The New (Ethno)musicologies

Over the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as "new." What has happened to ethnomusicology during this period? Have its theories, methodologies, and values remained rooted in the 1970s and 1980s, or have they also transformed? What directions might or should it take in the new millennium?

Series Editors' Foreword	p. vii
Introduction	p. 1
Questions of Discipline
Perspectives on Ethnomusicology
A View from Musicology	p. 23
Why I'm Not an Ethnomusicologist: A View from Anthropology	p. 28
A View from Popular Music Studies: Genre Issues	p. 40
We Are All (Ethno)musicologists Now	p. 48
Exorcising the Ancestors?
Ethnomusicology, Alterity, and Disciplinary Identity; or "Do We Still Need an Ethno-?" "Do We Still Need an -ology?"	p. 71
Praisesong to the Ancestors and the Post-New Nuclear Family	p. 76
Beyond the Academy	p. 83
Other Ethnomusicologies, Another Musicology: The Serious Play of Disciplinary Alterity	p. 95
A New Ethnomusicology?
Ethnomusicology, Intermusability, and Performance Practice	p. 117
Toward an Ethnomusicology of Sound Experience	p. 135
E-Fieldwork: A Paradigm for the Twenty-first Century?	p. 170
New Directions in Ethnomusicology: Seven Themes toward Disciplinary Renewal	p. 188
Afterword	p. 207
About the Contributors	p. 217
Index	p. 221
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The New (Ethno)musicologies

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