Projecting History

The intersection between social, historical, and political developments in Germany and the emergence of a nonfiction mode of film production

Introduction	p. 1
Excessive Requisites: Vietnam through the East German Lens	p. 13
Framing Terrorism: Beyond the Borders	p. 43
The Political Im/perceptible: Farocki's Images of the World and the Inscription of War	p. 77
Global Politics, Cinematographic Space: Wenders's Tokyo-Ga and Notebooks on Cities and Clothes	p. 103
Reunification in a Decentered Lens: Ottinger and Ophuls	p. 151
Epilogue: History in the Making: The Children of Golzow Project	p. 195
Index	p. 211
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