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème, by Giacomo Puccini
Hearing the Difference: Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì”
Chapter 25 Romantic German Opera
Richard Wagner
MusiCurious: Opera Productions
Featured Listening: “Grane, mein Ross!” (“Grane, my horse!”) and ?nale to Götterdämmerung from Der Ring des Nibelungen, by Richard Wagner
Characteristics of Romantic Music
Prelude: The Early Twentieth Century
Chapter 26 Impressionism and Symbolism
Claude Debussy
Featured Listening: Prélude à L’après-midi d’un faune (Prelude to The Afternoon of a Faun), by Claude Debussy
Maurice Ravel
Hearing the Difference: Smetana’s “The Moldau” and Debussy’s Prélude à L’après-midi d’un faune
Chapter 27 Primitivism and Neoclassicism
Primitivism
Igor Stravinsky
MusiCurious: Music for Ballet
Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction,” by Igor Stravinsky
Neoclassicism
Listening Guide: Concerto in E-Flat Major, the Dumbarton Oaks Concerto, ?rst movement, by Igor Stravinsky
Chapter 28 Eastern European Nationalism
Béla Bartók
Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo,” by Béla Bartók
Chapter 29 Germanic Expressionism and the Development of Serialism
MusiCurious: How is it Great Art if it is Ugly?
Arnold Schoenberg
Featured Listening: “Der Mond?eck” (“Moon?eck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg
Other Serial Composers
Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern
Characteristics of Twentieth-Century Music (to World War II)
Prelude: American Innovations in the Arts 278
Chapter 30 American Music Before World War II
The Seventeenth Century
The Eighteenth Century
Featured Listening: “When Jesus Wept,” by William Billings
The Nineteenth Century
Listening Guide: “Jeanie with the Light Brown Hair,” by Stephen Foster
After the Civil War
Listening Guide: “Ah, Love, but a Day,” by Amy Beach
Canadian Music
Chapter 31 Early Jazz Styles
Origins of Jazz
Listening Guide: “Village Celebration,” by Mende Tribe of Sierra Leone
Ragtime
Listening Guide: “Maple Leaf Rag,” by Scott Joplin
The Blues
MusiCurious: Improvisation
Featured Listening: “Lost Your Head Blues,” by Bessie Smith
New Orleans Jazz
Swing Jazz
Hearing the Difference: Foster’s “Jeanie with the Light Brown Hair” and Smith’s “Lost Your Head Blues”
Listening Guide: “It Don’t Mean a Thing If It Ain’t Got That Swing,” by Duke Ellington
Chapter 32 Developments in Jazz in the Late Twentieth Century
Bebop
Featured Listening: “Ko Ko,” by Charlie Parker
Cool Jazz
MusiCurious: Attending A Jazz Concert
New Styles in the 1960s
Fusion
Listening Guide: “Miles Runs the Voodoo Down” (beginning), by Miles Davis 308
Hearing the Difference: Parker’s “Ko Ko” and Davis’s “Miles Runs the Voodoo Down”
Chapter 33 American Classical Music In?uenced by Early Jazz
George Gershwin
Listening Guide: Rhapsody in Blue, by George Gershwin
William Grant Still
Featured Listening: Afro-American Symphony, ?rst movement, by William Grant Still
Chapter 34 Twentieth-Century American Classical Styles
Charles Ives
Listening Guide: The Unanswered Question, by Charles Ives
Aaron Copland
Featured Listening: “Fanfare for the Common Man,” by Aaron Copland
Ellen Taaffe Zwilich
Listening Guide: Symphony no. 1, ?rst movement, by Ellen Taaffe Zwilich
Hearing the Difference: Mozart’s Symphony no. 40, ?rst movement, and Zwilich’s Symphony no. 1, ?rst movement
Chapter 35 Musical Theater
Broadway Musicals
Leonard Bernstein
Featured Listening: “America” from West Side Story, by Leonard Bernstein
Later Musicals
MusiCurious: Musicals and Operas: Similar, but Different
Chapter 36 Film Music
The Earliest Film Music
Early Sound Films
Later Film Scoring Practices
Featured Listening: “Main Theme” from Star Wars, by John Williams
Trends in Movie Music
Characteristics of Music in America
Prelude: New Ideas and Styles from Twentieth-Century Internationalism 344
Chapter 37 World Musics
Musical Elements in Non-Western Musics
Pitch and Scale Systems
Harmony
Rhythm
Instruments
Music from Indonesia
Featured Listening: “Srepegan (slendro nim),” by Gamelan Ensemble
Music from China
Listening Guide: “Moonlight on the Ching Yang River,” by Yo Su-Nan
Music from India
Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav
Music from Africa
Ewe Drum Ensembles
Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”), by Ewe of Ghana
Chapter 38 Post–World War II Innovations
Henry Cowell
Featured Listening: “The Banshee,” by Henry Cowell John Cage
Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage
Hearing the Difference: Wayang kulit Gamelan
Ensemble’s “Srepegan (slendro nim)” and Cage’s Sonata V
Electronic Music
Edgard Varèse
Listening Guide: “Poème électronique” (“Electronic Poem”), by Edgard Varèse
Terry Riley
Listening Guide: “In C,” by Terry Riley
MusiCurious: Performing an Aleatoric Work
Chapter 39 Minimalism
Philip Glass
Featured Listening: Company, second movement, by Philip Glass
Hearing the Difference: Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement
Steve Reich
Listening Guide: Electric Counterpoint, third movement, by Steve Reich
John Adams
Listening Guide: “Short Ride in a Fast Machine,” by John Adams
Characteristics of Non-Western-In?uenced Music
Rock Music (McGraw-Hill Education Create)
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
Form
Chapter 3 Musical Instruments and Ensembles
Voices and Vocal Ensembles
Stringed Instruments
Plucked Stringed Instruments
Bowed Stringed Instruments
Woodwinds
Brasses
Percussion Instruments
De?nite Pitch
Inde?nite Pitch
Keyboard Instruments
Electronic Instruments
Instruments in Non-Western Cultures
Instrumental Ensembles
Chamber Ensembles
The Orchestra
The Wind Ensemble
The Conductor
Prelude: The Culture of Medieval Europe
Chapter 4 Medieval Music
Medieval Sacred Music
Gregorian Chant
Listening Guide: “Dies irae” (“Day of Wrath”), beginning section, by Anonymous
Hildegard of Bingen
Listening Guide: “O pastor animarum” (“Shepherd of Souls”), by Hildegard of Bingen
MusiCurious: Medieval Nuns’ Daily Lives
The Mass
Polyphony and Measured Rhythm
Featured Listening: “Viderunt omnes” (“All Have Seen”), beginning section, by Léonin
Guillaume de Machaut
Listening Guide: “Agnus Dei” (“Lamb of God”) from Messe de Nostre Dame (Mass of Our Lady), by Guillaume de Machaut
