Leith Davis is associate professor of English at Simon Fraser University in Burnaby, British Columbia
List of Illustrations
ix
Acknowledgments
xiii
Introduction
1
(23)
Nation and Notation: Irish Music and Print Culture in the Eighteenth Century
24
(30)
Harping on the Past: Joseph Cooper Walker's Historical Memoirs of the Irish Bards and the ``Horizontal Brotherhood'' of the Irish Nation
54
(23)
``The United Powers of Female Poesy and Music'': Charlotte Brooke's Reliques of Irish Poetry
77
(18)
Sequels of Colonialism: Edward Bunting, the Ancient Irish Music, and the Cultural Politics of Performance
95
(25)
Patriotism and ``Woman's Sentiment'' in Sydney Owenson's Hibernian Melodies and The Wild Irish Girl
120
(20)
A ``Truly National'' Project: Thomas Moore's Irish Melodies and the Gendering of the British Cultural Marketplace
140
(24)
In Moore's Wake: Irish Music in Ireland after the Irish Melodies
164
(22)
Irish Music, British Culture, and the Transatlantic Experience
186
(36)
Afterword
222
(11)
Notes
233
(54)
References
287
(14)
Index
301
What is included with this book?
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
Please wait while the item is added to your bag...