Reading Roman Declamation Seneca the Elder

Situated at the crossroads of rhetoric and fiction, the genre of declamatio offers its practitioners the freedom to experiment with new forms of discourse. This volume places the literariness of Roman declamation into the spotlight by showcasing its theoretical influences, stylistic devices, and generic conventions as related by Seneca the Elder, the author of the Controversiae and Suasoriae, which jointly make up the largest surviving collection of declamatory speeches from antiquity.

Authored by an international group of leading scholars of Latin literature and rhetoric, the chapters explore not only the historical roles of individual declaimers, but also the physical and linguistic techniques upon which they collectively drew. In addition, the 'dark side of declamation' is illuminated by contributions on the competitiveness of the arena and the manipulative potential of declamatory skill and, in keeping with the overall treatment of declamation as a literary phenomenon, a section has also been dedicated to intertextuality. Drawing on thought-provoking analyses of Seneca the Elder's works, the volume highlights the complexity of these texts and maps out, for the first time, the socio-cultural context for their composition, delivery, and reception, as well as providing a comprehensive, innovative, and up-to-date treatment of Roman declamation that will be essential for both students and scholars in the fields of Latin literature, Republican Roman history, and rhetoric.

Martin T. Dinter, Senior Lecturer in Latin Language and Literature, King's College London,Charles Gu?rin, Professor of Latin Literature, Sorbonne Universit?, Paris,Marcos Martinho dos Santos, Associate Professor of Classical Languages and Literatures, University of S?o Paulo

Martin T. Dinter is Senior Lecturer in Latin Language and Literature at King's College London. He is the author of Anatomizing Civil War: Studies in Lucan's Epic Technique (University of Michigan Press, 2013) and editor of The Cambridge Companion to Roman Comedy (CUP, 2019), as well as the co-editor of A Companion to the Neronian Age (with Emma Buckley; Wiley-Blackwell, 2013) and two other volumes on Roman declamation: Reading Roman Declamation: The Declamations Ascribed to Quintilian (with Charles Gu?rin and Marcos Martinho; De Gruyter, 2016) and Reading Roman Declamation: Calpurnius Flaccus (with Charles Gu?rin and Marcos Martinho; De Gruyter, 2017). He has also written articles on Roman drama, Roman epic, and epigram, and is currently working on a book on Cato the Elder.

Charles Gu?rin is Professor of Latin Literature at Sorbonne Universit?, Paris. He has published monographs on the rhetorical notion of persona (J. Vrin, 2009; J. Vrin, 2011) and on witness testimony in the Roman courts of the first century BC (La Voix de la v?rit?; 2015), and has also edited and co-edited several volumes on ancient rhetoric, oratory, declamation, and literature. A former junior member of the Institut Universitaire de France, he is a member of the council of the International Society for the History of Rhetoric (2018-2021) and the executive committee of L'Ann?e Philologique.

Marcos Martinho dos Santos is Associate Professor of Classical Languages and Literatures at the University of S?o Paulo, Brazil. He is a specialist in ancient rhetoric and in addition has published extensively on ancient grammarians and mythographers. He also serves on the editorial boards of nine Classics related journals and has edited and co-edited six volumes on Roman declamation, Cicero, and Greek mythology. He is currently preparing a book length study on Hyginus.

Introduction: What is Declamation?, Martin T. Dinter and Charles Gu?rin
I. Declaimers and Declamation
1. The Bitter Medicine of History: Seneca the Elder on the Genre of Declamation, Yelena Baraz
2. Seneca and the Past, Martin T. Dinter
3. Greek Declaimers, Roman Context: (De)constructing Cultural Identity in Seneca the Elder, Charles Gu?rin
4. Nomination and Systematisation in Seneca's Controversiae, Orazio Cappello
II. Physical Technique: Actio
5. Physical Excess as a Marker of Genre in the Elder Seneca, Anthony Corbeill
6. Between Real and Fictional Eloquence: Some Observations on actio in Porcius Latro and Albucius Silo, Andrea Balbo
III. Linguistic Technique: Motifs and Devices
7. The Ocean (Seneca Suas. 1): Community Rules for a Common Literary Topic, Bart Huelsenbeck
8. The Mythical exempla of Faithful Heroines in Seneca the Elder's Work:?Literary Occurrences of a Declamatory Device, Beatrice Larosa
9. The Rhetoric of Decline and the Rhetoric for declamatio, Chris van den Berg
IV. The Dark Side of Declamation
10. Objection! Contesting Taste and Space in Seneca's Declamatory Arena, Jonathan Mannering
11. Color Medius or the Colour of Suspicion, Yazm?n Victoria Huerta Cabrera
12. Laughing is no Laughing Matter: Laughs and Laughter in Seneca the Elder's Oeuvre, Catherine Schneider
V. Intertextuality
13. Intertextuality in Seneca the Elder, Julien Pingoud and Alessandra Rolle
14. The Use of the Apostrophe: A Sign of the Fictionality of Declamation?, Stefan Feddern
15. Controversial Games: Didactical Voices and the Construction of Discourse in Seneca's Controversiae and Suasoriae, Danielle van Mal-Maeder