Medieval Secular Music
Hearing the Difference “Dies irae” and Machaut’s “Agnus Dei” 39
Improvised Accompaniment to Monophonic Songs
Listening Guide: “Tant m’abelis” (“So Much I Love”), by Berenguier de Palou 40
The Motet 43
Characteristics of Medieval Music 45
Prelude: The Renaissance: The Rebirth of Humanism
Chapter 5 Renaissance Music
Renaissance Sacred Music
Josquin des Prez
Featured Listening: “Ave Maria” (“Hail, Mary”), by Josquin des Prez
Giovanni Pierluigi da Palestrina
Listening Guide: “Kyrie” (“Lord”) from Missa Papae Marcelli (Pope Marcellus Mass), by Giovanni Pierluigi da Palestrina
Renaissance Secular Music
Hearing the Difference Josquin’s “Ave Maria” and Palestrina’s “Kyrie”
The Madrigal in Italy
MusiCurious: Home Entertainment during the Renaissance
The Madrigal in England
Listening Guide: “Fair Phyllis,” by John Farmer
The Chanson in France
The Lied in Germany
Lute Songs
Listening Guide: “Flow My Tears,” by John Dowland
Renaissance Instrumental Music
Listening Guide: Three Dances from Terpsichore, by Michael Praetorius
Characteristics of Renaissance Music
Prelude: The Triumph of Baroque Style 62
Chapter 6 Baroque Opera
The Birth of Opera
Baroque Vocal Styles
MusiCurious: What Makes Opera Singers into International Stars
Claudio Monteverdi
MUSICURIOUS How Opera Makes Singers into International Stars
Listening Guide: “Tu se’ morta” (“You Are Dead”) from Act Two of Orfeo, by Claudio Monteverdi
Opera Outside of Italy
Featured Listening: “Thy Hand, Belinda” and “When I Am Laid in Earth” from Act Three of Dido and Aeneas, by Henry Purcell
Hearing the Difference: Dowland’s “Flow My Tears” and Purcell’s “When I Am Laid in Earth”
Chapter 7 Cantata
The Secular Cantata
The Chorale
The Sacred Cantata
Listening Guide: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, fourth movement, by Johann Sebastian Bach
Featured Listening: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, seventh movement, by Johann Sebastian Bach
Johann Sebastian Bach
Chapter 8 Oratorio
Oratorio
MusiCurious: Oratorio or Opera?: Know the Difference
George Frideric Handel
Messiah
Listening Guide: “Comfort Ye” from Messiah, by George Frideric Handel
Featured Listening: “Ev’ry Valley” from Messiah, by George Frideric Handel
Listening Guide: “Hallelujah” from Messiah, by George Frideric Handel
The Passion
Hearing the Difference: Bach’s “Wachet auf,” Cantata no. 140, seventh movement, and Handel’s “Hallelujah” Chorus
Chapter 9 Baroque Solo and Chamber Music
Keyboard Music
Fugue
Featured Listening: “The Little Fugue in G Minor,” by Johann Sebastian Bach
Suite
MusiCurious: The King of Instruments
Listening Guide: “Bourree I” from Cello Suite no. 3 in C major, BWV 1009, by Johann Sebastian Bach
Baroque Sonata
Elisabeth-Claude Jacquet de la Guerre
Listening Guide: “Aria,” sixth movement, from Sonata in D Minor for Violin and Basso Continuo, by Elisabeth-Claude Jacquet de la Guerre
Chapter 10 The Baroque Orchestra
The Orchestra
Listening Guide: “Minuet” from Water Music, by George Frideric Handel
MusiCurious: How Baroque Players and Singers “Decorate” Music
Concerto Grosso
Listening Guide: Brandenburg Concerto no. 5, ?rst movement, by Johann Sebastian Bach
Solo Concerto
Antonio Vivaldi
Featured Listening: “La Primavera” (“Spring”), ?rst movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
MusiCurious: Attending a Concert
Listening Guide: “La Primavera” (“Spring”), second movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Listening Guide: “La Primavera” (“Spring”), third movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Characteristics of Baroque Music
Prelude: The Classical Era: Reason and Revolution
Chapter 11 The Classical Symphony
The Form of Classical Multimovement Works
Single-Movement Sonata Form
Theme and Variations Form
Minuet and Trio Form
The Classical Orchestra
MusiCurious: Why Composers Write “Boring” Slow Movements
MusiCurious: What Does the Conductor Do?
Wolfgang Amadeus Mozart
Listening Guide: Symphony no. 40 in G Minor, ?rst movement, by Wolfgang Amadeus Mozart
Featured Listening: “Surprise,” Symphony no. 94 in G Major, second movement, by Franz Joseph Haydn
Listening Guide: Symphony no. 40 in G Minor, third movement, by Wolfgang Amadeus Mozart
Hearing the Difference: Vivaldi’s “Spring,” ?rst movement, and Mozart’s Symphony no. 40 in G Minor, ?rst movement
Chapter 12 The Classical Concerto
Concerto Soloists
Double-Exposition Sonata Form
Featured Listening: Piano Concerto no. 23 in A Major, ?rst movement, K. 488, by Wolfgang Amadeus Mozart
Hearing the Difference: Bach’s Brandenburg Concerto no. 5, ?rst movement,and Mozart’s Piano Concerto no. 23, ?rst movement
Chapter 13 Classical Chamber Music
Chamber Sonatas
Franz Joseph Haydn
MusiCurious: Chamber Music Concerts
Featured Listening: String Quartet op. 33, no. 3 (“The Bird”), fourth movement, by Franz Joseph Haydn
Rondo Form
A Sonata for Flute and Guitar
Listening Guide: Grande Sonata no. 85 for ?ute and guitar, third movement, Scherzo, by Mauro Giuliani
Chapter 14 Classical Vocal Music
Haydn’s Vocal Music
Classical Opera
The Marriage of Figaro
MusiCurious: Classical and Romantic Opera (The Castrato Bows Out)
The Characters
The Plot
Listening Guide: “Non so più cosa son” (“I Don’t Know What I Am Anymore”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Featured Listening: “Non più andrai” (“No More Will You”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Chapter 15 The Music of Beethoven
Ludwig van Beethoven
Featured Listening: Symphony no. 5 in C Minor, ?rst movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, second movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, third movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, fourth movement, by Ludwig van Beethoven
The Classical Piano
Hearing the Difference: Haydn’s Symphony no. 94, second movement, and Beethoven’s Symphony no. 5, second movement
Listening Guide: “Moonlight,” Piano Sonata no. 14 in C-Sharp Minor, op. 27, no. 2, ?rst movement, by Ludwig van Beethoven
Characteristics of Classical Music
Prelude: Music of the Romantic Era
Chapter 16 Romantic Songs
The Salon
Art Song
MusicCurious: How Does a Composer Write a Piece of Music?
