Hilary Brown is Lecturer in German at Swansea University and has published widely on German women's writing in its European context. Gillian Dow is Lecturer in English at the University of Southampton and has research interests in cross-Channel exchanges between British and French women writers in the long eighteenth century.
Acknowledgements
p. vii
Introduction
p. 1
Literary and Cultural Intersections between British and Italian Women Writers and Salonnières during the Eighteenth Century
p. 11
From Venice to Paris: Fame, Gender and National Sensibilities in Late Eighteenth- and Early Nineteenth-Century Female Literary Networks
p. 31
Mimicry and Inf luence: The æFrenchÆ Connection and the Berlin Jewish Salon
p. 49
European Networks: Dorothea von KurlandÆs Salons
p. 73
Translating Rousseauism: Transformations of Bernardin de Saint-PierreÆs Paul et Virginie in the Works of Helen Maria Williams and Maria Edgeworth
p. 93
Sociability and Mentoring by Correspondence: George Sand and Contemporary Female Writers
p. 119
British Women Writers and the Mid-Nineteenth-Century Parisian Salon
p. 145
Intertextuality and Network Creation: References to George Sand in Novels by Mid-Nineteenth-Century German Women Writers
p. 163
The Reception of Germaine de Staël and George Sand among Female Novelists in Nineteenth-Century Spain
p. 179
Passion and Talent, Fulfilment or Death? Germaine de StaëlÆs Novel Corinne Crosses the Channel
p. 201
Salons sans Frontières: Flora TristanÆs Reader and Writer
p. 217
Daughters of Science: Mathilde Ørsted, Leonora and Joanna Horner
p. 239
Marvel, Feminism and Reason: Rewriting Marie-Catherine dÆAulnoyÆs Fairy Tales for Dutch Children
p. 259
Notes on Contributors
p. 277
Index
p. 281
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