The Theatre of Don Juan: A Collection of

The eternal Don Juan, the creation more than 350 years ago of a monk and dramatist known as Tirso de Molina, has appeared on the boards as a thinker and fool, hero and villain, but never as anything less than a great lover. Oscar Mandel'sTheatre of Don Juanpresents different aspects of the Don's spectacular progress through a half-dozen countries, epochs, and intellectual climates. Here are full-length plays by Molina, Moliere, Shadwell, Da Ponte, Grabbe, Moncrieff, Zorrilla, and Rostand; excerpts from plays by Shaw, Montherlant, and Frisch; plus a dozen critical and interpretative essays. In his introduction, Mandel examines the legend of Don Juan.

The Legend of Don Juan	p. 1
The Classical Don Juan	p. 35
Don Juan in Spain (1616?-1630)	p. 37
The Playboy of Seville or Supper with a Statue (1616?)	p. 47
Scene I	p. 51
Act I	p. 51
Scene 2	p. 55
Scene 3	p. 57
Scene 4	p. 60
Scene 5	p. 61
Act II	p. 63
Scene 2	p. 63
Scene 2	p. 65
Scene 3	p. 77
Act III	p. 79
Scene 2	p. 79
Scene 2	p. 83
Scene 3	p. 85
Scene 4	p. 86
Scene 5	p. 91
Scene 6	p. 94
Scene 7	p. 94
Scene 8	p. 98
Don Juan in Italy, France, and England (1625-1676)	p. 100
Don Juan in Italy, France, and England (1625-1676)	p. 117
Act I	p. 120
Act I	p. 120
Scene 2	p. 122
Scene 3	p. 125
Act II	p. 128
Scene 2	p. 128
Scene 2	p. 131
Scene 3	p. 134
Scene 4	p. 135
Scene 5	p. 138
Act III	p. 139
Act III	p. 139
Scene 2	p. 141
Scene 3	p. 142
Scene 4	p. 144
Scene 5	p. 146
Scene 2	p. 148
Scene 5	p. 148
Scene 3	p. 149
Scene 2	p. 149
Scene 4	p. 152
Scene 5	p. 153
Scene 6	p. 153
Scene 7	p. 155
Scene 8	p. 156
Scene 2	p. 157
Act V	p. 157
Scene 2	p. 158
Scene 3	p. 160
Scene 4	p. 161
Scene 6	p. 162
Scene 5	p. 162
The Libertine: A Tragedy in Five Acts (1676)	p. 171
Act I	p. 176
Act I	p. 176
Scene 2	p. 183
Scene 3	p. 188
Act II	p. 189
Scene 2	p. 189
Scene 2	p. 200
Act III	p. 205
Scene 1	p. 205
Scene 2	p. 207
Scene 3	p. 213
Act IV	p. 224
Act IV	p. 224
Scene 2	p. 230
Scene 3	p. 235
Scene 4	p. 236
Act V	p. 239
Scene 2	p. 239
Scene 2	p. 245
Don Juan in Italy, Germany, and Austria (1736-1787)	p. 251
The Puppet Theatre and Don Juan Und Don Pietro Oder Das Steinerne-Todten-Gastmahl	p. 255
Don Juan and Don Pietro or the Dead Stone's Banquet (before 1787)	p. 259
Act I	p. 262
Act II	p. 263
Act III	p. 266
Act I	p. 268
Act II	p. 269
Act III	p. 271
Act I	p. 273
Act III	p. 277
The Punished Libertine or Don Giovanni	p. 288
Scene 2	p. 290
Scene 3	p. 292
Scene 4	p. 298
Scene 5	p. 300
Act II	p. 302
Scene 1	p. 302
Scene 3	p. 309
Scene 5	p. 311
Scene 4	p. 311
The Romantic Don Juan	p. 317
Nineteenth-Century Views (1814-1822)	p. 334
Act I	p. 334
Scene 2	p. 343
Act I	p. 351
Scene 2	p. 351
Scene 2	p. 361
Act III	p. 369
Act III	p. 369
Scene 2	p. 371
Scene 3	p. 377
Act IV	p. 379
Scene 2	p. 379
Scene 2	p. 383
Scene 3	p. 385
Scene 4	p. 388
Don Juan on the Musical Stage (1817-1820)	p. 398
Don Juan on the Musical Stage (1817-1820)	p. 403
Act I	p. 409
Act I	p. 409
Scene 2	p. 412
Scene 4	p. 421
Scene 5	p. 424
Scene 1	p. 427
Act II	p. 427
Scene 2	p. 432
Scene 3	p. 434
Scene 4	p. 437
Scene 5	p. 440
Nineteenth-Centug Views (1832-1843)	p. 447
Don Juan Tenorio (1844)	p. 469
	p. 472
Act II	p. 487
Act III	p. 499
Act IV	p. 507
Act II	p. 518
	p. 518
Act II	p. 527
Act III	p. 534
The Molecular Don Juan	p. 545
Twentieth-Century Views (1903-1911)	p. 547
The Last Night of Don Juan (1921)	p. 569
Don Juan Act II (1956)	p. 678
Don Juan or the Love of Geometry	p. 699
Act IV	p. 703
Act V	p. 719
Bibliography	p. 725
Acknowledgments	p. 730
Table of Contents provided by Publisher. All Rights Reserved.

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The Theatre of Don Juan: A Collection of Plays and Views, 1630-1963

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