Franz Schubert
Featured Listening: “Erlkönig” (“King of the Elves”), by Franz Schubert
Robert and Clara Schumann
Listening Guide: “Im wunderschönen Monat Mai” (“In the Wonderfully Lovely Month of May”) from Dichterliebe (A Poet’s Love), by Robert Schumann
Listening Guide: “Leibst du um Schönheit” (“If You Love for Beauty’s Sake”), by Clara Wieck Schumann
Chapter 17 Romantic Piano Music
Frédéric Chopin and Franz Liszt
Featured Listening: Nocturne, op.9, no.2, by Frédéric Chopin
Listening Guide: Transcendental Étude No. 10 in F minor by Franz Liszt
Chapter 18 Romantic Program Music
MusiCurious: Does the Listener need to know the Program in Program Music?
Hector Berlioz
Symphonie fantastique
Featured Listening: Symphonie fantastique, ?fth movement, “Dream of a Witches’ Sabbath,” by Hector Berlioz
Hearing the Difference: Beethoven’s Symphony no. 5, ?rst movement, and Berlioz’s Symphonie fantastique, ?fth movement
Other Program Music
Chapter 19 Nationalism in the Romantic Era
Bedrich Smetana
Featured Listening: “The Moldau,” by Bedrich Smetana
Chapter 20 The Concert Overture
Peter Ilyich Tchaikovsky
Romeo and Juliet Overture
MusiCurious: Romeo and Juliet: The Alternate Endings
Featured Listening: Romeo and Juliet Overture, by Peter Ilyich Tchaikovsky
Chapter 21 The Romantic Concerto
Felix Mendelssohn and Fanny Mendelssohn Hensel
Mendelssohn’s Concerto
Featured Listening: Violin Concerto in E Minor, op. 64, ?rst movement, by Felix Mendelssohn
Hearing the Difference: Vivaldi’s “La Primavera,” ?rst movement, and Mendelssohn’s Violin Concerto, ?rst movement
Chapter 22 Romantic Choral Music
Johannes Brahms
Brahms’s Requiem
Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is They Dwelling Place,” by Johannes Brahms
Chapter 23 The Late Romantic Symphonies
The Romantic Symphony
Listening Guide: Symphony no. 4, fourth movement, by Johannes Brahms
Antonín Dvorák
Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvorák
Other Late Romantics
Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler
Chapter 24 Romantic Opera in France and Italy
French Opera
Italian Opera
Giuseppe Verdi
MusiCurious: Attending an Opera
Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida, by Giuseppe Verdi
Giacomo Puccini
Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème, by Giacomo Puccini
Hearing the Difference: Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì”
Chapter 25 Romantic German Opera
Richard Wagner
MusiCurious: Opera Productions
Featured Listening: “Grane, mein Ross!” (“Grane, my horse!”) and ?nale to Götterdämmerung from Der Ring des Nibelungen, by Richard Wagner
Characteristics of Romantic Music
Prelude: The Early Twentieth Century
Chapter 26 Impressionism and Symbolism
Claude Debussy
Featured Listening: Prélude à L’après-midi d’un faune (Prelude to The Afternoon of a Faun), by Claude Debussy
Maurice Ravel
Hearing the Difference: Smetana’s “The Moldau” and Debussy’s Prélude à L’après-midi d’un faune
Chapter 27 Primitivism and Neoclassicism
Primitivism
Igor Stravinsky
MusiCurious: Music for Ballet
Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction,” by Igor Stravinsky
Neoclassicism
Listening Guide: Concerto in E-Flat Major, the Dumbarton Oaks Concerto, ?rst movement, by Igor Stravinsky
Chapter 28 Eastern European Nationalism
Béla Bartók
Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo,” by Béla Bartók
Chapter 29 Germanic Expressionism and the Development of Serialism
MusiCurious: How is it Great Art if it is Ugly?
Arnold Schoenberg
Featured Listening: “Der Mond?eck” (“Moon?eck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg
Other Serial Composers
Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern
Characteristics of Twentieth-Century Music (to World War II)
Prelude: American Innovations in the Arts 278
Chapter 30 American Music Before World War II
The Seventeenth Century
The Eighteenth Century
Featured Listening: “When Jesus Wept,” by William Billings
The Nineteenth Century
Listening Guide: “Jeanie with the Light Brown Hair,” by Stephen Foster
After the Civil War
Listening Guide: “Ah, Love, but a Day,” by Amy Beach
Canadian Music
Chapter 31 Early Jazz Styles
Origins of Jazz
Listening Guide: “Village Celebration,” by Mende Tribe of Sierra Leone
Ragtime
Listening Guide: “Maple Leaf Rag,” by Scott Joplin
The Blues
MusiCurious: Improvisation
Featured Listening: “Lost Your Head Blues,” by Bessie Smith
New Orleans Jazz
Swing Jazz
Hearing the Difference: Foster’s “Jeanie with the Light Brown Hair” and Smith’s “Lost Your Head Blues”
Listening Guide: “It Don’t Mean a Thing If It Ain’t Got That Swing,” by Duke Ellington
Chapter 32 Developments in Jazz in the Late Twentieth Century
Bebop
Featured Listening: “Ko Ko,” by Charlie Parker
Cool Jazz
MusiCurious: Attending A Jazz Concert
New Styles in the 1960s
Fusion
Listening Guide: “Miles Runs the Voodoo Down” (beginning), by Miles Davis 308
Hearing the Difference: Parker’s “Ko Ko” and Davis’s “Miles Runs the Voodoo Down”
Chapter 33 American Classical Music In?uenced by Early Jazz
George Gershwin
Listening Guide: Rhapsody in Blue, by George Gershwin
William Grant Still
Featured Listening: Afro-American Symphony, ?rst movement, by William Grant Still
Chapter 34 Twentieth-Century American Classical Styles
Charles Ives
Listening Guide: The Unanswered Question, by Charles Ives
Aaron Copland
Featured Listening: “Fanfare for the Common Man,” by Aaron Copland
Ellen Taaffe Zwilich
Listening Guide: Symphony no. 1, ?rst movement, by Ellen Taaffe Zwilich
Hearing the Difference: Mozart’s Symphony no. 40, ?rst movement, and Zwilich’s Symphony no. 1, ?rst movement
Chapter 35 Musical Theater
Broadway Musicals
Leonard Bernstein
Featured Listening: “America” from West Side Story, by Leonard Bernstein
Later Musicals
MusiCurious: Musicals and Operas: Similar, but Different
Chapter 36 Film Music
The Earliest Film Music
Early Sound Films
Later Film Scoring Practices
Featured Listening: “Main Theme” from Star Wars, by John Williams
Trends in Movie Music
Characteristics of Music in America
Prelude: New Ideas and Styles from Twentieth-Century Internationalism 344
Chapter 37 World Musics
Musical Elements in Non-Western Musics
Pitch and Scale Systems
Harmony
Rhythm
