Unlearning with Hannah Arendt

Short-listed for the Tractatus Essay Prize, an examination of the innovative strategies Arendt used to achieve intellectual freedom
 
After observing the trial of Adolf Eichmann, Hannah Arendt articulated her controversial concept of the “banality of evil,” thereby posing one of the most chilling and divisive moral questions of the twentieth century: How can genocidal acts be carried out by non-psychopathic people? By revealing the full complexity of the trial with reasoning that defied prevailing attitudes, Arendt became the object of severe and often slanderous criticism, losing some of her closest friends as well as being labeled a “self-hating Jew.”  And while her theories have continued to draw innumerable opponents, Arendt’s work remains an invaluable resource for those seeking greater insight into the more problematic aspects of human nature.
 
Anchoring its discussion in the themes of translation, forgiveness, dramatization, and even laughter, Unlearning with Hannah Arendt explores the ways in which this iconic political theorist “unlearned” recognized trends and patterns—both philosophical and cultural—to establish a theoretical praxis all her own. Through an analysis of the social context and intellectual influences—Karl Jaspers, Walter Benjamin, and Martin Heidegger—that helped shape Arendt’s process, Knott has formed a historically engaged and incisive contribution to Arendt’s legacy.

Marie Luise Knott is a journalist, translator, and author living in Berlin. In 1995 she founded the German edition of Le Monde diplomatique and has been its editor-in-chief for the past eleven years. She has written numerous works on art and literature, as well as two important studies of Hannah Arendt.
 
David Dollenmayer is an emeritus professor of German at Worcester Polytechnic Institute. His translations include works by Rolf Bauerdick, Bertolt Brecht, Elias and Veza Canetti, Peter Stephan Jungk, Michael Kleeberg, Perikles Monioudis, Anna Mitgutsch, Mietek Pemper, and Hansjörg Schertenleib. He is the recipient of the 2008 Helen and Kurt Wolff Translator’s Prize (for Moses Rosenkranz’s Childhood) and the 2010 Translation Prize of the Austrian Cultural Forum in New York (for Michael Köhlmeier’s Idyll with Drowning Dog).