The Ravishment of Persephone

De Pree illustrates her theory of epistolary lyric through readings in the historical canon (Montesquieu, Diderot, Rousseau, Laclos) but emphasizes the contributions of the epistoliere: Francoise de Graffigny, Isabelle de Charriere, and Marie-Jeanne Riccoboni. She argues that through their relatively short length, their incorporation of blank space, and their monophonic voice, female-authored letter-texts articulate epistolary lyric at the intersection of narrative, theatrical, and poetic codes. De Pree concludes that as a plural and protean form, epistolary lyric anticipates the so-called poetic revolution(s) that transformed nineteenth-century French lyric.

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