Instruments
Music from Indonesia
Featured Listening: “Srepegan (slendro nim),” by Gamelan Ensemble
Music from China
Listening Guide: “Moonlight on the Ching Yang River,” by Yo Su-Nan
Music from India
Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav
Music from Africa
Ewe Drum Ensembles
Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”), by Ewe of Ghana
Chapter 38 Post–World War II Innovations
Henry Cowell
Featured Listening: “The Banshee,” by Henry Cowell John Cage
Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage
Hearing the Difference: Wayang kulit Gamelan
Ensemble’s “Srepegan (slendro nim)” and Cage’s Sonata V
Electronic Music
Edgard Varèse
Listening Guide: “Poème électronique” (“Electronic Poem”), by Edgard Varèse
Terry Riley
Listening Guide: “In C,” by Terry Riley
MusiCurious: Performing an Aleatoric Work
Chapter 39 Minimalism
Philip Glass
Featured Listening: Company, second movement, by Philip Glass
Hearing the Difference: Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement
Steve Reich
Listening Guide: Electric Counterpoint, third movement, by Steve Reich
John Adams
Listening Guide: “Short Ride in a Fast Machine,” by John Adams
Characteristics of Non-Western-In?uenced Music
Rock Music (McGraw-Hill Education Create)
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
Chapter 3 Musical Instruments and Ensembles
Voices and Vocal Ensembles
Stringed Instruments
Plucked Stringed Instruments
Bowed Stringed Instruments
Woodwinds
Brasses
Percussion Instruments
De?nite Pitch
Inde?nite Pitch
Keyboard Instruments
Electronic Instruments
Instruments in Non-Western Cultures
Instrumental Ensembles
Chamber Ensembles
The Orchestra
The Wind Ensemble
The Conductor
Prelude: The Culture of Medieval Europe
Chapter 4 Medieval Music
Medieval Sacred Music
Gregorian Chant
Listening Guide: “Dies irae” (“Day of Wrath”), beginning section, by Anonymous
Hildegard of Bingen
Listening Guide: “O pastor animarum” (“Shepherd of Souls”), by Hildegard of Bingen
MusiCurious: Medieval Nuns’ Daily Lives
The Mass
Polyphony and Measured Rhythm
Featured Listening: “Viderunt omnes” (“All Have Seen”), beginning section, by Léonin
Guillaume de Machaut
Listening Guide: “Agnus Dei” (“Lamb of God”) from Messe de Nostre Dame (Mass of Our Lady), by Guillaume de Machaut
Medieval Secular Music
Hearing the Difference “Dies irae” and Machaut’s “Agnus Dei” 39
Improvised Accompaniment to Monophonic Songs
Listening Guide: “Tant m’abelis” (“So Much I Love”), by Berenguier de Palou 40
The Motet 43
Characteristics of Medieval Music 45
Prelude: The Renaissance: The Rebirth of Humanism
Chapter 5 Renaissance Music
Renaissance Sacred Music
Josquin des Prez
Featured Listening: “Ave Maria” (“Hail, Mary”), by Josquin des Prez
Giovanni Pierluigi da Palestrina
Listening Guide: “Kyrie” (“Lord”) from Missa Papae Marcelli (Pope Marcellus Mass), by Giovanni Pierluigi da Palestrina
Renaissance Secular Music
Hearing the Difference Josquin’s “Ave Maria” and Palestrina’s “Kyrie”
The Madrigal in Italy
MusiCurious: Home Entertainment during the Renaissance
The Madrigal in England
Listening Guide: “Fair Phyllis,” by John Farmer
The Chanson in France
The Lied in Germany
Lute Songs
Listening Guide: “Flow My Tears,” by John Dowland
Renaissance Instrumental Music
Listening Guide: Three Dances from Terpsichore, by Michael Praetorius
Characteristics of Renaissance Music
Prelude: The Triumph of Baroque Style 62
Chapter 6 Baroque Opera
The Birth of Opera
Baroque Vocal Styles
MusiCurious: What Makes Opera Singers into International Stars
Claudio Monteverdi
MUSICURIOUS How Opera Makes Singers into International Stars
Listening Guide: “Tu se’ morta” (“You Are Dead”) from Act Two of Orfeo, by Claudio Monteverdi
Opera Outside of Italy
Featured Listening: “Thy Hand, Belinda” and “When I Am Laid in Earth” from Act Three of Dido and Aeneas, by Henry Purcell
Hearing the Difference: Dowland’s “Flow My Tears” and Purcell’s “When I Am Laid in Earth”
Chapter 7 Cantata
The Secular Cantata
The Chorale
The Sacred Cantata
Listening Guide: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, fourth movement, by Johann Sebastian Bach
Featured Listening: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, seventh movement, by Johann Sebastian Bach
Johann Sebastian Bach
Chapter 8 Oratorio
Oratorio
MusiCurious: Oratorio or Opera?: Know the Difference
George Frideric Handel
Messiah
Listening Guide: “Comfort Ye” from Messiah, by George Frideric Handel
Featured Listening: “Ev’ry Valley” from Messiah, by George Frideric Handel
Listening Guide: “Hallelujah” from Messiah, by George Frideric Handel
The Passion
Hearing the Difference: Bach’s “Wachet auf,” Cantata no. 140, seventh movement, and Handel’s “Hallelujah” Chorus
Chapter 9 Baroque Solo and Chamber Music
Keyboard Music
Fugue
Featured Listening: “The Little Fugue in G Minor,” by Johann Sebastian Bach
Suite
MusiCurious: The King of Instruments
Listening Guide: “Bourree I” from Cello Suite no. 3 in C major, BWV 1009, by Johann Sebastian Bach
Baroque Sonata
Elisabeth-Claude Jacquet de la Guerre
Listening Guide: “Aria,” sixth movement, from Sonata in D Minor for Violin and Basso Continuo, by Elisabeth-Claude Jacquet de la Guerre
Chapter 10 The Baroque Orchestra
The Orchestra
Listening Guide: “Minuet” from Water Music, by George Frideric Handel
MusiCurious: How Baroque Players and Singers “Decorate” Music
Concerto Grosso
Listening Guide: Brandenburg Concerto no. 5, ?rst movement, by Johann Sebastian Bach
Solo Concerto
Antonio Vivaldi
Featured Listening: “La Primavera” (“Spring”), ?rst movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
MusiCurious: Attending a Concert
Listening Guide: “La Primavera” (“Spring”), second movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Listening Guide: “La Primavera” (“Spring”), third movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi
Characteristics of Baroque Music
Prelude: The Classical Era: Reason and Revolution
Chapter 11 The Classical Symphony
The Form of Classical Multimovement Works
Single-Movement Sonata Form
Theme and Variations Form
Minuet and Trio Form
The Classical Orchestra
MusiCurious: Why Composers Write “Boring” Slow Movements
MusiCurious: What Does the Conductor Do?
