Sound Alliances

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ISBN: 9780304700509 | 0304700509
Cover: Paperback
Copyright: 11/1/1998

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An anthology of essays on the new syncretic, or "fusion," styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity.

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About the Authors	p. vii
Acknowledgements	p. ix
Introduction: Beyond the Axis	p. 1
Music, Identity and Cultural Politics
Tjungaringanyi: Aboriginal Rock (1971-91)	p. 11
He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand	p. 26
Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia	p. 45
Koori Music in Melbourne: Culture, Politics and Certainty	p. 62
Jawaiian Music and Local Cultural Identity in Hawai'i	p. 78
Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music	p. 89
Music, Commerce and the Media Industries
Developments in Papua New Guinea's Popular Music Industry	p. 107
Questions of Music Copyright in Papua New Guinea	p. 123
Te Wa Whakapaoho i te Reo Irirangi: Some Directions in Maori Radio	p. 127
A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea	p. 142
The Proud Project and the 'Otara Sound': Maori and Polynesian Pop in the Mid-1990s	p. 158
Access to the Mainstream: The Case of Yothu Yindi
Yothu Yindi: Context and Significance	p. 175
Culture, Custom and Collaboration: The Production of Yothu Yindi's 'Treaty' Videos	p. 181
Safe, Exotic and Somewhere Else: Yothu Yindi, 'Treaty' and the Mediation of Aboriginality	p. 190
Yothu Yindi: Agendas and Aspirations	p. 199
Bibliography	p. 209
Index	p. 219
Table of Contents provided by Syndetics. All Rights Reserved.

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Sound Alliances

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