Woolf Studies Annual

This volume includes Anca Vlasopolos on focalization, the cinematic gaze, and romance in Meredith and Woolf; Catherine Craft-Fairchild s analysis of gender construction in Sally Potter's Orlando; Judith Greenberg on traumatic reverberations in Between the Acts; and Kristina Busse on the return of the Real in Between the Acts. A letter from Woolf to Lady Sackville published here for the first time leads David Porter to speculate on reasons Vita Sackville-West's mother may have had for finding Orlando so offensive.