Music and the Nerves, 1700-1900

The relationship between music and the nervous system is now the subject of intense interest for scientists and people in the humanities, but this is by no means a new phenomenon. Particularly since the seventeenth century, natural philosophers and music theorists have often prefigured much of the contemporary debate about music and the nervous system. Crucially, music came to be seen less as a microcosm of cosmic order and more as a question of the sensual stimulation of the nervous system. Musical aesthetics has at times rebelled against this materialist approach and asserted a transcendental view of music's effects, but even here the influence of 'neuromusic' can be seen. This volume sets out the history of the relationship between neurology and music, putting the advances of our era into context.

James Kennaway is a research associate at Newcastle University, UK. He is a historian of medicine who has worked at Oxford, Stanford and Durham. His research has focused on music and medicine, notably with his monograph Bad Vibrations: The History of the Idea of Music as a Cause of Disease (2012).

1. Introduction: The Long History of Neurology and Music; James Kennaway
2. (Nervously) Grappling with (Musical) 'Pictures in the Mind': A Personal Account; George Rousseau
3. Music and the Nerves in English Medical Thought, 1586-1777; Penelope Gouk
4. Music and Humanity in the French Enlightenment; Ingrid Sykes
5. Music Therapy in Eighteenth Century Spain: Perspectives and Critiques; Pilar León-Sanz
6. 'The Passionate Power of Music': 'Subsiding Passions' and the Polite Arts of Healing in the British Enlightenment; Aris Sarafianos
7. Music as a Tool in the Development of Nineteenth-Century Neurology; Julene Johnson and Amy Graziano
8. Origin Stories of Listening, Melody, and Survival at the End of the Nineteenth Century; Alexandra Hui
9. Physical Distortion, Emotion and Subjectivity: Musical Virtuosity and Body Anxiety; Wiebke Thormählen