Wolfgang Amadeus Mozart
Listening Guide: Symphony no. 40 in G Minor, ?rst movement, by Wolfgang Amadeus Mozart
Featured Listening: “Surprise,” Symphony no. 94 in G Major, second movement, by Franz Joseph Haydn
Listening Guide: Symphony no. 40 in G Minor, third movement, by Wolfgang Amadeus Mozart
Hearing the Difference: Vivaldi’s “Spring,” ?rst movement, and Mozart’s Symphony no. 40 in G Minor, ?rst movement
Chapter 12 The Classical Concerto
Concerto Soloists
Double-Exposition Sonata Form
Featured Listening: Piano Concerto no. 23 in A Major, ?rst movement, K. 488, by Wolfgang Amadeus Mozart
Hearing the Difference: Bach’s Brandenburg Concerto no. 5, ?rst movement,and Mozart’s Piano Concerto no. 23, ?rst movement
Chapter 13 Classical Chamber Music
Chamber Sonatas
Franz Joseph Haydn
MusiCurious: Chamber Music Concerts
Featured Listening: String Quartet op. 33, no. 3 (“The Bird”), fourth movement, by Franz Joseph Haydn
Rondo Form
A Sonata for Flute and Guitar
Listening Guide: Grande Sonata no. 85 for ?ute and guitar, third movement, Scherzo, by Mauro Giuliani
Chapter 14 Classical Vocal Music
Haydn’s Vocal Music
Classical Opera
The Marriage of Figaro
MusiCurious: Classical and Romantic Opera (The Castrato Bows Out)
The Characters
The Plot
Listening Guide: “Non so più cosa son” (“I Don’t Know What I Am Anymore”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Featured Listening: “Non più andrai” (“No More Will You”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Chapter 15 The Music of Beethoven
Ludwig van Beethoven
Featured Listening: Symphony no. 5 in C Minor, ?rst movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, second movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, third movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, fourth movement, by Ludwig van Beethoven
The Classical Piano
Hearing the Difference: Haydn’s Symphony no. 94, second movement, and Beethoven’s Symphony no. 5, second movement
Listening Guide: “Moonlight,” Piano Sonata no. 14 in C-Sharp Minor, op. 27, no. 2, ?rst movement, by Ludwig van Beethoven
Characteristics of Classical Music
Prelude: Music of the Romantic Era
Chapter 16 Romantic Songs
The Salon
Art Song
MusicCurious: How Does a Composer Write a Piece of Music?
Franz Schubert
Featured Listening: “Erlkönig” (“King of the Elves”), by Franz Schubert
Robert and Clara Schumann
Listening Guide: “Im wunderschönen Monat Mai” (“In the Wonderfully Lovely Month of May”) from Dichterliebe (A Poet’s Love), by Robert Schumann
Listening Guide: “Leibst du um Schönheit” (“If You Love for Beauty’s Sake”), by Clara Wieck Schumann
Chapter 17 Romantic Piano Music
Frédéric Chopin and Franz Liszt
Featured Listening: Nocturne, op.9, no.2, by Frédéric Chopin
Listening Guide: Transcendental Étude No. 10 in F minor by Franz Liszt
Chapter 18 Romantic Program Music
MusiCurious: Does the Listener need to know the Program in Program Music?
Hector Berlioz
Symphonie fantastique
Featured Listening: Symphonie fantastique, ?fth movement, “Dream of a Witches’ Sabbath,” by Hector Berlioz
Hearing the Difference: Beethoven’s Symphony no. 5, ?rst movement, and Berlioz’s Symphonie fantastique, ?fth movement
Other Program Music
Chapter 19 Nationalism in the Romantic Era
Bedrich Smetana
Featured Listening: “The Moldau,” by Bedrich Smetana
Chapter 20 The Concert Overture
Peter Ilyich Tchaikovsky
Romeo and Juliet Overture
MusiCurious: Romeo and Juliet: The Alternate Endings
Featured Listening: Romeo and Juliet Overture, by Peter Ilyich Tchaikovsky
Chapter 21 The Romantic Concerto
Felix Mendelssohn and Fanny Mendelssohn Hensel
Mendelssohn’s Concerto
Featured Listening: Violin Concerto in E Minor, op. 64, ?rst movement, by Felix Mendelssohn
Hearing the Difference: Vivaldi’s “La Primavera,” ?rst movement, and Mendelssohn’s Violin Concerto, ?rst movement
Chapter 22 Romantic Choral Music
Johannes Brahms
Brahms’s Requiem
Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is They Dwelling Place,” by Johannes Brahms
Chapter 23 The Late Romantic Symphonies
The Romantic Symphony
Listening Guide: Symphony no. 4, fourth movement, by Johannes Brahms
Antonín Dvorák
Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvorák
Other Late Romantics
Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler
Chapter 24 Romantic Opera in France and Italy
French Opera
Italian Opera
Giuseppe Verdi
MusiCurious: Attending an Opera
Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida, by Giuseppe Verdi
Giacomo Puccini
Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème, by Giacomo Puccini
Hearing the Difference: Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì”
Chapter 25 Romantic German Opera
Richard Wagner
MusiCurious: Opera Productions
Featured Listening: “Grane, mein Ross!” (“Grane, my horse!”) and ?nale to Götterdämmerung from Der Ring des Nibelungen, by Richard Wagner
Characteristics of Romantic Music
Prelude: The Early Twentieth Century
Chapter 26 Impressionism and Symbolism
Claude Debussy
Featured Listening: Prélude à L’après-midi d’un faune (Prelude to The Afternoon of a Faun), by Claude Debussy
Maurice Ravel
Hearing the Difference: Smetana’s “The Moldau” and Debussy’s Prélude à L’après-midi d’un faune
Chapter 27 Primitivism and Neoclassicism
Primitivism
Igor Stravinsky
MusiCurious: Music for Ballet
Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction,” by Igor Stravinsky
Neoclassicism
Listening Guide: Concerto in E-Flat Major, the Dumbarton Oaks Concerto, ?rst movement, by Igor Stravinsky
Chapter 28 Eastern European Nationalism
Béla Bartók
Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo,” by Béla Bartók
Chapter 29 Germanic Expressionism and the Development of Serialism
MusiCurious: How is it Great Art if it is Ugly?
