Old Masters of Postmodernism: The Suppression of History
Through a Glass Darkly: Postmodern Fictions Now and Then
p. 11
Samuel Beckett Harping: No Place to Go, No Place to Go
p. 37
Exploiting Impotence: Herman Melville's Benito Cereno after Beckett
p. 61
Jorge Luis Borges Dictating: No More Time
p. 81
Copies and Counterfeits: Mark Twain's The Mysterious Stranger after Borges
p. 104
Vladimir Nabokov Translating: No Words Perfect
p. 123
The Reader without a Country: Nathaniel Hawthorne's The Marble Faun after Nabokov
p. 152
New Women Writers Refiguring the Past
Illegitimate Histories: Ghost Stories and Family Secrets by Toni Morrison, Louise Erdrich, and Maxine Hong Kingston
p. 179
Three Kinds of Ghost Story: Charlotte Bronte's Villette after Toni Morrison's Beloved
p. 214
The Aesthetics of Solitude, the Politics of Exclusion: Thomas Hardy's The Woodlanders after Louise Erdrich's Tracks
p. 235
Madonna Minerva: George Eliot's Romola after Maxine Hong Kingston's The Woman Warrior
p. 257
Notes
p. 277
Index
p. 297
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