Statues and Cities Honorific Portraits and Civic Identity in the Hellenistic World

Why say thank you with a portrait statue? This book combines two different and quite specialized fields, archaeology and epigraphy, to explore the phenomenon of portraits in ancient art within the historical and anthropological context of city-states honouring worthy individuals through erecting statues, and the development of families imitating this practice.

This transaction tells us a lot about the history of these cities and how ancient art worked as a construction of relations during the Hellenistic period (c. 350 BC-c. AD 1), which is marked by a political culture of civic devotion, common decision making, and publicness.

As honorific statues were considered public art, the volume also investigates the workings of images, representations, memory, and the monumental public form of permanent inscription, to see what stories the Hellenistic city-states can reveal about themselves.

John Ma, Fellow and Tutor in Ancient History, Corpus Christi College, Oxford

John Ma is a Fellow and Tutor in Ancient History at Corpus Christi College, Oxford. A former Fellow of All Souls College, Oxford, he has taught at Princeton and has held visiting appointments in Paris. He is interested in ancient history, especially Greek, and archaeology.

Preface
List of Illustrations
List of Plans
List of Abbreviations
Introduction
Part I Statues and stories
1. Towards a Grammar of Honours
2. The Politics of the Accusative
Part II Statues and Places
3. Statues in their Spaces
4. Statues in their Places
Part III Statues and Families
5. The Shape of Private Monuments
6. Private Spaces, Private Statues
Part IV Statues as Images
7. Making an Honorific Portrait
8. Looking at an Honorific Portrait
Conclusion
Plans
Bibliography
Index Locorum
General Index