Arnold Schoenberg
Featured Listening: “Der Mond?eck” (“Moon?eck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg
Other Serial Composers
Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern
Characteristics of Twentieth-Century Music (to World War II)
Prelude: American Innovations in the Arts 278
Chapter 30 American Music Before World War II
The Seventeenth Century
The Eighteenth Century
Featured Listening: “When Jesus Wept,” by William Billings
The Nineteenth Century
Listening Guide: “Jeanie with the Light Brown Hair,” by Stephen Foster
After the Civil War
Listening Guide: “Ah, Love, but a Day,” by Amy Beach
Canadian Music
Chapter 31 Early Jazz Styles
Origins of Jazz
Listening Guide: “Village Celebration,” by Mende Tribe of Sierra Leone
Ragtime
Listening Guide: “Maple Leaf Rag,” by Scott Joplin
The Blues
MusiCurious: Improvisation
Featured Listening: “Lost Your Head Blues,” by Bessie Smith
New Orleans Jazz
Swing Jazz
Hearing the Difference: Foster’s “Jeanie with the Light Brown Hair” and Smith’s “Lost Your Head Blues”
Listening Guide: “It Don’t Mean a Thing If It Ain’t Got That Swing,” by Duke Ellington
Chapter 32 Developments in Jazz in the Late Twentieth Century
Bebop
Featured Listening: “Ko Ko,” by Charlie Parker
Cool Jazz
MusiCurious: Attending A Jazz Concert
New Styles in the 1960s
Fusion
Listening Guide: “Miles Runs the Voodoo Down” (beginning), by Miles Davis 308
Hearing the Difference: Parker’s “Ko Ko” and Davis’s “Miles Runs the Voodoo Down”
Chapter 33 American Classical Music In?uenced by Early Jazz
George Gershwin
Listening Guide: Rhapsody in Blue, by George Gershwin
William Grant Still
Featured Listening: Afro-American Symphony, ?rst movement, by William Grant Still
Chapter 34 Twentieth-Century American Classical Styles
Charles Ives
Listening Guide: The Unanswered Question, by Charles Ives
Aaron Copland
Featured Listening: “Fanfare for the Common Man,” by Aaron Copland
Ellen Taaffe Zwilich
Listening Guide: Symphony no. 1, ?rst movement, by Ellen Taaffe Zwilich
Hearing the Difference: Mozart’s Symphony no. 40, ?rst movement, and Zwilich’s Symphony no. 1, ?rst movement
Chapter 35 Musical Theater
Broadway Musicals
Leonard Bernstein
Featured Listening: “America” from West Side Story, by Leonard Bernstein
Later Musicals
MusiCurious: Musicals and Operas: Similar, but Different
Chapter 36 Film Music
The Earliest Film Music
Early Sound Films
Later Film Scoring Practices
Featured Listening: “Main Theme” from Star Wars, by John Williams
Trends in Movie Music
Characteristics of Music in America
Prelude: New Ideas and Styles from Twentieth-Century Internationalism 344
Chapter 37 World Musics
Musical Elements in Non-Western Musics
Pitch and Scale Systems
Harmony
Rhythm
Instruments
Music from Indonesia
Featured Listening: “Srepegan (slendro nim),” by Gamelan Ensemble
Music from China
Listening Guide: “Moonlight on the Ching Yang River,” by Yo Su-Nan
Music from India
Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav
Music from Africa
Ewe Drum Ensembles
Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”), by Ewe of Ghana
Chapter 38 Post–World War II Innovations
Henry Cowell
Featured Listening: “The Banshee,” by Henry Cowell John Cage
Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage
Hearing the Difference: Wayang kulit Gamelan
Ensemble’s “Srepegan (slendro nim)” and Cage’s Sonata V
Electronic Music
Edgard Varèse
Listening Guide: “Poème électronique” (“Electronic Poem”), by Edgard Varèse
Terry Riley
Listening Guide: “In C,” by Terry Riley
MusiCurious: Performing an Aleatoric Work
Chapter 39 Minimalism
Philip Glass
Featured Listening: Company, second movement, by Philip Glass
Hearing the Difference: Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement
Steve Reich
Listening Guide: Electric Counterpoint, third movement, by Steve Reich
John Adams
Listening Guide: “Short Ride in a Fast Machine,” by John Adams
Characteristics of Non-Western-In?uenced Music
Rock Music (McGraw-Hill Education Create)
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
Wolfgang Amadeus Mozart
Listening Guide: Symphony no. 40 in G Minor, ?rst movement, by Wolfgang Amadeus Mozart
Featured Listening: “Surprise,” Symphony no. 94 in G Major, second movement, by Franz Joseph Haydn
Listening Guide: Symphony no. 40 in G Minor, third movement, by Wolfgang Amadeus Mozart
Hearing the Difference: Vivaldi’s “Spring,” ?rst movement, and Mozart’s Symphony no. 40 in G Minor, ?rst movement
Chapter 12 The Classical Concerto
Concerto Soloists
Double-Exposition Sonata Form
Featured Listening: Piano Concerto no. 23 in A Major, ?rst movement, K. 488, by Wolfgang Amadeus Mozart
Hearing the Difference: Bach’s Brandenburg Concerto no. 5, ?rst movement,and Mozart’s Piano Concerto no. 23, ?rst movement
Chapter 13 Classical Chamber Music
Chamber Sonatas
Franz Joseph Haydn
MusiCurious: Chamber Music Concerts
Featured Listening: String Quartet op. 33, no. 3 (“The Bird”), fourth movement, by Franz Joseph Haydn
Rondo Form
A Sonata for Flute and Guitar
Listening Guide: Grande Sonata no. 85 for ?ute and guitar, third movement, Scherzo, by Mauro Giuliani
Chapter 14 Classical Vocal Music
Haydn’s Vocal Music
Classical Opera
The Marriage of Figaro
MusiCurious: Classical and Romantic Opera (The Castrato Bows Out)
The Characters
The Plot
Listening Guide: “Non so più cosa son” (“I Don’t Know What I Am Anymore”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Featured Listening: “Non più andrai” (“No More Will You”) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart
Chapter 15 The Music of Beethoven
Ludwig van Beethoven
Featured Listening: Symphony no. 5 in C Minor, ?rst movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, second movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, third movement, by Ludwig van Beethoven
Listening Guide: Symphony no. 5 in C Minor, fourth movement, by Ludwig van Beethoven
The Classical Piano
Hearing the Difference: Haydn’s Symphony no. 94, second movement, and Beethoven’s Symphony no. 5, second movement
Listening Guide: “Moonlight,” Piano Sonata no. 14 in C-Sharp Minor, op. 27, no. 2, ?rst movement, by Ludwig van Beethoven
Characteristics of Classical Music
Prelude: Music of the Romantic Era
Chapter 16 Romantic Songs
The Salon
Art Song
MusicCurious: How Does a Composer Write a Piece of Music?
Franz Schubert
Featured Listening: “Erlkönig” (“King of the Elves”), by Franz Schubert
Robert and Clara Schumann
Listening Guide: “Im wunderschönen Monat Mai” (“In the Wonderfully Lovely Month of May”) from Dichterliebe (A Poet’s Love), by Robert Schumann
Listening Guide: “Leibst du um Schönheit” (“If You Love for Beauty’s Sake”), by Clara Wieck Schumann
Chapter 17 Romantic Piano Music
Frédéric Chopin and Franz Liszt
Featured Listening: Nocturne, op.9, no.2, by Frédéric Chopin
Listening Guide: Transcendental Étude No. 10 in F minor by Franz Liszt
Chapter 18 Romantic Program Music
MusiCurious: Does the Listener need to know the Program in Program Music?
Hector Berlioz
Symphonie fantastique
Featured Listening: Symphonie fantastique, ?fth movement, “Dream of a Witches’ Sabbath,” by Hector Berlioz
Hearing the Difference: Beethoven’s Symphony no. 5, ?rst movement, and Berlioz’s Symphonie fantastique, ?fth movement
Other Program Music
Chapter 19 Nationalism in the Romantic Era
Bedrich Smetana
Featured Listening: “The Moldau,” by Bedrich Smetana
Chapter 20 The Concert Overture
Peter Ilyich Tchaikovsky
Romeo and Juliet Overture
MusiCurious: Romeo and Juliet: The Alternate Endings
Featured Listening: Romeo and Juliet Overture, by Peter Ilyich Tchaikovsky
Chapter 21 The Romantic Concerto
Felix Mendelssohn and Fanny Mendelssohn Hensel
Mendelssohn’s Concerto
Featured Listening: Violin Concerto in E Minor, op. 64, ?rst movement, by Felix Mendelssohn
Hearing the Difference: Vivaldi’s “La Primavera,” ?rst movement, and Mendelssohn’s Violin Concerto, ?rst movement
Chapter 22 Romantic Choral Music
Johannes Brahms
Brahms’s Requiem
Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is They Dwelling Place,” by Johannes Brahms
Chapter 23 The Late Romantic Symphonies
The Romantic Symphony
Listening Guide: Symphony no. 4, fourth movement, by Johannes Brahms
Antonín Dvorák
Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvorák
Other Late Romantics
Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler
Chapter 24 Romantic Opera in France and Italy
French Opera
Italian Opera
Giuseppe Verdi
MusiCurious: Attending an Opera
Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida, by Giuseppe Verdi
Giacomo Puccini
Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème, by Giacomo Puccini
Hearing the Difference: Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì”
Chapter 25 Romantic German Opera
Richard Wagner
MusiCurious: Opera Productions
Featured Listening: “Grane, mein Ross!” (“Grane, my horse!”) and ?nale to Götterdämmerung from Der Ring des Nibelungen, by Richard Wagner
Characteristics of Romantic Music
Prelude: The Early Twentieth Century
Chapter 26 Impressionism and Symbolism
Claude Debussy
Featured Listening: Prélude à L’après-midi d’un faune (Prelude to The Afternoon of a Faun), by Claude Debussy
Maurice Ravel
Hearing the Difference: Smetana’s “The Moldau” and Debussy’s Prélude à L’après-midi d’un faune
Chapter 27 Primitivism and Neoclassicism
Primitivism
Igor Stravinsky
MusiCurious: Music for Ballet
Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction,” by Igor Stravinsky
Neoclassicism
Listening Guide: Concerto in E-Flat Major, the Dumbarton Oaks Concerto, ?rst movement, by Igor Stravinsky
Chapter 28 Eastern European Nationalism
Béla Bartók
Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo,” by Béla Bartók
Chapter 29 Germanic Expressionism and the Development of Serialism
MusiCurious: How is it Great Art if it is Ugly?
Arnold Schoenberg
Featured Listening: “Der Mond?eck” (“Moon?eck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg
Other Serial Composers
Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern
Characteristics of Twentieth-Century Music (to World War II)
Prelude: American Innovations in the Arts 278
Chapter 30 American Music Before World War II
The Seventeenth Century
The Eighteenth Century
Featured Listening: “When Jesus Wept,” by William Billings
The Nineteenth Century
Listening Guide: “Jeanie with the Light Brown Hair,” by Stephen Foster
After the Civil War
Listening Guide: “Ah, Love, but a Day,” by Amy Beach
Canadian Music
Chapter 31 Early Jazz Styles
Origins of Jazz
Listening Guide: “Village Celebration,” by Mende Tribe of Sierra Leone
Ragtime
Listening Guide: “Maple Leaf Rag,” by Scott Joplin
The Blues
MusiCurious: Improvisation
Featured Listening: “Lost Your Head Blues,” by Bessie Smith
New Orleans Jazz
Swing Jazz
Hearing the Difference: Foster’s “Jeanie with the Light Brown Hair” and Smith’s “Lost Your Head Blues”
Listening Guide: “It Don’t Mean a Thing If It Ain’t Got That Swing,” by Duke Ellington
Chapter 32 Developments in Jazz in the Late Twentieth Century
Bebop
Featured Listening: “Ko Ko,” by Charlie Parker
Cool Jazz
MusiCurious: Attending A Jazz Concert
New Styles in the 1960s
Fusion
Listening Guide: “Miles Runs the Voodoo Down” (beginning), by Miles Davis 308
Hearing the Difference: Parker’s “Ko Ko” and Davis’s “Miles Runs the Voodoo Down”
Chapter 33 American Classical Music In?uenced by Early Jazz
George Gershwin
Listening Guide: Rhapsody in Blue, by George Gershwin
William Grant Still
Featured Listening: Afro-American Symphony, ?rst movement, by William Grant Still
Chapter 34 Twentieth-Century American Classical Styles
Charles Ives
Listening Guide: The Unanswered Question, by Charles Ives
Aaron Copland
Featured Listening: “Fanfare for the Common Man,” by Aaron Copland
Ellen Taaffe Zwilich
Listening Guide: Symphony no. 1, ?rst movement, by Ellen Taaffe Zwilich
Hearing the Difference: Mozart’s Symphony no. 40, ?rst movement, and Zwilich’s Symphony no. 1, ?rst movement
Chapter 35 Musical Theater
Broadway Musicals
Leonard Bernstein
Featured Listening: “America” from West Side Story, by Leonard Bernstein
Later Musicals
MusiCurious: Musicals and Operas: Similar, but Different
Chapter 36 Film Music
The Earliest Film Music
Early Sound Films
Later Film Scoring Practices
Featured Listening: “Main Theme” from Star Wars, by John Williams
Trends in Movie Music
Characteristics of Music in America
Prelude: New Ideas and Styles from Twentieth-Century Internationalism 344
Chapter 37 World Musics
Musical Elements in Non-Western Musics
Pitch and Scale Systems
Harmony
Rhythm
Instruments
Music from Indonesia
Featured Listening: “Srepegan (slendro nim),” by Gamelan Ensemble
Music from China
Listening Guide: “Moonlight on the Ching Yang River,” by Yo Su-Nan
Music from India
Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav
Music from Africa
Ewe Drum Ensembles
Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”), by Ewe of Ghana
Chapter 38 Post–World War II Innovations
Henry Cowell
Featured Listening: “The Banshee,” by Henry Cowell John Cage
Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage
Hearing the Difference: Wayang kulit Gamelan
Ensemble’s “Srepegan (slendro nim)” and Cage’s Sonata V
Electronic Music
Edgard Varèse
Listening Guide: “Poème électronique” (“Electronic Poem”), by Edgard Varèse
Terry Riley
Listening Guide: “In C,” by Terry Riley
MusiCurious: Performing an Aleatoric Work
Chapter 39 Minimalism
Philip Glass
Featured Listening: Company, second movement, by Philip Glass
Hearing the Difference: Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement
Steve Reich
Listening Guide: Electric Counterpoint, third movement, by Steve Reich
John Adams
Listening Guide: “Short Ride in a Fast Machine,” by John Adams
Characteristics of Non-Western-In?uenced Music
Rock Music (McGraw-Hill Education Create)
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
Mendelssohn’s Concerto
Featured Listening: Violin Concerto in E Minor, op. 64, ?rst movement, by Felix Mendelssohn
Hearing the Difference: Vivaldi’s “La Primavera,” ?rst movement, and Mendelssohn’s Violin Concerto, ?rst movement
Chapter 22 Romantic Choral Music
Johannes Brahms
Brahms’s Requiem
Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is They Dwelling Place,” by Johannes Brahms
Chapter 23 The Late Romantic Symphonies
The Romantic Symphony
Listening Guide: Symphony no. 4, fourth movement, by Johannes Brahms
Antonín Dvorák
Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvorák
Other Late Romantics
Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler
Chapter 24 Romantic Opera in France and ItalyFrench Opera
Italian Opera
Giuseppe Verdi
MusiCurious: Attending an Opera
Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida, by Giuseppe Verdi Giacomo Puccini
Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème, by Giacomo Puccini
Hearing the Difference: Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì”
Chapter 25 Romantic German Opera
Richard Wagner
MusiCurious: Opera Productions
Featured Listening: “Grane, mein Ross!” (“Grane, my horse!”) and ?nale to Götterdämmerung from Der Ring des Nibelungen, by Richard Wagner
Characteristics of Romantic Music
Prelude: The Early Twentieth Century
Chapter 26 Impressionism and Symbolism
Claude Debussy
Featured Listening: Prélude à L’après-midi d’un faune (Prelude to The Afternoon of a Faun), by Claude Debussy
Maurice Ravel
Hearing the Difference: Smetana’s “The Moldau” and Debussy’s Prélude à L’après-midi d’un faune
Chapter 27 Primitivism and Neoclassicism
Primitivism
Igor Stravinsky
MusiCurious: Music for Ballet
Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction,” by Igor Stravinsky
Neoclassicism
Listening Guide: Concerto in E-Flat Major, the Dumbarton Oaks Concerto, ?rst movement, by Igor Stravinsky
Chapter 28 Eastern European Nationalism Béla Bartók
Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo,” by Béla Bartók
Chapter 29 Germanic Expressionism and the Development of Serialism
MusiCurious: How is it Great Art if it is Ugly?
Arnold Schoenberg
Featured Listening: “Der Mond?eck” (“Moon?eck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg
Other Serial Composers
Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern
Characteristics of Twentieth-Century Music (to World War II)Prelude: American Innovations in the Arts 278
Chapter 30 American Music Before World War II
The Seventeenth Century
The Eighteenth Century
Featured Listening: “When Jesus Wept,” by William Billings
The Nineteenth Century
Listening Guide: “Jeanie with the Light Brown Hair,” by Stephen Foster
After the Civil War
Listening Guide: “Ah, Love, but a Day,” by Amy Beach
Canadian Music
Chapter 31 Early Jazz Styles
Origins of Jazz
Listening Guide: “Village Celebration,” by Mende Tribe of Sierra Leone
Ragtime
Listening Guide: “Maple Leaf Rag,” by Scott Joplin
The Blues
MusiCurious: Improvisation
Featured Listening: “Lost Your Head Blues,” by Bessie Smith
New Orleans Jazz
Swing Jazz
Hearing the Difference: Foster’s “Jeanie with the Light Brown Hair” and Smith’s “Lost Your Head Blues”
Listening Guide: “It Don’t Mean a Thing If It Ain’t Got That Swing,” by Duke Ellington
Chapter 32 Developments in Jazz in the Late Twentieth Century
Bebop
Featured Listening: “Ko Ko,” by Charlie Parker
Cool Jazz
MusiCurious: Attending A Jazz Concert
New Styles in the 1960s
Fusion
Listening Guide: “Miles Runs the Voodoo Down” (beginning), by Miles Davis 308
Hearing the Difference: Parker’s “Ko Ko” and Davis’s “Miles Runs the Voodoo Down”
Chapter 33 American Classical Music In?uenced by Early Jazz
George Gershwin
Listening Guide: Rhapsody in Blue, by George Gershwin
William Grant Still
Featured Listening: Afro-American Symphony, ?rst movement, by William Grant Still
Chapter 34 Twentieth-Century American Classical Styles
Charles Ives
Listening Guide: The Unanswered Question, by Charles Ives
Musical Elements in Non-Western Musics
Pitch and Scale Systems
Harmony
Rhythm
Instruments
Music from Indonesia
Featured Listening: “Srepegan (slendro nim),” by Gamelan Ensemble
Music from China
Listening Guide: “Moonlight on the Ching Yang River,” by Yo Su-Nan
Music from India
Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav
Music from Africa
Ewe Drum Ensembles
Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”), by Ewe of Ghana
Chapter 38 Post–World War II Innovations
Henry Cowell
Featured Listening: “The Banshee,” by Henry Cowell John Cage
Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage
Hearing the Difference: Wayang kulit Gamelan
Ensemble’s “Srepegan (slendro nim)” and Cage’s Sonata V
Electronic Music
Edgard Varèse
Listening Guide: “Poème électronique” (“Electronic Poem”), by Edgard Varèse
Terry Riley
Listening Guide: “In C,” by Terry Riley
MusiCurious: Performing an Aleatoric Work
Chapter 39 Minimalism
Philip Glass
Featured Listening: Company, second movement, by Philip Glass
Hearing the Difference: Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement
Steve Reich
Listening Guide: Electric Counterpoint, third movement, by Steve Reich
John Adams
Listening Guide: “Short Ride in a Fast Machine,” by John Adams
Characteristics of Non-Western-In?uenced Music
Rock Music (McGraw-Hill Education Create)
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
Concert Report Forms (McGraw-Hill Education Create)
Chamber Music Concert
Choral Concert
Jazz Band
Opera
Orchestra of Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary 379
Credits 387
Index
Note: A chapter on Rock Music is available for free download on the OLC
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